Frem Here To Awesome Festival
Advertisement

Raising Arizona
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Buy it now on DVD
Starting at $5.29
trailerWatch trailer

Rent it, watch it, find it

Advertisement

Directed by Joel Coen.
Combining influences from Tex Avery cartoons to Sam Raimi horror movies to 1940s B-movies, Joel Coen and Ethan Coen followed up the stylish film noir of their debut, Blood Simple (1984), with this frantic screwball comedy. H.I. "Hi" McDonnough (Nicholas Cage) is a philosophical but slightly dim career criminal who has been arrested so often that he gets to know "Ed," short for Edwina (Holly Hunter), the officer who takes his mug shots. Hi takes a shine to Ed and promises to go straight if she marries him. She accepts, and they move to the Arizona desert, where Hi holds down a factory job and blissfully watches the sunsets with Ed. Their serenity is shattered when the couple decides that they want a child and discover that, as Hi puts it, "Ed's womb was a rocky place where my seed could find no purchase." (One of the film's many delights is Hi's unexpectedly flowery dime-novel narration.) Ed goes into a severe depression until she sees an item in the news: Nathan Arizona (Trey Wilson), owner of a chain of unpainted furniture stores, has become the father of quintuplets, and he and his wife joke that they now have more children than they know what to do with. In what seems like a perfect "helps you, helps me" situation, Hi and Ed kidnap one of the Arizona infants, figuring that they'll have a baby and the Arizonas will have less of a burden. ~ Mark Deming, All Movie Guide
[more]

