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Walk Hard: The Dewey Cox Story
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Directed by Jake Kasdan.
Judd Apatow and Jake Kasdan team up to take the swagger out of the traditional music biopic with this look at the troubled life of fictional music legend Dewey Cox (John C. Reilly). Apatow and Kasdan both write and produce, while Freaks and Geeks and Orange County director Kasdan steps into the director's chair. ~ Jason Buchanan, All Movie Guide

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usesoapusesoap Is parody on life support?
by usesoap in usesoap Blog
liked it.
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"Cinematic parody as it once was is dead. And after much searching and researching, I have found the murderer of this under-appreciated sub-genre of filmmaking. It’s Waldo. Oh sure, the bespectacled, striped-ski-cap-sporting little geek likes to appear anonymous, but I am positive he is to blame for the current slate of “Movie” movies: “Epic Movie,” ”Date Movie” and, most recently, “Superhero Movie.” If he’s not guilty, ask yourself this, why is he always hiding? You see, it is my assertion that the latest generation of filmgoers was weaned on Waldo in their youths. At an early age, they were trained to snoop and search page after page for the skinny little dweeb, and they approach these films much the same way. “Hey, there’s Borat!” “Oh, that’s a reference to ‘Pirates of the Caribbean.’” They do not concern themselves with narrative, character development, plot, rationalit ... " [More]
TenenbaumsTenenbaums Best Films of 2007: Disappointm ...
by Tenenbaums in Tenenbaums Blog
liked it.
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"OnceThe music is often incredibly moving (see “Falling Slowly”), but the film as a whole is not at all what critics are making it out to be. The supposed love between the two leads is not believable. Sure, the guy wants the girl and the girl is in a situation that would be ideal for the guy to fit into, but no great romantic move happens. Ironically, the music prevents the audience from learning enough about the characters to care about them, a flaw that rest solely on the script. Just a little more time spent on the leads and this could have been a great film. Instead, we get a lot of good visual music, but a great music video does not a great film make (see Idlewild). If wonderful music warrants a largely one-dimensional film, then the day of the independent filmmaker has truly dawned and not in a good way. It’s the Irish acoustic Hustle and Flow without convincing character development. Proceed with caution, but proceed nonetheless.Walk Hard: The Dewey Cox Stor ... " [More]
SpoutBlogSpoutBlog The Best Mainstream Movies of 2007
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Here is my follow-up to last month’s question of what mainstream movie will feature on the most top ten movie lists. And the winner is … Ratatouille. Oh wait, didn’t I disqualify that one for being too obvious? No? Well, I should have. Yes, according to Movie City News’ Big Ass Chart (aka Scorecard) of critics’ top tens, the Pixar movie made it on to 51 best-of lists, making it the best-grossing best movie of the year. But maybe it wasn’t the most mainstream, if you define mainstream as studio-produced fare. Under that qualification Zodiac was the best mainstream movie of 2007, having been made jointly by Warner Bros. and Paramount and showing up on 70 best-of lists. Other Warner successes include Michael Clayton, which featured on 54 lists, Sweeney Todd, which received 44 mentions, Harry Potter and the Order of the Phoenix, which showed up on one list, and Letters From Iwo Jima, which showed up a little late on one list. As far as those mainstream movies I predicted would feature ... " [More]
KarinaKarina Spinning The Fall of WALK HARD
by Karina in Karina on SpoutBlog
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"The biggest box office news of Christmas weekend was the utter failure of Walk Hard: The Dewey Cox Story. Sony launched a wide and varied marketing campaign, the film was fairly well-reviewed (earned a 78 percent “Fresh” rating on Rotten Tomatoes, and yet, it only managed to gross $4.1 million over three days. That’s $1,547 per screen, so assuming tickets sold at an average $10, and each theater hosted roughly five screenings a day, that adds up to about 10 ticket buyers per show per screen. This would be a crap opening under any circumstances, but it’s expecially crap considering that it ends a long winning streak for producer Judd Apatow. So what went wrong? Let’s go to the blogs: Nikki Finke quotes a rival studio exec with the snipe, “This shows Judd Apatow is not god. Sometimes you can be too clever for your own good.” Her own diagnosis? “The problem was the movie skewed overwhelmingly male, but that guy audience went for action-adventure and sawe National Treasure and I Am Le ... " [More]
SpoutBlogSpoutBlog Spinning The Fall of WALK HARD
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"The biggest box office news of Christmas weekend was the utter failure of Walk Hard: The Dewey Cox Story. Sony launched a wide and varied marketing campaign, the film was fairly well-reviewed (earned a 78 percent “Fresh” rating on Rotten Tomatoes, and yet, it only managed to gross $4.1 million over three days. That’s $1,547 per screen, so assuming tickets sold at an average $10, and each theater hosted roughly five screenings a day, that adds up to about 10 ticket buyers per show per screen. This would be a crap opening under any circumstances, but it’s expecially crap considering that it ends a long winning streak for producer Judd Apatow. So what went wrong? Let’s go to the blogs: Nikki Finke quotes a rival studio exec with the snipe, “This shows Judd Apatow is not god. Sometimes you can be too clever for your own good.” Her own diagnosis? “The problem was the movie skewed overwhelmingly male, but that guy audience went for action-adventure and sawe National Treasure and I Am Le ... " [More]
SpoutBlogSpoutBlog Viral Marketing in the Meta Sta ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Eventually Judd Apatow’s schtick will no longer be fresh. But it may continue to be funny, even after the viral marketing backlash. Case in point: this new sketch/advertisement for Walk Hard, which takes Apatow’s viral brand to a mega-meta level. As much as the idea of fake fights involving Apatow and his actors is now a tired concept, the video is hilarious. And as much as Apatow’s self-referential jokes about being self-referential about being self-referential are as obvious as they are mind-wrapping, the video is still hilarious.It helps that this time around, there’s more funny guys involved and more going on at once. It’s not simply funny to watch Craig Robinson chasing after Judd Apatow because he’s pissed about being in another one of his “fucking commercials”, but it’s comedic gold to inter-cut it with Paul Rudd, Jonah Hill and Justin Long realizing they no longer have to talk about Apatow’s movies and can freely discuss their desire to see Michael Clayton. Funny is funny, ... " [More]
achance42achance42 Top 15 Fall Films I'm Looking F ...
