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Shame
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Directed by Ingmar Bergman.
Shame demonstrates the futility of escaping the consequences of war. In 1971, the Rosenbergs, Jan (Max von Sydow) and Eva (Liv Ullmann), have retreated to an island off the coast of their unnamed country, which is embroiled in a civil conflict. Trained and employed as classical violinists, they make a modest living raising and selling lingonberries, though they continue to play their instruments. When a plane carrying soldiers crashes on the island, Jan and Eva see their lives changed in an instant as soldiers from both sides of the conflict overrun the island and fighting breaks out. The couple is arrested and charged with collaborating with the rebel forces. Colonel Jacobi (Gunnar Bjornstrand), an old friend of the couple, is in charge of the army defending the island, and he agrees to have the couple released if Eva will have sex with him. Shortly after Jan learns of Eva's betrayal, rebel forces gain the upper hand and order Jan to execute Jacobi, which he readily agrees to do. Not sure which side is safe to throw in with, the couple agree to leave on an early morning boat for another island, which is presumably sheltered from the conflict. ~ Tom Wiener, All Movie Guide
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PuhnnerPuhnner Extraordinary moments, there ar ...
by Puhnner in extraordinary moments
loved it.
"I watched In the Soup last night and became overwhelmed with one moment, one scene ( well actually two ). It was with Steve Buscemi's character Aldolpho, Jennifer Beals character Angelica, and her cousin/brother Paul (Sam Rockwell) on the roof. The three were on the roof and Aldolpho and Angelica took turns filming the other two. It is in Black and White ( I read that there was a color version too ). Snow came floating down and Angelica twirled round and round. Filmed in slow motion, to a close-up of her face. She had the most blissful, beatific expression on her face. I watched it over and over...time stopped.In the special features after, she commented on that scene and she said that she ( the character ) just felt free...I just wondered how she was able to do it and how the director Alexandre Rockwell captured it.There are those moments and I wonder what others people see. I have some in Shame and the Eel, that I will put down. " [More]
dibotdibot I Am the Science of Southland P ...
by dibot in dibot Blog
is neutral about it.
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"Shame was downright action packed compared to the last couple of Bergman ("Saraband") films I've watched. Max Von Sydow ("Rush Hour 3") and Liv Ullmann ("Saraband") are a very unhappily married couple whose house seems to be in the middle of a war zone. Neither half of the couple are very cool. They both do some pretty despicable things. This wasn't my favorite of his films. I am Legend pretty much rocked. Set in the future where a virus has wiped out much of the human race, leaving behind scary vampire/zombie like creatures, Will Smith ("The Pursuit of Happyness") has been living alone for three years in NYC. The first part of the film really takes its time establishing Smith's lifestyle and complete loneliness. Then it gets tense. My only real complaint is that the monsters were way too fake. When are people going to learn that CG will never be as cool as makeup? Michel Gondry ("Be Kind Rewind")'s The Science of ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
The middle segment of Ingmar Bergman's late '60s trilogy of films set on the island of Fårö, Shame is less enigmatic than Hour of the Wolf and more harrowing than The Passion of Anna. It's impossible to think that Bergman wasn't in some way affected by the worldwide debate over American involvement in Vietnam when he wrote the script for Shame, though its politics are neutral. Bergman is much more interested in exploring the inability of civilians to get out of the way of a war and what the consequences are when it does touch them. Precisely because Jan and Eva Rosenberg take no sides in the civil conflict they are trying to avoid, their basic reaction to danger is one of pure survival. Whatever side is winning is the side they are on, whether it means granting sexual favors or killing an old friend. With those two acts, the Rosenbergs betray each other and leave themselves morally stripped bare. By the final scenes, on a boat moving through waters choked with corpses, Jan and Eva are almost zombies. When Eva tries to recall a remark that would comfort her, her memory fails her; it's one of the most powerful scenes in the career of one of the world's greatest filmmakers. ~ Tom Wiener, All Movie Guide
 



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