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Rocky
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Directed by John G. Avildsen.
Rocky Balboa (Sylvester Stallone), a Philadelphia boxer, is but one step removed from total bum-hood. A once-promising pugilist, Rocky is now taking nickel-and-dime bouts and running strongarm errands for local loan sharks to survive. Even his supportive trainer, Mickey (Burgess Meredith), has given up on Rocky. All this changes thanks to Muhammad Ali-like super-boxer Apollo Creed (Carl Weathers). With the Bicentennial celebration coming up, Creed must find a "Cinderella" opponent for the big July 4th bout -- some unknown whom Creed can "glorify" for a few minutes before knocking him cold. Rocky Balboa was not the only Cinderella involved here: writer/director Sylvester Stallone, himself a virtual unknown, managed to sell his Rocky script (one of 35 that he'd written over the years) on the proviso that he be given the starring role. Since the film was to be made on a shoestring and marketed on a low-level basis, the risk factor to United Artists was small. For Stallone, this was a make-or-break opportunity -- just like Rocky's million-to-one shot with Apollo Creed. Costing under a million dollars, Rocky managed to register with audiences everywhere, earning back 60 times its cost. The film won several Academy Awards, including Best Picture. ~ Hal Erickson, All Movie Guide
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ZularianZularian Non-review review number 2
by Zularian in Zularian Blog
liked it.
1 out of 1 people found this review helpful. [What do you think?]
"This movie is exacatly what it said it was going to be, it's a chase movie with a terribly creepy villan. I cannot say there is much more to it than that. It's a western of sorts which for me is not really a big selling point. There is really nothing shocking or new about this movie. The "highly discussed" aspects of this film, in particular the dog that was not a stunt dog, were some of the more disappointing moments in movie-watching history for me (look up how much was written about this dog and how the scene was done and then rewatch the movie...) Which is why when I watched it the other day I just felt baffled. It is not fair to blame No Country for the expecations I had for it. It was, as I said, everything it said it was going to be. I can't really point my finger at critics or those who give out awards because after Brokeback Mountain they have proven they cannot be trusted. I know that the fault lies with me, but what can I do? I had hoped, in vain, that this film would be ... " [More]
usesoapusesoap Episode V: Jaws
by usesoap in Natsukashi
liked it.
"Film: JawsRated: PGDirected by: Steven Spielberg Starring: Roy Scheider: Sheriff Brody Richard Dreyfuss: Hooper Robert Shaw: Quint Tagline: Don’t go in the water By: Efferdent Johnson Past memories: In 1975, I was doing my best to propagate the best hair helmet any pre-teen had ever hoped to wear. My interests were few and my fears were many. Some of which were brought to the surface by a frightening grey machine with a zillion teeth and a thirst for blood. By my tenth year of life, the most frightening movie experiences were the ever-so-scary villains of Disney. I can remember sinking in my seat during Willy Wonka’s boat ride, or almost all of Chitty Chitty Bang AHHHHHHHHH!!! Jaws would never affect me… or so I thought. The chances of me seeing the movie were less than my chances for a Senate seat. My mom would make sure that her young sons would not be turned to evil, sexually confused or exposed to the violence of ... " [More]
ShaunHustonShaunHuston AFI's 10 Top 10: Sports
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
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"The sports Top 10 is a difficult list to assess. How many truly good sports movies are there, and I ask this as a sports fan? Raging Bull (1980) is arguably the greatest film of the 1980s, and Rocky (1976) was a little labor of love, far from the semi-joke blockbuster that it is often remembered as in light of its sequels. They likely deserve their places at the top of the list, especially Raging Bull. As to the rest of the films, I have a lot of affection for Breaking Away (1979) and really, it's a lovely little film that I'd put higher on the list. I also like Hoosiers (1986) and Bull Durham (1988), but they both have obvious flaws (as Anne-Marie noted, the basketball film falls short in its depiction of the on-the-court action; the final is especially poorly paced and shot and edited in an oblique way. I've always thought that Bull Durham's final act stretched on a little too long, needlessly deferring Annie and Crash's final settling in together). For the remainder, well, I don ... " [More]
JJ79JJ79 Rocky (1976)
by JJ79 in JJ79 Blog
hasn't rated it.
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"Released: November 21, 1976 (New York)Director: John G. Avildsen*****I'll admit, I put off watching this 1976 Best Picture winner for a long, long time. Frankly, boxing pictures hold little allure for me and Sly Stallone isn't exactly at the top of any acting list. But a strange thing happened during Rocky: I grew to admire everything about the production. The much-heralded boxing aspects of the film never clouded the storyline and when Rocky makes his triumphant run up steps with the theme playing, we feel it.Rocky is touted as an underdog story and it certainly is, but that storyline isn't front and center as it maybe should be. Sure, we see Rocky wooing Adrian (Talia Shire) and eventually working his way into a fight with World Heavyweight Champion Apollo Creed. It's the finale, a cacophony of noise, that let's us all down. After a brutal 15 round bout, we want Rocky to win the fight. All we really know is that it was a split decision. If Rocky is to be a true hero for t ... " [More]
RisseladaRisselada Re:Re:Re:Re:Re:Re:The Hitcher
by Risselada in Violence on film
is neutral about it.
"Alright, thank you! I'm glad that's settled. :) " [More]
TenenbaumsTenenbaums The Great Quebecois Hope
by Tenenbaums in Tenenbaums Blog
hasn't rated it.
