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American Gangster
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Directed by Ridley Scott.
Director Ridley Scott spins this yarn concerning a Harlem drug kingpin (Denzel Washington) who smuggles heroin into the country by hiding it in the bodies of U.S. soldiers killed during battle in Vietnam. There was a time when no one noticed reserved driver Frank Lucas (Washington), but when the criminal kingpin he was charged with transporting through the city streets suddenly dies, Lucas seizes the opportunity to build his own criminal empire. In the following months, Lucas solidifies his status as Harlem's most innovative drug dealer by delivering a product that is purer than the competitors' and cheaper, as well. When innovative businessman Lukas attempts to go semi-legit by becoming one of the Manhattan borough's biggest civil supporters, however, street-savvy outcast cop Ritchie Roberts (Russell Crowe) begins to sense a sizable shift in the hierarchy of the drug underworld. But Roberts is one of the few honest detectives operating within a corrupt system, and as he sets out to investigate the case, crooked detective Trupo (Josh Brolin) does everything in his power to compromise the integrity of his idealistic counterpart. Upon clearing all of the usual Mafia-connected suspects, Roberts begins to believe that a previously unknown black power player has come out of the woodwork to dominate the local drug trade. While Roberts and Lucas may be operating on opposite sides of the law, the one thing that both men have in common is a strict code of ethics that separates them from their opportunistic colleagues. Now, as a confrontation between the two men becomes inevitable and the fate of each becomes inexorably tied to the other, it gradually becomes apparent that only one of them will emerge from the conflict victorious. ~ Jason Buchanan, All Movie Guide
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unclefesteringunclefestering Re:Take the red pill: Recast TH ...
by unclefestering in Filmgaming
hasn't rated it.
"I went with people who I think could carry the roles well and have played lots of varied characters so that their performance would be different from the Matrix we know. Neo -- Orlando Bloom * His acting range is just as limited as Keanu Reeves, well he might be slightly stiffer. Morpheus -- Gabriel Byrne Nobody can project rightous anger and and a sense of forboding menace like Byrne. Trinity -- Franka Potente She does rugged and yet feminine. she can handle both the emotional needs and would be believable in the action sequences. Agent Smith -- Denzel Washington King Kong ain't got nuthin' on him. Oracle -- Eva Marie Saint Is there anybody else who can handle and deliver bad news like she can? Cypher -- Maggie Gyllenhaal Smart and sexy, Maggie can play seductive and greedy like few can. Tank - Tadanobu Asano He was great in the Zatoichi and can be tough when the situation calls for it. Apoc -- Jena Malone Let's give this role some depth. Jena can add that something special with j ... " [More]
CinemaRianCinemaRian American Gangster (2007, USA, R ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
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"I am puzzled as to why this film currently has a 79% rating at Rottentomatoes, as most film critics see a lot of movies, and American Gangster is only impressive if you have never seen Little Caesar, Serpico, The French Connection, GoodFellas, and especially the Godfather pictures. A better title for the film might be Epic Gangster Movie as it contains pretty every single cliché of the genre. That opening paragraph makes it look like I am going to trash this movie, but I actually enjoyed it. I must admit I entered the theatre with apprehension. Ridley Scott's last three hour epic, Kingdom of Heaven, was so boring I walked out of theatre. This film is never boring throughout its running time, even though it is at times confusing, and is never original. The movie is based on a true story (as a title card suspiciously tells us) of a criminal investigation into the mob and it's relations to the corrupt New York Police Department in the 1970's. The NYPD was so corrupt that n ... " [More]
usesoapusesoap Come drink my milkshake: This y ...
by usesoap in usesoap Blog
lost interest.
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"Even though the writers have apparently settled on a deal to end the strike, there is still a great deal to fear on the Oscar broadcast set for Feb. 24, that can be summed up in three simple words (two if you hyphenate correctly):Oscar-winner 'Norbit'.That's right. While many wrestle with the fact that their favorite films have been left off the nominee list (I understand, though don't agree with, the love-fest called Juno, but even my friends who are the most ardent supporters of the film agree that it has no place in the Best Picture and Best Director category) a film that was universally loathed like 'Norbit' has a shot at earning the most coveted trophies in the biz.Here to give you an edge on the office ballots, I have opted to fill this column with a handy guide to this year's nominees, chock-full of winner predictions. (Plus, you can check out some of the shorts on your computer, links provided, free of charge. You're welcome!)Best picture&ldq ... " [More]
TenenbaumsTenenbaums Best Films of 2007: Honorable M ...
by Tenenbaums in Tenenbaums Blog
liked it.
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"Rescue DawnWerner Herzog’s film of Dieter Dengler’s true survival and escape from a Vietnam P.O.W. camp is a tale of two tales. Early scenes of peacetime military life feel staged and out of place, but once Dengler’s plane crashes, the story takes off in a major way. Christian Bale delivers another solid performance as Dengler, harrowingly depicting the daily torture of captivity, but the real surprise is Steve Zahn as fellow prisoner Duane. Zahn, finally in a non-goofy role, steals every scene that he’s in. His comedically googly eyes are ever present, though here they mirror a frantic need to survive in horrific circumstances. I may never be able to look at him the same again. Despite Duane’s authenticity, Herzog asks the audience to stretch themselves in believing Dengler’s characterization. Dengler is apparently so determined in his ways that he will yell at his captors immediately after being tortured as if he expects no consequences for his ... " [More]
TenenbaumsTenenbaums Disco! or How I Learned to Quit ...
by Tenenbaums in Tenenbaums Blog
liked it.
