Join the Comic-Con group
Advertisement

Day Night Day Night
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Buy it now on DVD
Starting at $14.70
trailerWatch trailer

Rent it, watch it, find it

Advertisement

Directed by Julia Loktev.
For her first foray into dramatic fiction filmmaking, video installation artist and documentary filmmaker Julia Loktev met 650 actresses before picking newcomer Luisa Williams to play her never-named heroine. “The film rests on her face,” Loktev said, and it’s true. A young woman, frail, beautiful, but also excruciatingly withdrawn and isolated, arrives in an unnamed city. DAY NIGHT DAY NIGHT initially reveals nothing about her plans, instead following her towards a mysterious rendezvous. Photographed in brilliant handheld style by Benoît Debie (who shot Gaspar Noé’s IRRÉVERSIBLE [TFF 2002]), the film’s documentary tension draws you in irresistibly. But as harrowingly accurate as the film feels, its rigor is more abstract and spiritual than psychological or social. By the end, Williams’ haunted, saint-like face attains the power of a Bressonhero or Dreyer’s Joan of Arc. –LG (U.S./Germany, 2006, 90m) Preceded by DINOF CELESTIALBIRDS (d. Elias Merhige, U.S., 2006, 14m)

Interview with Julia Loktev, dir.
Paul interviews Julia Loktev, director of Day Night Day Night. (9/3/06, Telluride Film Festival)

powered by ODEO
[more]

