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Factory Girl
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Directed by George Hickenlooper.
The true story of one woman's brief and ultimately tragic flirtation with fame in the 1960s provides the basis for this biographical drama. In 1943, Edie Sedgwick (Sienna Miller) was born to a wealthy and socially prominent family, and she grew up with beauty and money, but also a history of mental illness; she was hospitalized with an eating disorder in her late teens, and by the time she was 21, two of her seven siblings had died before their time. In 1964, Edie moved to New York City, and quickly made a splash on the Manhattan social scene; she became friendly with the famous pop artist Andy Warhol (Guy Pearce), who was fascinated by her gamine loveliness and her quirky personality. Warhol wasted no time in casting her in one of his underground movies, and she quickly became a crucial part of his retinue of "superstars." Fashion icon Diana Vreeland (Illeana Douglas) was convinced Edie had the looks and charm to also become a successful model, and soon she was gracing the pages of Life, Vogue, and Glamour. But Edie's instability was hardly helped by her new fast-lane lifestyle, and when she met Billy Quinn (Hayden Christensen), a folk-rock singer-songwriter often cited as "the voice of a generation," he persuaded her that Warhol and his associates were simply using her fame and beauty for their own gain, and she found herself torn between two powerful mentors, one of whom had become her lover as well. Factory Girl also co-stars Jimmy Fallon, Mena Suvari, and Tara Summers as regulars at the Warhol "Factory." The character of Musician was inspired in part by Bob Dylan, who was romantically involved with Edie Sedgwick for a brief time. ~ Mark Deming, All Movie Guide
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chrismorrellchrismorrell Sad story,slight film.
by chrismorrell in chrismorrell Blog
lost interest.
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"Sienna Miller is a real beauty,but a much more conventional looking one than Edie Sedgewick.She puts in a good performance,but has virtually nothing to work with here. She does a lot of feverish cigarette smoking.Guy Pierce is ,however very convincing,as Andy Warhol.Obviously,we know much more about him,and this film largely shows how Warhol with his camp,and obtuse take on film-making,as part of his Art,took advantage of a naive and impressionable rich girl.A gaping hole in 'Factory Girl' is the inability to actually name Bob Dylan,as the 'folk singer' who was Edies' lover for a short time. Maybe a legal block from Dylan?Doesnt make him look good does it?Disappointing. " [More]
dibotdibot Factory Girl
by dibot in dibot Blog
disliked it.
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"Factory Girl is about Andy Warhol's muse, Edie Sedgwick. Sienna Miller ("Stardust") stars as Sedgwick and she is gorgeous and luminous and fascinating. Guy Pierce ("The Proposition") and his jaw just disappear into Warhol. The rest of the film is trash. The "story" is difficult to follow. The editing is okay. I'm sure that the filmmakers were trying to capture the feel of that time period and the drugs and the art being created. But for all the interesting subject matter, it was a boring movie. " [More]
BigJeffLebowskiBigJeffLebowski The effect of one man
by BigJeffLebowski in BigJeffLebowski Blog
liked it.
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"I admit a bias when it comes to the 1960s. It's a time I wish I had been able to experience. The music, the films, the literature, the art, and the very real belief that an individual could make a difference; I don't try to hide that I tend to get sweeped up and carried away by my romanticized notions of my father's era. Bobby plays to this nostalgic sensibility, though more in content than in form. Unlike Factory Girl, which was released the same year and concerns roughly the same time period, Estevez's film doesn't try to disguise itself as a product of the times it illustrates. Save for one scene which attempts to visualize an acid trip (which is, coincidentally, the film's worst segment, featuring Ashton Kutcher giving the film's worst performance) there are no true-to-the-period behind-the-camera histrionics. Instead, Estevez rips a few pages from the books of Robert Altman and Grand Hotel in an effort to define an era through a series of portraits all relating tangentia ... " [More]
pairofchutespairofchutes From Art to Reality
by pairofchutes in pairofchutes Blog
liked it.
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"This film really made me reconsider my feelings towards Andy Warhol. Although I'm aware this is a bias movie, as Bob Dylan's real name couldn't even be used, I came to see a side of Andy's art that I really despised. I thought this was really well done, the scenes were shot nicely, the use of lighting was superb, and I was entangled in it from beginning to end. Hayden Christensen was remarkably handsome, and Sienna did a very good job in portraying Edie. " [More]
BenjamanBenjaman Factory Girl
by Benjaman in Benjaman Blog
liked it.
