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Imprint
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Directed by Takashi Miike.
An American journalist in search of the love he once left behind travels to a mysterious Japanese island where the past is best left forgotten in the one installment of Showtime's Masters of Horror series that was too controversial for American television. It was long ago that Christopher (Billy Drago) met the mysterious prostitute who captured his heart, but their grim fate was forever sealed when he left the island with only a promise to return one day in the future. Unlike many of the insincere souls who promise to spirit the prostitutes away from the dark and infernal island, Christopher actually made good on his word. However, life is cheap on this bewitched island where the local brothel is the sole refuge for weary souls, and though he ultimately proved to be a rare exception to the rule, Christopher has taken far too long to fulfill his promise. Now, as he shares his woeful tale with a horribly scarred whore (Youki Kudoh) whose knowledge of his long lost love's true fate may prove more of a curse than a blessing, Christopher is about to discover that there are times when death can be the kindest release of all. ~ Jason Buchanan, All Movie Guide
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lukasblulukasblu Re: Masters of Horror
by lukasblu in HORROR MOVIES 101
hasn't rated it.
""Pelts",the most goriest masters of horror i have seen.Just got "Jenifer" and "Dance of the Dead" in the mail but i have not watched it yet.Will definitely check out "Cigarette Burns "after i watch jenifer and dance of the dead.Have you seen Deer Woman and Sick Girl?I liked Sick Girl better than Deer Woman.Also saw "imprint" just a few days ago.Definitely the most disturbing of all the masters of horror.It was a little to chatty and a the story a bit confusing and the drago character performance was not that cool.I did,however, like the torture scene.And those torturers (older lady )had very ugly teeth. " [More]
lukasblulukasblu Re: Confusing Ending?
by lukasblu in What An Ending
hasn't rated it.
"from the three extremes short films "box"(2004)by takashi miike had a conclusion that was pretty much left to the viewers own insight.Also,another t.miike short film, from the masters of horror series "imprint'(2006) had a disturbingly confusing ending.I heard from other takashi miike fans that this director actually likes to make films with endings or stories that are not always that easy to grasp Or maybe, it was just coincidental that the couple of films i watched directed by takashi miike has disturbingly unclear endings or conclusions that leaves it up to the viewer to decide " [More]
lukasblulukasblu Re: masters of horror fans
by lukasblu in suspense-thriller-mystery-horror
hasn't rated it.
""My favorite is "Imprint" by Takashi Miike. Truely horrorific and difficult to watch at times. I loved it!!"Just finished watching imprint moments ago and it is definitely the most disturbing story of all the masters of horror i have seen.One such scene is the many steps of komonos torture,it was intrigueingly disturbing;It is the 2nd grossest next to "pelts".The story is o.k.,a little chatty,acting was so-so and the fetuses looked fake,like tiny-bloody naked dolls with umbilical cords:Would give this one 3 1/2 out of 5 starsImprint reminded me of another film takashi directed called "box" mixed with "dumplings" directed by fruit chan ; short stories from the Three... Extremes (2004) series(foreign) " [More]
muz1muz1 Not quite horror
by muz1 in muz1 Blog
is neutral about it.
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"Fans will recognize the director's name from his disturbing movie "Audition," and will likely compare these two films.  It isn't quite "horror" though it is horrifying.  I never read the story it is based on, but according to the author (on on of the extra reels on the DVD) she liked Miike's version almost better than her own.  Billy Drago's disinct facial features add to the overall feel of the movie, unfotunately his acting does not.  This is a story about an inescapable hell with a somewhat ridiculuous twist at the the end, but the journey there is definitely chilling. " [More]
JJ79JJ79 Imprint (2006)
by JJ79 in JJ79 Blog
hasn't rated it.
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"The scariest part of the movie Released: February 25, 2006Director: Takashi Miike*****Ah yea, the infamous edition of the Masters of HorrorQueer as Folk and The L Word to television would have a problem with some of the content in Takashi Miike's (Audition) installment. Imprint isn't even true horror, at least not the kind of horror we'd expect from the series. It's more unsettling and shocking than anything else. Look no further than the prolonged torture scene of Komomo halfway through the film. We watch as she is repeatedly burned, long needles are stuck underneath her fingernails and into her gums and she is hung upside down, apparently urinating on herself in the end. All because a jade ring was stolen from the house madam.But let me back up a bit. Set in the 1800s, Christopher is an American journalist trying to find his one true love-Komomo-on an island of whores and other degenerates. A deformed lady of joy tells him Komomo is dead and, in three different stori ... " [More]
glowbuggglowbugg The best Masters of Horror ever!
by glowbugg in glowbugg ramblings
loved it.
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"The name Takashi Miike is not synonymous with horror, but with that being said, he has truely mastered the most horrorific episode of The Masters of Horror series. I purchased this before I had seen it just based on the buzz and the fact that I love Takashi Miike. I was not disappointed in the least. Although Billy Drago appears to be on some sort of major downer (like heroin), his dull and spacey delivery makes the film that much creepier. The scenes of torture are so real and almost unbearable to watch, but I couldn't look away for even one second. The aborted fetuses were very unnerving and yet neccesary to the story. The only possible complaint I do have is the almost comical "hand" at the end. WTF? Did I miss something? I usually do when it comes to Miike films, but they are still interesting and artful to watch. " [More]
Review by All Movie Guide
Upon announcing that they would not be airing notorious celluloid outlaw Takashi Miike's unrelenting and uncompromising entry into Mick Garris' oft-tepid Masters of Horror series due to concerns over its extreme content, pay-cable giant Showtime caught quite a bit of flack for flinching, and rightly so. Touted from the onset as a series that would allow filmmakers complete creative control over their vision while allowing them the rare opportunity (at least as far as horror anthology shows are concerned) to work outside of the increasingly stringent restraints of network television, the so-called "Masters" would ultimately go on to prove just how much value they truly placed on artistic freedom by censoring Dario Argento's expectedly gory entry and refusing outright to air Miike's episode in America. Ultimately relegated to a world premiere on the United Kingdom's Bravo network, Miike's Imprint is every bit as shocking, original, horrific, and audacious as one would hope for from a series bold enough to proclaim that it was presenting the works of the "Masters" of an entire genre. Stated simply, Imprint is horror in its purest and most powerful form. A surreal and devastatingly horrific journey to an island hell that seems to have bubbled up from the deepest pits of the underworld after being deemed too morally corrupt by Old Scratch himself, Imprint tells the tale of an American journalist named Christopher who has returned to an island populated by sadistic whores and saki-swilling murderers to rescue the prostitute he loves and spirit her away to America so that the pair may live happily ever after. His return has come too little too late, however, and upon discovering that his love seems to have been swallowed up by the scourge that has engulfed the land, Christopher's quest to seek out the truth behind her disappearance quickly leads him down a pitch-black path of torture, abortion, alcoholism, abuse, incest, deformity, and lies -- all punctuated by flinch-testing footage that will no doubt be considered shocking to even the most seasoned Miike fan. It's obvious that Miike took the "no restrictions, no compromises" mantra of the Masters of Horror to heart, and one would think that Garris and company knew what they were in for when they hired the man behind such notorious shockers as Audition and Ichi the Killer. Though the dialogue in Miike's first English-language production is frequently stilted and often awkward, the strange vocal cadence of the performers actually ends up helping to maintain the off-kilter atmosphere of the film by placing it in a world that seems to exist somewhere far outside the natural realm. ~ Jason Buchanan, All Movie Guide
 



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