by achance42 in Weasel Words on Film
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1 out of 1 people found this review helpful. [What do you think?]
"Fall is my favorite time of year. Not just because it's the time of year when New York City is at its most beautiful, thus reminding us all why we continue in this abusive relationship with it, but because the movies start to get good again after the onslaught of big-budget blockbusters that are only occasionally watchable. People seem to think that, with each passing year, the movies get worse and worse. Well, if you're looking at crap like Transformers (the new nadir of megahit blockbuster quality), then yeah. But there's a whole crop of ambitious, interesting films that come out every fall and - even if they end up being bad - you have to give them credit for trying. Unlike Transformers. So here's my list of 15 films that I am dying to see this fall. Some are already out (and I'm negotiating with my wife to be able to find the time to see them) and some I still wait in painful anticipation for: 15. American Gangster - Ridley Scott might have actually ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
At first, Walk Hard might seem no more impressive than the latest installment from the Scary Movie/Date Movie/Epic Movie team. But as this parody of films like Ray and Walk the Line gains momentum, the presence of producer/writer Judd Apatow and his infamous flair for non-sequitur humor begin to shine. The movie nails all the predictable jokes about the musical phenom who succumbs to the deadly pleasures of rock & roll hedonism in pretty obvious terms (though in fairness, it really wouldn't be the same without our hero Dewey, played by the teddy-bear-looking John C. Reilly, pulling a sink out of the wall in a fit of rage every time his life falls apart). But within the first half-hour, the predictable jabs at the clichés of the rock-star biopic are joined by far more absurd, over-the-top antics, including but not limited to a fair amount of male nudity, which is almost always funny anyway. The ways that Walk Hard pokes fun at all the obligatory elements of the musical biopic also tend to get smarter and more clever as the film moves along. Dewey's brief period of performing as a highly political folk troubadour in the style of Bob Dylan (his particular cause being the plight of midgets) features a Dylanesque original song that's so spot-on, it could probably pass for Dylan on the radio if not for the only slightly too random, supposedly metaphorical lyrics ("...the skinny scanty sylph trashed the apothecary diplomat / inside the three-eyed monkey within inches of his toaster-oven life..."). This speaks to another of the film's strengths: the original music. All of the songs that Dewey sings over the course of his epic, 50-year career were written for the film (with the exception of a truly impressive disco cover of David Bowie's "Starman"), and every single one sounds like the real thing. Aside from the silly lyrics, the tunes each make fantastic, earnest examples of whatever musical style they were written to represent, complete with catchy hooks and toe-tapping rhythms (with the possible exception of Dewey's PCP-induced, fully orchestrated, tribal-instrument-heavy Brian Wilson-esque magnum opus, which we only ever hear a few bars from anyway). Another winning aspect of Walk Hard (depending on your perspective) is its self-awareness -- so enter at your own peril if you don't enjoy the Anchorman school of humor, because this is a parody that mocks itself. For example, when Dewey undertakes his mandatory period of studying transcendental meditation with The Beatles, the joke that the whole scene revolves around is the casting. The Fab Four are all played by familiar faces in the Apatow clique who just happen to have not shown up in the movie yet (and who look nothing like the actual men they're playing, especially Jack Black as Paul McCartney), so, of course, they spend the whole scene addressing each other with lines like "What do you think, George Harrison of The Beatles?" This comes shortly after a scene in which Dewey notes that times are turbulent and his wife (played by Jenna Fischer in her usual impossible combination of hotness and hilarity) replies, "Yes, the '60s are an important and exciting time!" It's not exactly high-brow fare, and it's really more of a tribute than a biting satire, but the movie does right by its premise as a goofball send-up to pull no punches on even the silliest joke. It may earn more chuckles than belly laughs, but it's altogether entertaining from beginning to end, even if you've never seen the source material. ~ Cammila Albertson, All Movie Guide
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