Reviews and discussions

Write a review

leeroy711leeroy711 Re:Re:No Country For Old Men / ...
by leeroy711 in Filmspotting
loved it.
"I've been hearing people say good things about "The Lookout," and I'm not really sure why. When I went to see it, I was pretty disappointed. I'm trying to remember what it was about the movie I didn't like. I seem to remember the plot moving too slowly for me. Maybe I'm just impatient, and there was something going on that I just didn't get. I dunno.My top Coen Bros. scenes:-The ferret in the bathtub scene from "The Big Lebowski"-The "summer rain" scene from "O Brother"-The first scene with the apocalyptic bounty hunter in "Raising Arizona"-The wood chipper scene in "Fargo" (for some reason I just can't get over the image of Steve Buschemi's foot sticking out of that thing. It gave me awesome shivers.)-The bowling dream sequence from "Lebowski." [/quote] Great list, I also must add a few-The "look into your heart scene" in Millers Crossing. Completely unforgettable.-The car accident in The Man Who Wasn't There.-The John Goodman transformation at ... " [More]
mercurialmercurial Re:Top 5 Title Sequences
by mercurial in Top 5
hasn't rated it.
"Hehe, sorry, I'm slow. " [More]
RisseladaRisselada Re:Top 5 Title Sequences
by Risselada in Top 5
loved it.
"I wasn't insinuating the Star Wars things was the title sequence, I just wasn't sure. For instance I wasn't sure if the montage at the beginning of Raising Arizona counts since titles aren't shown during it, but it all leads up to showing the actual title of the film. And that sequence is awesome! " [More]
leeroy711leeroy711 Re:Top 5 Antagonists
by leeroy711 in Top 5
loved it.
"I'm quoting myself because I disagree with myself, "self, how could you come up with a list of Antagonists and not include the coin flipping Anton Chigurh in No Country For Old Men? I am very dissapointedin myself. That should probably #2 " [More]
leeroy711leeroy711 Top 5 Antagonists
by leeroy711 in Top 5
loved it.
"1. Peter Lorre's character - M - Great performance, creepy character, whisteling that tune over and over in my dreams 2. The Lone Biker of the Apocalypse - Raising Arizona - satirical and scary as hell at the same time3. Benoit Benoit Poelvoorde - Man Bites Dog - how could you not love this guy?4. Hannible Lecter - Silence of the Lambs - when he puts that guy's face on as a mask was my favorite scene. 5. Kevin Spacey's character - Seven - very similar to his character in The Usual Suspects but add the psycotic murdering funtime. " [More]
lopezdashlopezdash Ten Non-Definitively Classic Mo ...
by lopezdash in Intersection
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"1. Manhattan: A Woody Allen classic all too often overshadowed by Annie Hall. The story is pretty much the same as most of Allen's films. He plays a lusty, bumbling New Yorker seeking love wherever he can find it�a search which lands him with a high schooler and later his best friend's mistress. With Meryl Streep and Diane Keaton. 2. Small Time Crooks: One of the few recent Woody Allen films worth seeing. The story follows one cookie manufacturer from near failure and foreclosure to fortune and fraud: delightful! 3. Coming to America: Eddie Murphy at his best! Murphy as an African prince arrives in Queens to find a wife and goes undercover as an employee at fast-food restaurant. 4. Trading Places: Eddie Murphy was so funny once, what happened? Oh, right. Enter: Norbit. Here, Dan Aykroyd and Murphy team up to get back at Aykroyd's boss and stick it to The Man. 5. Blues Brothers: Another fine moment for Dan Aykroyd. Aykroyd and Jon ... " [More]
Smooth_JSmooth_J HATS
by Smooth_J in Smooth_J Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"I finally got around to seeing Miller's Crossing, and I was actually very surprised. Not about how good it was, but how toned down the typical Cohen's themes were. It was, all in all, a conventional gangster flick. There were the undertones and the symbolism and all that stuff, but none quite as prominent as in their other movies, such as Raising Arizona and Fargo. However, the symbolism of Tom's hat is very prominent, and is referred to pretty often.Gabriel Byrne is very good as the film's anti-hero, Tom. He seems like a sceptical, sarcastic bastard for most of the movie, but he brings a lot of sympathy and humor to the character. The closing scenes are especially well-done by him, and he perfectly embodies everything that the film makes him out to be in those closing 10 or 15 minutes. The rest of the cast is also terrific, especially Albert Finney, who lends the film a veteran presence as the seasoned actor that he is (and was, even in 1990).The story is ve ... " [More]
lisasussmanlisasussman My Dog's Name is H.I. McDunnoug ...
by lisasussman in lisasussman Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"Yeah, that's right. If you think that No Country For Old Men is layered, well then I'd rather light a candle then curse your darkness. Layered-wise, NCFOM is perhaps a delicate tiramisu - perfected yet tiny. Raising Arizona on the other hand would be more like the 25-tier wedding cake at Liza Minelli's wedding (any of them). It's flashier and quirkier and all that, perhaps not as sophisticated as NCFOM, but for Raising Arizona, the flowering tree of slapstick comedy drawing one's attention above ground is yet equaled or surpassed by its biblical roots below. I have watched this movie AT LEAST 6 million times and everytime it digs deeper. Masterpiece isn't the word to be used here. Nay, to me, Raising Arizona is a cornerstone. I don't know who you are, or you think you are...but if you saw this movie and didn't like it, then you obviously don't live in this country or in any country. Your capacity for any kind of human observation has completely ... " [More]
SpoutBlogSpoutBlog Trailer of the Day: Chaos Theory
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"There are a few things I haven’t been into for awhile: Ryan Reynolds, who keeps popping up on my television with that terrible-looking movie with Abigail Breslin (the title, which I keep forgetting, is Definitely, Maybe), and movies about obsessive compulsives. But I have been a fan of both in the past. Reynolds was really terrific (and yes, really hot) in The Amityville Horror, despite the remake’s uselessness, and he seemed to show a lot of promise. Unfortunately, I haven’t seen him deliver since (I hear he’s good in The Nines, but I haven’t seen it). OCD, meanwhile, was an interesting and funny character trait in movies until Nic Cage played the most unbelievable and annoying obsessive-compulsive ever in the otherwise decent caper Matchstick Men. But here we have a trailer for Chaos Theory, a movie starring Reynolds as an obsessive type, and it really hooked me in. Certainly it had to be the music, beginning with that wonderful Carter Burwell (arranged) composition from Raising ... " [More]
paulpaul The Coen Brothers argument
by paul in FilmCouch
hasn't rated it.
"It didn't make it in to FilmCouch #48, but I think Kevin and I came to some sort of resolution over the disgreement with No Country for Old Men. Many people think this movie is among the best work the Coens have ever done. Nobody disputes that it is one of the more finely crafted movies in theaters this year or that it's compelling to watch. It was asserted that the signature "quirky" aesthetic of the brothers gets in the way of a movie that otherwise may have lived up to Peter Travers of Rolling Stone's praise that it's a "masterpiece." The conclusion Kevin and I landed on is that the Coens made a movie of archetypes (Javier Bardem is more Evil than a person, Tommy Lee Jones more a generation than a sheriff), yet those characters are as idiosynchratic as the ones in Raising Arizona. So, there is a conflict that--I think--diminishes the movie as I feel I'm supposed to laugh like with Raising Arizona, but also treat these characters with the gravity that an ar ... " [More]
[More reviews]
Review by All Movie Guide
All Movie Guide
loved it.
Following their noir debut, Blood Simple (1984), Joel Coen and Ethan Coen turned their idiosyncratic, film-literate attentions to screwball comedy in Raising Arizona (1987). The Coens play the American Dream for farce, as non-violent hold-up man "Hi" (Nicolas Cage) and mug shot photographer Edwina (Holly Hunter) attempt parenthood through kidnapping. With nods to cartoon slapstick and The Road Warrior (1981), among others, and a script that mixes southwestern slang and polished locutions, the Coens extract maximum wackiness from their sly send-up of familial urges. From crude yet refined convicts Gale (John Goodman) and Evelle (William Forsythe) to blowhard father Nathan Arizona (Trey Wilson) to swinging procreators Glen (Sam McMurray) and Dot (Frances McDormand), all the cartoony characters want to parent baby Arizona for all the wrong reasons. Cinematographer Barry Sonnenfeld's sharp compositions, low camera, and manic "shakycam" shots showcase the Coens' energetic visual wit, particularly in a prolonged chase featuring dogs, cops, a "panty"-wearing Hi, and a package of purloined Huggies. Complete with carefully modulated over-the-top performances from the entire cast, Raising Arizona confirmed the Coens' place among the most distinctive filmmakers to emerge from the 1980s independent cinema. ~ Lucia Bozzola, All Movie Guide
 



Spout's Scavenger Hunt

Community ratings

mavens
Spout mavens
liked it.
most people
Most people
liked it.

Other opinions

quint
quint
loved it.
Risselada
Risselada
loved it.
chesterfilms
chesterfilms
loved it.
rica5tully
rica5tully
is not interested.
Arconna
Arconna
is not interested.
DavidAames
DavidAames
is not interested.