Reviews and discussions

Write a review

paulpaul FilmCouch #19
by paul in paul on spout.com
loved it.
Was this review helpful? [Be the first to tell us!]
"Paul and Kevin go to NY without ever leaving the office. Karina Longworth gives us the down low on the Tribeca Film Festival (check out her posts here). Interviews with Jesse Eisenberg (Roger Dodger, The Squid and the Whale) and Fred Durst (Limp Bizkit) on Durst’s feature debut, The Education of Charlie Banks. Zak Penn, The Grand, talks about the comedy duo Gabe Kaplan (Welcome Back Cotter) and Werner Herzog (Fitzcarraldo). A new interview with Julia Loktev on Day Night Day Night, her film opens tonight in theaters. Download FilmCouch #19 or subscribe in the iTunes store (search for “filmcouch” or click here to launch iTunes) and a new free episode will download every Friday. Originally posted on:SpoutBlog » Paul " [More]
SpoutBlogSpoutBlog Great World of Sound Tops Gotha ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"IFP has just announced the nominations for their Gotham Awards, which will be handed out in Brooklyn next month. I’m so happy to see that Craig Zobel’s fantastic Great World of Sound has been nominated in three categories–Best Feature, Breakthrough Director and Breakthrough Actor–the most nominations of any single film this year. Zobel’s feature, which Magnolia released with little fanfare last month, shares the Best Feature category with four, relatively “big” indie-arm titles: The Namesake, I’m Not There, Margot at the Wedding, and Into the Wild. I’ve privately bitched about the lack of publicity surrounding Sound (even the release date seemed misguided, as it fell right in the middle of the Toronto Film Festival and thus necessarily turned coverage of the movie by bloggers and other indie journalists of limited resources into an afterthought), so I’m hoping these nominations will give Magnolia the impetus to give the film a stronger push. According to the distributor’s website ... " [More]
SpoutBlogSpoutBlog IFC Slims Down: Trade Roughage ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Giving credence to rumors that have been floating around for many weeks, IFC confirmed yesterday that they’re planning to move away from distributing moderate-budget festival acquisitions in order to concentrate more attention on their IFC FirstTake program. This can only be good news for VOD-loving indie film fans. FirstTake has brought some of the year’s best films to cable boxes, including Day Night Day Night, Lars Von Trier’s The Boss of it All, and current selection This is England; they already have plans to distribute highly-anticipated (by me, at least) festival holdovers such as Hannah Takes the Stairs and Gus Van Sant’s Paranoid Park. Can you imagine what they could do if they tried harder? Fox has struck a deal with what appears to be some kind of unofficial union called the Writing Partners, designed to lure top screenwriters to the studio by promising that the scribes will earn money off the gross if the movies get made.  This seems to be more thinly-veiled strike hyst ... " [More]
JScottJScott Who's Camus Anyway?
by JScott in JScott Blog
liked it.
Was this review helpful? [Be the first to tell us!]
"Directed by Mitsuo Yanagimachi.Starring Hinano Yoshikawa, Ai Maeda, Shuji Kashiwabara, Hideo Nakaizumi, Meisa Kuroki.Director Mitsuo Yanagimachi creates a gripping atmosphere in an ensamble character study about filmmaking. This film rotates around life experiences that the cast and the characters each engulf themselves in. The basis of the film the students are making, The Bored Murderer, is about a Junior High student who kills to see how it feels. The storyline of that film echoes a number of plotlines used throughout the actual film. Students are stalked by girlfriends and professors, while others commit borderline adultry and later feel guilty about it.The best aspects of this film are the acting, which is great, and the cinematography which is even better. The opening shot not only draws comparrison to Orson Welles' Touch of Evil via the dialogue but also through the long strolling shot that takes us all across the campus and even through the traditional and modern J ... " [More]
DemndiaryDemndiary An Inside Joke in a Terror Plot
by Demndiary in Demndiary Blog
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Dominique Standaert's Hop is not what can be expected. It is a weird cross between Day Night Day Night and The Sting. The cast is small but the story is large, and surprizing to see so quickly after 2001. Kalomba Mbuy is Justin, a quick witted straight A student with a secret. Both he and his father (Ansou Diedhiou) are illegal immigrants. When his father is framed by some vicious and racist neighbors, Justin is forced to flee. It is then he meets Frans Missone (Jan Decleir) a retired anarchist who still has problems woth the law. He also meets Gerda (Antje de Boeck) the woman who loves Frans, and has for a long time. Both Frans and Gerda become Justin's parents and go out of their way to help his get his father back after he is deported. What should be a stark, dark story is fun and fast paced from the first frame. Standaert films in black and white and it becomes a true canvas for the eyes. His framing and lighting recall still photographs not film. The story is a con. It ... " [More]
paulpaul Stuck in my head
by paul in paul on spout.com
loved it.
Was this review helpful? [Be the first to tell us!]
"Six months after Telluride, these are the films still stuck in my mind: The amazing dance hall scene of Grémillion's Maldonne. The patient humor of Dodsworth. The final shot of Julia Loktev's Day Night Day Night. And teenagers sitting in a circle at a community center trying and failing to articulate feelings in Civic Life. Originally posted on:Schwinnfender " [More]
porcupineporcupine Re: FilmCouch #19, Paul and Kev ...
by porcupine in FilmCouch
loved it.
"For those of you who, like us, were not able to make it to Tribeca, be sure to check out their website, which has a slick trailer viewer. It's a great way to put films on your "See This When It Comes Out In Extremely Limited Release In Nine Months Or So" list. Also, I mentioned on a different thread that if you can't get to a theatre that's showing Julia Loktev's Day Night Day Night, be sure to at least see the trailer. My Mac wouldn't play it through Spout (I guess I haven't kept my plug-ins up to date) but I had no trouble viewing it here. So what did everyone think of these movies, or at least the 2 minute online versions of them? " [More]
paulpaul FilmCouch #19, Paul and Kevin g ...
by paul in FilmCouch
loved it.
"Download FilmCouch #19 here Paul and Kevin go to NY without ever leaving the office. Karina Longworth gives us the down low on the Tribeca Film Festival (check out her posts here). Interviews with Jesse Eisenberg (Roger Dodger, The Squid and the Whale) and Fred Durst (Limp Bizkit) on Durst's feature debut, The Education of Charlie Banks. Zak Penn, The Grand, talks about the comedy duo Gabe Kaplan (Welcome Back Cotter) and Werner Herzog (Fitzcarraldo). A new interview with Julia Loktev on Day Night Day Night, her film opens tonight in theaters. " [More]
RisseladaRisselada Re: FilmCouch 18: Sympathy for ...
by Risselada in FilmCouch
hasn't rated it.
"It would be nice to finally see that after all you guys have talked about it. " [More]
porcupineporcupine Re: FilmCouch 18: Sympathy for ...
by porcupine in FilmCouch
loved it.
""There are "bad guys" in some movies that have almost the exact same characteristics as "good guys" in other movies." This is interesting to me. I think we touched on it in the podcast, but there are many different ways to blur the good guy/bad guy line. This month we're seeing Hollywood's big budget take on that idea in the form of a set of heroes that includes a pirate, an ogre, and a normally nice guy who starts wearing black and acting like an asshole. Ultimately, i think movies like American Beauty and Unforgiven do a much better job of provoking thought on the subject. Another one to look out for is Day Night Day Night, which opens in limited release on Friday. Also on Friday the new FilmCouch comes out, where we feature an interview with the director, Julia Loktev. I think the film is amazing, and it sheds new light on this whole discussion. If it opens in your town, go see it. Or a least be sure to check out the trailer. If you can't get it to work on Spout, cl ... " [More]
[More reviews]
Review by All Movie Guide
All Movie Guide
is neutral about it.
In Day Night Day Night director Julia Loktev adopts the hand held realist style of the Dardenne brothers to follow a young woman (Luisa Williams) as she prepares to blow herself up as a suicide bomber in Times Square. This deliberately provocative premise may overshadow its creatively conceived construction. The dramatic tension comes less from standard thriller plot devices, but from trying to figure out who the character is and where she's heading. Williams, working with minimal dialogue, delivers a wonderfully expressive performance, using her eyes to convey emotion. Loktev appears to be more interested in provoking questions of how we look at a charged event when it is taken out of a specific political context. The director deliberately strips her protagonist of any ideological and personal motivation. Does this reveal her core humanity or ignore unavoidable accentuating circumstances? The young woman is sweet and girlish. Is the meant to be endearing or absurd? Perhaps this is merely a metaphoric psychological portrait of a person in extreme circumstances. Her manipulations by the male characters seem to imply sexual, rather than religious, politics. Then why touch such a strikingly situational nerve? The ending, echoing the possibility of faint hope favored by the Dardennes, is slightly unbelievable. And at times the film is too enigmatic to sustain itself. But in challenging us to face the humanity at the core of an unspeakable act, Loktev provokes tough and unexpected thoughts with no clear answers. ~ Craig Butler, All Movie Guide
 



Community ratings

mavens
Spout mavens
liked it.
most people
Most people
lost interest.

Other opinions

paul
paul
loved it.
porcupine
porcupine
loved it.
belladonna2054
belladonna2054
loved it.
BearSuit
BearSuit
is not interested.
floatingegg
floatingegg
is not interested.
rica5tully
rica5tully
is not interested.