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Saw IV
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Directed by Darren Lynn Bousman.
Just when audiences thought they'd heard the last of the demented killer Jigsaw (Tobin Bell), here comes Saw IV, continuing his trap-filled legacy -- this time, targeting the last remaining officer who has touched the case, SWAT Commander Rigg (Lyriq Bent). As FBI agents Strahm (Scott Patterson) and Perez (Athena Karkanis) begin to dig through the remains of Jigsaw's crime-scene hideout, a new puzzle presents itself, with Rigg as the pawn in another deadly game filled with moral quandaries and torture-filled traps. Director Darren Lynn Bousman returns to the series after helming both Saw II and III, with a script penned by Feast writers Patrick Melton and Marcus Dunstan. ~ Jeremy Wheeler, All Movie Guide
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JJ79JJ79 Saw IV (2007)
by JJ79 in JJ79 Blog
hasn't rated it.
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"If it´s Halloween, it must be "Saw." Alright, so I stole that line from the advertising for one of the earlier movies in the horror series, but it still fits. The weekend before Halloween, without fail, Lionsgate unveils the newest entry in the franchise. It doesn´t get screened for critics. The ones that do plunk down their own money to watch the carnage hate it all the while the public eats it up. Rinse. Repeat. The same thing has happened this year with "Saw IV," the newest installment. And with the news both "Saw V" and "Saw VI" are going into production, I´ll go out on a limb the same pattern is going to hold for the next two years. "Saw IV" opens with an autopsy. Jigsaw´s autopsy, since the character died at the end of the previous entry. In his stomach is an audio tape covered in wax (to help in swallowing, of course). While listening to the recording, Agent Straham relives his encounter with the master genius, including the revelation Eric Matthews ( ... " [More]
dibotdibot American Gangster Saw Darjeelin ...
by dibot in dibot Blog
lost interest.
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"American Gangster is a semi-epic about the rise of heroin kingpin Frank Lucas (Denzel Washington, "Deja Vu") and the cop, Richie Roberts (Russell Crowe, "3:10 to Yuma") who's determined to bring him down. The movie cuts back and forth between the two men, leading us into their lives and work. Lucas is charismatic and ruthless. Roberts is determined, honest and sometimes lost in his personal life. I found his story to be much more engaging. Crowe is very restrained in the role and seems more like a real person. Washington is just too smooth. Based on actual events, the film covers many years and much information. But it seemed so slow in many parts. I found myself checking my watch. Also, Crowe and Washington only have about five minutes of shared screen time, a bit of a disappointment. It's impossible to make a movie like this and not be compared to The Godfather. There's at least one scene that, to me, seemed like a straight rip off. But maybe direc ... " [More]
DejaVecuDejaVecu The Saw franchise remains strong
by DejaVecu in DejaVecu Blog
liked it.
