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The Informers
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A collection of Bret Easton Ellis' short stories are brought to life by director Gregor Jordan (Buffalo Soliders) in The Informers, a Senator Entertainment ensemble featuring Billy Bob Thorton, Kim Basinger and Brandon Routh. The pic, set in 1983, follows an eclectic group of characters around the Los Angeles area, including a movie executive, his wife, a kidnapper, a rock star and a vampire. Ashley Olson, Austin Nichols, Jon Foster and Lou Taylor Pucci co-star. ~ Jeremy Wheeler, All Movie Guide
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KarinaKarina Bret Easton Ellis: Struggling S ...
by Karina in Karina on SpoutBlog
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"With an almost completely dead, holiday hungover RSS, I spent the morning leisurely slogging through this LA Times profile of 80s it-boy novelist Bret Easton Ellis. Much of the story’s 3,000 words are devoted to defenses of Ellis’ literary reputation, most notably for our purposes from New York Times film critic A.O. Scott, who praises Ellis as “a much more radical writer than he seems.” The rest of it details the oft-adapted novelist’s own attempts to break into screenwriting. Ellis’ published work has so far formed the basis of three released films: the gloriously trashy Less Than Zero, in which Robert Downey Jr. essentially plays a future version of himself; Mary Harron’s American Psycho, which broke with Ellis’ trademark moral passivity in order to turn the material into obvious satire; and Roger Avery’s Rules of Attraction, which seemed to be kind of more about Roger Avery learning how to use Final Cut Pro than anything else. Somewhere along the way, Ellis apparently “realize ... " [More]
SpoutBlogSpoutBlog Bret Easton Ellis: Struggling S ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"With an almost completely dead, holiday hungover RSS, I spent the morning leisurely slogging through this LA Times profile of 80s it-boy novelist Bret Easton Ellis. Much of the story’s 3,000 words are devoted to defenses of Ellis’ literary reputation, most notably for our purposes from New York Times film critic A.O. Scott, who praises Ellis as “a much more radical writer than he seems.” The rest of it details the oft-adapted novelist’s own attempts to break into screenwriting. Ellis’ published work has so far formed the basis of three released films: the gloriously trashy Less Than Zero, in which Robert Downey Jr. essentially plays a future version of himself; Mary Harron’s American Psycho, which broke with Ellis’ trademark moral passivity in order to turn the material into obvious satire; and Roger Avery’s Rules of Attraction, which seemed to be kind of more about Roger Avery learning how to use Final Cut Pro than anything else. Somewhere along the way, Ellis apparently “realize ... " [More]
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