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Seven Brides for Seven Brothers
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Directed by Stanley Donen.
Based extremely loosely on the Stephen Vincent Benet story Sobbin' Women," Seven Brides for Seven Brothers is one of the best MGM musicals of the 1950s. Most of the story takes place on an Oregon ranch, maintained by Adam Pontabee (Howard Keel) and his six brothers, played by Jeff Richards, Russ Tamblyn, Tommy Rall, Mark Platt, Matt Mattox, and Jacques d'Amboise (it is no coincidence that five of those six boys are played by professional dancers). When Adam brings home his new bride Milly (Jane Powell), she is appalled at the brothers' slovenliness and sets about turning these unwashed louts into immaculate gentlemen. During the boisterous barn-raising scene, the brothers get into a scuffle with a group of townsmen over the affection of six comely lasses: Virginia Gibson, Julie Newmeyer (later Newmar), Ruth Kilmonis (later Ruth Lee), Nancy Kilgas, Betty Carr, and Norma Doggett (yep, most of the girls are dancers, too). Yearning to become husbands like their big brother, they ask Adam for advice. Alas, he has been reading a book about the abduction of the Sabine Women (or, as he puts it, the Sobbin' Women); and, in order to claim their gals, Adam explains, the boys must kidnap them--which they do, after blocking off all avenues of escape. Vowing to remain on their best behavior, the boys make no untoward advances towards their reluctant female guests--not even during one of the coldest winters on record. Comes the spring thaw, the angry townsfolk come charging up the mountain, demanding the return of the stolen girls (who, by this time, have "tamed" their men). A happy ending is ultimately had by all in this delightful if politically incorrect concoction. ~ Hal Erickson, All Movie Guide
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MavAviatorMavAviator Bless your beautiful hide
by MavAviator in MavAviator Blog
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"Going into seeing this film, I was apprehensive because it was a "Classical Musical." But after the first song and the initial laughter on how funny the plot was, I actually found it quite entertaining. It was also beneficial to have been watching it with someone who was an "avid" musical lover and who is also quite talented in singing. Dorcas was my favorite bride but that Alice was pretty cute too. Definitely recommend it if you get the chance to watch it. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Seven Brides for Seven Brothers is one of the screen's most exuberant musicals -- no small feat considering that the stolid Howard Keel plays the male lead. Fortunately, Keel is looser and livelier here than in many of his roles. Whether it's the part or director Stanley Donen, he seems inspired to have fun, whether cockily blustering through the town looking for a bride or sulking after a good reprimanding. He's well matched by Jane Powell, who achieves a fine blend of perkiness and motherliness. Both leads sound great, with Keel's rich baritone bursting forth in "Bless Yore Beautiful Hide" and Powell's soprano trilling nicely in "Wonderful, Wonderful Day." What makes the film, however, is the dancing. Michael Kidd's choreography is among the most athletic and exciting on film. The barn-raising sequence in particular is a rousing classic, with leaps, turns, and log rolls that leave the audience thrilled. Special mention must also be made of the lovely, gentle "Lonesome Polecat" ballet, in which minimal movement is used for maximum impact. The screenplay is solid and well-constructed, although contemporary audiences may find aspects of the story dated. Donen, already respected for such earlier musicals as Singin' in the Rain and On the Town, would go on to direct It's Always Fair Weather and Funny Face. ~ Craig Butler, All Movie Guide
 



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