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Quintet
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Directed by Robert Altman.
Perhaps the least seen but most talked about film of Robert Altman's career, Quintet is a somber science fiction tale that takes place after a nuclear holocaust has thrown the world into another Ice Age. A man named Essex (Paul Newman) and his pregnant wife Vivia (Brigitte Fossey) are wandering the desolate, frozen landscape and attempting to find Essex's brother, Francha (Tom Hill). They finally locate him in a frozen city, occupied by a number of apocalyptic survivors who who pass their time playing a mysterious game called "Quintet." No one is able to explain just how it is played, but Grigor (Fernando Rey) appears to act as the referee, and the stakes of the game are unusually high - losing means being thrown out into the snow and devoured by Rottweilers. Francha is soon killed, not as a casualty of Quintet per se, but for playing an assassination game on the side to relieve his own ennui. As 'collateral damage,', Vivia and the rest of Francha's family are soon extinguished as well. Essex is not happy with the way they've been rubbed out, but as he attempts to seek revenge, he is only drawn deeper into the lethal competition of Quintet. While this picture received negative reviews on its initial release, in retrospect it is worth noting that the photography (by Jean Boffety) and production design (by Leon Ericksen) are beautiful and striking, and that the film boasts one of Altman's strongest international casts, including Vittorio Gassman, Nina Van Pallandt, and Bibi Andersson, as befits its European-art-movie ambiance; the influence of the equally opaque, allegorical, game-playing Last Year at Marienbad (1961) is especially strong. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Robert Altman's Quintet is a unique motion picture experience, although most viewers will not find it a particularly entertaining one. Purposely dense, yet built on a shallow foundation, Quintet confuses obscurity with profundity and at times is almost unbearably pretentious. It is also sluggishly paced -- which is undoubtedly Altman's intention, though there seems to be no real reason for this. The slowness does not reveal any greater depth of meaning, and while it may emphasize the nihilistic atmosphere of Altman's bleak future, it still becomes overpowering. Worse, it deadens the few "lively" sequences. The screenplay is also burdened with the wooden and flavorless dialogue and the intricacies of the "game" seem to exist only as something on which to hang plot points. Under the circumstances, the cast does the best it can, but not even Paul Newman's considerable star power and charisma can rise above the material. Yet in spite of all its flaws, Quintet exerts a certain strange fascination that keeps the viewer hooked; the hand is always poised to push the "off" button but it never quite gets there. Part of this is due to the haunting visual imagery in the film, with its "iris focus" cinematography and Leon Ericksen's production design. Altman does create some unforgettable moments, such as Newman's burial of Brigitte Fossey's body on an icy river. They're not enough to make Quintet a good movie, but they're flashes of illuminating brilliance in this somber, frozen corpse of a film. ~ Craig Butler, All Movie Guide
 



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