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Pump up the Volume
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Directed by Allan Moyle.
Teenage angst finds a new voice in this drama. By day, Mark Hunter (Christian Slater) is a quiet, studious student at an ordinary suburban high school in Arizona. But at night, Mark creeps down into his basement, fires up his pirate radio transmitter, and broadcasts to the community as Hard Harry, a sexually obsessed social commentator who passes along angry philosophy about the state of teenage life when not blasting punk rock or gangsta rap cuts. Hard Harry's sworn nemesis is high school principal Mrs. Cresswood (Annie Ross), who keeps SAT scores up at the expense of her students' dignity and individuality by eliminating "troublemakers" from the student body. Hard Harry's broadcasts, however, have become a rallying point for the school's misfit underclass, and Mrs. Cresswood is determined to track down the mystery student and bring him to justice (broadcasting without a license, he's not merely an annoyance, but a criminal). The war against Hard Harry intensifies when he broadcasts data from confidential school board reports; Mark's father is a school commissioner, but he has no idea what his son is doing in the basement. Meanwhile, Mark gains the attentions of Nora (Samantha Mathis), who has figured out who he becomes at night. More serious and intelligent than the average teen film, Pump Up the Volume was written and directed by Allan Moyle, who previously dealt with disaffected, music-obsessed teens in Times Square and would return to them with Empire Records. ~ Mark Deming, All Movie Guide
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JakeStevensJakeStevens Slater's King Of Pain
by JakeStevens in JakeStevens Blog
is neutral about it.
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"Were it not for the fantastic music present in this film, and a young Christian Slater's heartfelt performance (and that one scene with Samantha Mathis), this would have gotten a "lost interest" rating. This is pure melodrama, and I think this film tries to be "Talk Radio" without any of the biting wit that that film had. I will give it to Allan Moyle for at least attempting this type of film, but the angst is never angsty enough, the parent/teacher/student conflicts feel a little false and, like I said earlier, the only thing really keeping this film afloat is Christian Slater's solid performance (and the music). This film is average at best. " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
Writer/director Allan Moyle updates the ideals of the 1960s and 1970s in this story of a would-be revolutionary (Christian Slater) who incites teen revolt with his basement pirate radio station. Slater's "Hard Harry" on-air persona is equal parts Lenny Bruce and Jack Kerouac, and the film's first half cruises by on his bawdy, inflammatory dispatches. Harry's song choices as a DJ are stellar as well: underground angst anthems from Sonic Youth, Peter Murphy, and The Pixies mingle with a few classic picks from the Leonard Cohen songbook. Though Moyle resorts to typical, anti-authoritarian plot contrivances in the latter half, Slater and romantic interest Samantha Mathis coax convincing emotion out of the script's more leaden moments. The film's righteous, us-versus-them feel has more in common with 1950s high school pictures like Rebel Without a Cause than with Slater's previous teen effort, the ironic Heathers. ~ Michael Hastings, All Movie Guide
 



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mavens
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tadiv
tadiv
loved it.
mnoo
mnoo
loved it.
yojimbo73
yojimbo73
loved it.
digitalconquest
digitalconquest
lost interest.
CSSCHNEIDER
CSSCHNEIDER
lost interest.
Diabolical_Shadow
Diabolical_Shadow
disliked it.