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The Last Mimzy
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Directed by Robert Shaye, Bob Shaye.
New Line Cinema founder Robert Shaye's directorial debut, the family-friendly science-fiction tale The Last Mimzy is an adaptation of a short story by Lewis Padgett. The story concerns a young brother and sister, Noah and Emma Wilder (Chris O'Neil and Rhiannon Leigh Wryn), who discover a strange box of artifacts one day while vacationing at the family's summer cottage. When the objects in the box begin to act in strange and mysterious ways, the pair decides to hide it from their mother (Joely Richardson) and workaholic father (Timothy Hutton). When Noah begins to display a previously unknown flair for advanced scientific concepts, the boy's teacher (Rainn Wilson) takes an interest in him. The two youngsters soon become the object of much interest from the government after their new discovery causes a large blackout. Eventually, the duo discovers that they are responsible for helping save the future of humankind, and Emma's precious stuffed rabbit might be something much more than it appears to be. ~ Perry Seibert, All Movie Guide
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tjl30tjl30 The Last Mimzy
by tjl30 in tjl30 Blog
is neutral about it.
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"The movie started out kind of lame, but it picked up towards the end. Overall though I was not blow away, but the fact that Dwight Schrute was in it kept my attention. The ending was kind of cool. The movie itself though seems like a child fantasy book. Another kind of funny thing was the Intel plug. " [More]
MovieBabeMovieBabe The Last Mimzy
by MovieBabe in MovieBabe Blog
hasn't rated it.
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"By Tricia Olszewski The little girl in The Last Mimzy is adorable—especially when she has a seizure and levitates like Linda Blair in The Exorcist. Parents should take the film’s PG rating as seriously as the movie takes itself, which, minus some pwecious stuff, is very. Based on a short story by Lewis Padgett (pen name of husband-and-wife writing duo Henry Kuttner and C.L. Moore), it tells of “sensitive little genius” Emma (Rhiannon Leigh Wryn) and her pissy older brother, Noah (Chris O’Neil), who are on a family vacation when they find a strange box on the shore. The box opens itself up mechanically, like an unfolded origami project; inside there are rocks, a sluglike blob, a seashell, and a stuffed rabbit. The kids discover that the toys, and soon themselves, have magical powers. The bunny, for instance, talks to Emma in a thick-but-cute alien accent, telling her its name is “MIM-zeeeee!” and teaching her how to do things like spin the ... " [More]
lukasblulukasblu Re: The Last Mimzy
by lukasblu in The Imagination of Fantasy
liked it.
"saw this movie last wk. with my family and friends and we all liked it; Did not expect it but Last mimzy definitely has the most creative and original visual effects i have seen in film. Also liked the cinematography (with the bugs and small animals)and loved the music/song by roger waters(from pink floyd) "hello, i love you" " [More]
littlemisspinkspiderlittlemisspinkspider The Last Mimzy
by littlemisspinkspider in littlemisspinkspider Blog
lost interest.
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"This movie made no sense at all. It was so boring and hard to understand that I almost feel alseep. Also it didn't explain how and why they got the abilities that they did. My younger sister and brother liked it but then again everything is amusing to little kids and they don't lose intrest as quick. " [More]
bloomsdaybloomsday CE4K?
by bloomsday in The Bloomsday Device
hasn't rated it.
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"I was snagged by the “From the Producers of Close Encounters of the Third Kind” tag of The Last Mimzy, and the appearance of Rainn Wilson (Dwight from The Office) in the presumed Dreyfuss-quest role. There is much homage here. Mandalas have replaced Devil’s Tower, Homeland Security has replaced the U.N., Wilson and Timothy Hutton split the Dreyfuss role in two: one the kooky, pierced, Pink Floyd-listenin’ renegade teacher with a heart of gold, the other the devoted absentee dad/lawyer with a heart of gold. Neither of them would ever jump on a spaceship and leave their family twistin’ in the wind, Spielberg. The true Dreyfuss-quest roles are those of the children, themselves. Big brother, little sister. The children are not merely changed by their encounter with the fourth dimension, they evolve because of it: super spidey senses, incredible comprehension of – and empathy for – other creatures, telepathy, telekinesis, etc. Adults are ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
As the longtime head of New Line Cinema, Robert Shaye showed a keen talent for coming up with the iconic element that helps sell a big movie. From the creative kills of the Nightmare on Elm Street series to the vast spectacle of the Lord of the Rings films, Shaye built an impressive empire as an executive producer by finding the hook in a movie that makes it memorable. The Last Mimzy was his first attempt at directing a feature, and the finished film definitely reflects his talent for finding and playing up the epic movie moment. The appealing low-tech special effects and the childhood sense of wonder that permeate the film help sell what is actually a very gentle and humanistic story. When it's not inspiring awe with big bangs and moments of excitement, the film offers some lovely passages, particularly the extended sequence where the children (Chris O'Neil and Rhiannon Leigh Wryn) discover the mysterious items sent to them from the future. The two young performers radiate an innocence and an inquisitiveness that's reflected in the overall tone of the film, highlighting the movie's respect for children's innate sense of wonder. These enthralling sections help gloss over the film's imperfections, like clunky scenes that include an overly frightening sequence, lifted shamelessly from E.T., where a happy family moment is shockingly interrupted by uniform-clad government agents who abduct the foursome and place them in black vans. This is one of only two scenes where the film emotionally clobbers the audience, but adults can forgive Shaye these moments because his heart is in the right place. He treats his actors very well, especially Rainn Wilson, who offers welcome support as the young boy's science teacher, giving the children another adult they can trust. Joely Richardson and Timothy Hutton suffer slightly in the roles of the parents, largely because the screenplay seems to arbitrarily change their attitudes and their motivations a from scene to scene. But such discrepancies are easy to dismiss because Shaye understands how to sell the big scenes that stay with an audience after the movie is over. ~ Perry Seibert, All Movie Guide
 



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