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"In 2005, Steven Spielberg was in somewhat of a funk. It had been 7 years since Saving Private Ryan, and in the meantime he was in a popcorn picture phase. He finished the Kubrick project (A.I.), worked with Tom Cruise twice (Minority Report and War of the Worlds), got by with The Terminal, and in the middle made a little gem called Catch Me If You Can. But where was another “important Spielberg” film? Enter Munich. The exhilarating true story of globetrotting Israel-backed assassin assassins looked like it was lifted out of the mid-70s and proved that Spielberg still cared.Until March, David Fincher was a director known for creeping out audiences in contemporary settings with the help of Brad Pitt. Then he released Zodiac, a meticulous and thoroughly engaging chronicle of the San Francisco citizens obsessively affected by the mysterious titular killer. The Vietnam-era period piece, arguably the best film of the year so far, is his strongest to date and broadened ... " [More]
paulpaul FilmCouch #46 - What's up? Ridl ...
by paul in FilmCouch
hasn't rated it.
"Fame. Money. Success. These are the accolades reserved for only the Hollywood elite, the great artists of the silver screen. Or not. Some adored filmmakers leave us scratching our heads. Paul and Kevin look at Ridley Scott's latest, American Gangster, in light of his yet-again re-released classic Blade Runner. Does he belong in the pantheon of great gangster-epic directors or is he just an imitator? Karina questions whether the Coen brothers are anything more than competent genre directors. She calls Erica Rowell, author of The Brothers Grim: The Films of Ethan and Joel Coen, to discuss No Country for Old Men and other their other "masterpieces." FilmCouch 46 " [More]
parapluiesdecherbourgparapluiesdecherbourg I found this movie so very...
by parapluiesdecherbourg in parapluiesdecherbourg Blog
is neutral about it.
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"I thought this movie was very well acted, very nicely shot, very detailed and very, very long. I enjoyed the story, but the pain in my back and leg from sitting so long detracted from my enjoyment of the last half hour. I guess I just wonder if they could have left out just a few of the details to make the story move along a bit more, keep it a bit more exciting all the way through. I do have to say though that while I was dragged to see it by my girlfriend, I did enjoy it much more than I thought I would. It's possible I liked it better than she did, and she's a historical film buff. :) " [More]
dibotdibot American Gangster Saw Darjeelin ...
by dibot in dibot Blog
liked it.
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"American Gangster is a semi-epic about the rise of heroin kingpin Frank Lucas (Denzel Washington, "Deja Vu") and the cop, Richie Roberts (Russell Crowe, "3:10 to Yuma") who's determined to bring him down. The movie cuts back and forth between the two men, leading us into their lives and work. Lucas is charismatic and ruthless. Roberts is determined, honest and sometimes lost in his personal life. I found his story to be much more engaging. Crowe is very restrained in the role and seems more like a real person. Washington is just too smooth. Based on actual events, the film covers many years and much information. But it seemed so slow in many parts. I found myself checking my watch. Also, Crowe and Washington only have about five minutes of shared screen time, a bit of a disappointment. It's impossible to make a movie like this and not be compared to The Godfather. There's at least one scene that, to me, seemed like a straight rip off. But maybe direc ... " [More]
SpoutBlogSpoutBlog FilmCouch #46
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Fame. Money. Success. These are the accolades reserved for only the Hollywood elite, the great artists of the silver screen. Or not. Some adored filmmakers leave us scratching our heads. Paul and Kevin look at Ridley Scott’s latest, American Gangster, in light of his yet-again re-released classic Blade Runner. Does he belong in the pantheon of great gangster-epic directors or is he just an imitator? Karina questions whether the Coen brothers are anything more than competent genre directors. She calls Erica Rowell, author of The Brothers Grim: The Films of Ethan and Joel Coen, to discuss No Country for Old Men and other their other “masterpieces.” FilmCouch 46 Originally posted on:SpoutBlog " [More]
porcupineporcupine Nothing New
by porcupine in porcupine Blog
is neutral about it.
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"This movie is passable, but never lives up to the many, many films it draws from. " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
The difference between early Ridley Scott like The Duellists and Alien and late period Ridley Scott, like Black Rain and Hannibal, is the difference between "stylish" and "slick". In the former, the look of a film - the photography, the art direction, the costuming - is as much the subject of the film as whatever the story happens to be. In the latter, all the emphasis on surface things only underscore the fact that there is nothing going on at the heart of the films. American Gangster is a welcome return to the "stylish" Ridley Scott. Unlike Matchstick Men or Black Hawk Down, American Gangster feels like an impersonal work for the director, and in this case that is a very good thing. Scott allows his remarkably gifted collaborators - cinematographer Harris Savides, editor Pietro Scalia, and screenwriter Steven Zaillian - to do what they do best and simply uses his own skills to keep everything moving along in a solid professional way. Though they are kept apart for the vast majority of the film's 160 minute running time, Denzel Washington and Russell Crowe carry their respective sections of the flick with movie star ease. As larger-than-life criminal mastermind Frank Lucas, Washington gets to utilize his formidable charm while only once falling into the overacting that afflicts him on occasion when playing outright bad guys. As the ethically pure cop out to bring Frank down, Crowe offers his nearly patented brand of brooding physicality. There is nothing new about these characters, or in the film as a whole, but the solidly structured story draws parallels between the two men - playing up the old "bad guy isn't so bad" and the "good guy isn't so good" themes that might seem incredibly tired in the hands of lesser actors and filmmakers. An end-of-film decision by Frank softens the film a great deal, this is after all Hollywood product and it would be unacceptable to not like both the leads, but seeing as nothing that has come before indicates anyone was aiming for art this twist can be forgiven. American Gangster is nothing more or less than product, sure to satisfy those who need a genre fix. ~ Perry Seibert, All Movie Guide
 



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