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"I did like this movie, but unfortunatly there are many down sides to it also. First of all the performances in this piece are wonderful. Guy Pierce does a superb job as Andy Worhal, but even better is Sienna Millers role. She looks and acts a lot like Edie Sedgwick but without as deep of a voice. There are many instances were you can't help but feel bad for her and that is where the movie does its best. It shows that you can have everything dreamed for; fame, beauty, kindness, intelligence, and without something real to centralize you you're ultimatly grasping for nothing. She is very self-centered but she doesn't want to be. And that is why I liked this movie, because it shows the true desparity of a girl searching for meaning and purpose in her life which gradually leads to death. But sadly, this is where the movies biggest weakness also stands. It does great in portraying a self-centered, drugged up, lonely human but it does horrible as a character film. It seemed li ... " [More]
DemndiaryDemndiary Diamond in the Rough
by Demndiary in Demndiary Blog
hasn't rated it.
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"I wanted to see Flannel Pajamas after seeing a preview months ago. I saw it the same weekend I saw Breach and Factory Girl. Although all three films were great, Flannel Pajamas is still buzzing in my head days after. Flannel Pajamas is the story of Nichole & Stuart. It begins with their meeting on a blind date and ends years later. This film is different from so many romantic drams I've seen because it doesn't hide the relationship behind buildings, events or fascades. You see Nichole and Stuart at their happiest, maddest and saddest. You see them reflected through their families at Christmas, Weddings and more. Every character is strongly written and incredibly acted without overdoing it. I couldn't take my eyes off the screen the entire film. Flannel Pajamas is a small film that should be bigger. It should have wide release on a thousand screens. It makes you think, and feel like only the best films can do. " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
A biopic about the tragic life of 60's It-Girl Edie Sedgwick, Factory Girl gets many things right but too many things wrong. On the bright side, the delightful period art direction is delicious. Hair, makeup, costumes, furniture, and even the streets of 1966 New York are all brought to life in a truly enrapturing style. Also in Factory Girl's favor is the spot-on Guy Pearce, whose impeccable Andy Warhol focuses on the artist's frail health and cosmetic imperfections in a way that other actors, bowled over by Warhol's intense cool, have missed. The title role is played by Sienna Miller and unfortunately, as competently as Miller enacts emotion and affects the perfect upper-class-New-England accent, she notably lacks the saucer eyed, doleful innocence that the real Sedgwick exuded. She doesn't quite look right for the part, and while the script makes it clear that Sedgwick feverishly hungers for love and attention, Miller's performance barely hints at this puppy-doggish desperation, glossing it over with a more superficial charm, followed by an inevitable crash when her popularity wanes and she turns to hard drugs to fill the void. Still, it's easy to see why Miller was cast as the lead in Factory Girl. Having become an obsession in the press because of her relationship with Jude Law, Miller was a media It-Girl before her first movie was even released, making her a similar "famous for being famous" kind of figure. Not to mention that there's an insanely long, near-pornographic sex scene with Bob Dylan stand-in "Billy Quinn" (played by a half-present Hayden Christensen) right in the middle of the movie, which would go from distracting to disturbing with an actress as wide-eyed, and almost childish as the real Sedgwick. Dylan is the only member of the 20-some person ensemble in Factory Girl to have his name changed, apparently for legal reasons, as the film lays much of the blame for Sedgwick's downfall in his lap. However, the movie is so cheesy and unfocused in this regard, that a name change is the least of its problems. Too many scenes play out with hokey, TV movie-esque dialogue or trite, corny character sequences that would work out fine in a romantic comedy but not here, where they stand in embarrassing contrast to the grittiness of Sedgwick's apparent inner-torture. Also, much of the film's clarity seems to have been lost in the editing room. As the third act unfolds and Sedgwick begins to unravel, there are an increasing number of weird, confusing moments where it's not clear if we're supposed to read the scene literally, abstractly, or as a depiction of Sedgwick's drug-induced hallucinations -- and not in a visceral, takes-you-to-the-mouth-of-madness kind of way, just in an awkward, I-don't-know-what'-s-supposed-to-be-happening kind of way. It all keeps the movie from being great, but it doesn't stop it from believably playing out Sedgwick's crash-and-burn like a train-wreck candid reality show, leaving you free to crane your neck as you drive by. ~ Cammila Albertson, All Movie Guide
Tags: lame , and , at , gripping , empty
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