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"While not the strongest entry in the series, Saw IV was still a well thought out movie. Expect some more inventive "games," a fairly interesting (if a bit drawn out "enough already" Jigsaw backstory), and enough gore to satisfy you (if you like that sort of thing). By film's end, you know they can keep going, although I'd hope they'll slow down because one a year is definitely straining the writing a bit.Also, (and I don't feel this is a spoiler) be prepared to see prior Saw series events in a new light and expect to be a bit flexible on your chronology for the franchise. If this is a spoiler, I apologize, but it seems to me that it pays to see these new games as taking place simultaneously with the games in Saw III...you'll see what I mean when you watch. (There may still be a few flaws here, hence my plea to slow down the annual releases.) " [More]
SpoutBlogSpoutBlog New Releases: Before The Devil ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Several movies that we’ve covered previously on SpoutBlog are opening in theaters today: Before The Devil Knows You’re Dead, starring Ethan Hawke and Philip Seymour Hoffman, has been widely hailed as a “return to form” for director Sidney Lumet. That’s probably not inaccurate, but the last thing Devil feels like is the work of an old man recycling old tricks. Ballsy and occasionally incredulous in its illustration of extreme, self-manufactured desperation, Devil’s not exactly a masterpiece, but if can roll with its plot contortions, it’s a deeply satisfying bit of pulp melodrama. And it’s got the opening sex scene to end all opening sex scenes. Read my NYFF review here, and listen to Lumet talk about his late-career embrace of digital video here. The Darjeeling Limited expands yet again this weekend, but the real news is the theatrical unveiling of Hotel Chevalier. See a review of the feature here, and coverage of Wes Anderson’s short here, here and here. Saw IV’s opening box off ... " [More]
SpoutBlogSpoutBlog The Return of Torture: Trade Ro ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"The Hollywood Reporter predicts Saw IV will open huge this weekend, and Variety concurs. The Variety story is a bit more skeptical as to whether or not this latest installment in “the flagship hardcore horror franchise” can reverse the course on the torture porn down-turn, but THR is looking at the bigger question of “whether the gore-filled sequel can pump some blood into a recently lifeless fall theatrical season.” Variety’s headline says there’s “new life” in pre-strike talks between the WGA and the AMPTP, but the story reads like you literally couldn’t pay the Writer’s Guild not to strike. The Reporter’s headline seems more accurate: “WGA seems unimpressed with new AMPTP proposals.” Kurt & Courtney director Nick Broomfield has hopped from the William Morris Agency to ICM. Broomfield is looking for North American distribution for his second narrative feature in two years, Battle for Haditha, and his new agency has been tasked with aiding that cause. Reason #907 why this Taking o ... " [More]
notkevinbaconnotkevinbacon Re: Re-makes.......
by notkevinbacon in HORROR MOVIES 101
lost interest.
"I agree that a majority of remakes suffer from uninspired thinking and lack of creativity. With horror movies (see also sci-fi, action, comedy) there is the abilty to create a brand. Brands in dramas are rarer but they exist (i.e. Godfather Trilogy) Most of these remakes we see now I can only assume were brewed in some cavernous boardroom with movie producers bargaining and bidding on horses named "Texas Chainsaw Franchise"and "Halloween Money Machine." It becomes soley a business deal. They are buying likeliness and iconic horror villians with familar stories. Now, for me to say that this is an unethical practice that rips the artistic rug out from beneath fright flicks would be ridiculous. Even though they aren't all winners I love the Friday the 13th movies (OK, well Part 8 and Jason X are both hard to watch because they're just awful), same goes for Nightmare on Elm street, Hellraiser, etc. Even though I am not the biggest fan of the Saw franchise... I saw a preview ... " [More]
AlienLazerAlienLazer How bad is this movie going to ...
by AlienLazer in AlienLazer Blog
hasn't rated it.
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"I can't believe they are actually putting out a forth one. I mean, the third one did such a wonderful job at conclueding these movies. Who are they going to use now and how will they top the previous movie? That's just crazy... " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
Like 'em or not, one has to give the Saw series credit for coming up with new extreme ways to keep the franchise alive. The fourth entry is no different -- in fact, by the time the end credits roll, it's inherently evident just how far this radically complicated mythos has come. Sure, there are still a half dozen gruesome bits of torturous terror awaiting audiences, but the real gonzo stuff comes at the end, when the series climbs inside itself and essentially changes so much of what has come before that it's impossible not to give the filmmakers credit for simply attempting to go there. Is this new sucker punch of a twist deftly handled? Not really, no -- but the fact that Twisted Pictures even dares to thoroughly complicate their franchise with their fourth film is enough to take note. Otherwise, just about the best things one could say about the film are the incredible makeup effects as well as the snazzy transitions that Darren Lynn Bousman cooked up to keep this labyrinthine plot moving. Also on the plus side is that this is one sequel that didn't fall into the heavy dramatics of its predecessor, making it a far more breezy (if still highly confusing) entry in the sadistic horror genre. ~ Jeremy Wheeler, All Movie Guide
 



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