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"Let's go back. Back to a time when hockey was played without helmets or masks. When being a professional hockey player was (apparently) not a full-time job. A time before agents and million dollar contracts, when talent won out over hype and gimmicks. A simpler time.Specifically 1942, when Maurice "The Rocket" Richard (Roy Dupuis), a Quebecois machinist who'd financially supported his family since age 16, is signed by the hometown Montreal Canadians after an open training camp. Richard dazzles coach Dick Irvin with his speed and determination, but other team officials urge Irvin to be wary of Richard's tendency to break bones. Despite Richard being too brittle to join the army and fight in WWII, Irvin signs him anyway and is torched by the press after Richard breaks an ankle after a handful of electric games.Of course, the injury only motivates Richard to work harder and it is here that Pierre Gill's incredibly fluid cinematography really shines. Mo ... " [More]
DemndiaryDemndiary Deeper Than Ice
by Demndiary in Demndiary Blog
hasn't rated it.
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"It would be easy to classify Charles Biname’s The Rocket like any underdog sports film. It would also be wrong. Biname is after a bigger goal with this film. It is to expose the racism and discrimination during the fledgling days of the NHL. The film traces twenty years from the late 1930’s to the mid-1950’s. The film is carried by the performances of three actors: Roy Dupuis as Maurice Richard, Julie LeBreton as his wife Lucille, and Stephen McHattie as Dick Irvin, coach of the Canadiens. Dupuis is stoic, and silent in the beginning, and later on gives Richard a strong voice. LeBreton makes Lucille unflinchingly caring even during the worst of moments. McHattie’s Irvin is the “never say anything nice” coach who will win at all costs. In a film like Rocky, the final scene is winning the big match. In The Rocket, the best highlights of Richard’s career happen in the first hour. He is breaking records, and taking on other players. It is th ... " [More]
eagle795eagle795 #7
by eagle795 in eagle795 Blog
hasn't rated it.
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"Anyone who has ever believed that the underdog just may win, that the little guy from out of nowhere may actually have a chance against clearly superior competition, has obviously seen Rocky. " [More]
josephkuzmajosephkuzma Re: Top 5 Guilty Pleasure films
by josephkuzma in Top 5
loved it.
"My list is more guilty pleasures as actors, not films. I could probably make Top 5 lists out of each of these people and more... but here goes: 1. Sylvester Stallone: Rocky II, III & IV. I don't include the first because it's a great movie and I am not ashamed of liking it. I didn't include V because it's crap. And I haven't seen Rocky Balboa so I can't say one way or the other. Also Cop Land.2. Arnold Schwarzenegger's 80s (and early 90s) catalog defines guilty pleasure over and over. I hate that I like Twins, Terminator, The Running Man, Total Recall, Predator. However, I will proudly say that I like T2. Now if only T3 had been watchable...3. Keanu Reeves - Bill & Ted's Excellent Adventure/Bogus Journey, Matrix: Reloaded/Revolutions (the first wasn't a guilty pleasure in my book), Point Break , Feeling Minnesota, My Own Private Idaho, The Devil's Advocate, The Watcher.I could almost combine 4 - 5 and some of them probably aren't ... " [More]
HairyLimeHairyLime Raging Bull
by HairyLime in HairyLime Blog
liked it.
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"After enjoying 'The Departed' a couple months ago, I've been revisiting a lot of old favorite Scorcese films. I hadn't seen 'Raging Bull' in probably 10 or more years, and it has only gotten better with age. This is probably one of three of his films he should have won the oscar for ('Taxi Driver' and 'Goodfellas' are the other two), instead of Hollywood scrambling to give him one late in his career as a consolation prize for ignoring him so long. After the dreamlike credits and short intro backstage with LaMotta's lounge act, the movie jumps right out of the corner at you, both fists a swinging, and the opening sequence is a perfect blend of top notch editing, cinematography and timing as the violence in the ring seems to infect and spread throughout the audience until the capping scene with the entire arena broken out into a riot and the poor organist in the foreground trying vainly to calm people down. So much has been made of Robert ... " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
Rocky is an unashamed feel-good movie. It is essentially a reworking of Paddy Chayefsky's Marty, only instead of a shy butcher in a grocery, the protagonist is a shy butcher for a local loan shark. The real-life tale is now legendary -- how the struggling young writer Sylvester Stallone was in the audience for Muhammad Ali's boxing match with (reputed) mob enforcer and all-around tough guy Chuck Wepner, only to wonder if it wouldn't make a better story if the underdog weren't beaten into a senseless pulp by the mercurial champion. Later, Stallone, still unsuccessful and very broke, would refuse an offer for his screenplay, insisting that the deal include his playing the title role. Much like the character in his screenplay, Stallone would get his unlikely chance at success and prevail in Rocky-like fashion. At the heart of the film is Rocky's reluctant romance with the similarly shy Adrian (Talia Shire). Director John G. Avildsen expertly stretched his meager budget with skillfully selected Philadelphia location shots, most notably Rocky's training montage, which ends at the steps of the Philadelphia Museum of Art. With Network and Taxi Driver as the primary competition, the Academy opted for the upbeat Rocky, giving it three Oscars, including Best Picture. ~ Richard Gilliam, All Movie Guide
 



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