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Psycho
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Directed by Alfred Hitchcock.
In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998. ~ Mark Deming, All Movie Guide
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SpoutBlogSpoutBlog Shyamalan’s Latest Surprise End ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"I hate twist endings, especially those in the films of M. Night Shyamalan. Maybe it’s because I was told the twist of The Sixth Sense prior to seeing it and haven’t been able to appreciate the filmmaker ever since. It’s not so much that I believe films shouldn’t have twist endings, it’s that I believe films that have twist endings should be enjoyable even when you know the secret (Psycho is still great after a thousand viewings, for example). The only one of Shyamalan’s movies to hold up even with the spoilers revealed is Unbreakable. So, I had no problem reading about the big secret of Shyamalan’s latest, The Happening. An early review of a rough cut of the thriller has shown up on Collider, and in addition to claiming the thing is “a terrible, terrible movie,” and that, “Mark Wahlberg might very well give the worst performance I’ve ever seen in anything,” the critic includes a complete plot synopsis, including the big revelation of what is causing people to suddenly kill themselv ... " [More]
RisseladaRisselada Re:Top 5 black and white movies ...
by Risselada in Top 5
loved it.
"[quote user="mysterywriter"] I'm just going to throw in Pyscho, one of my favorites and still scary enough to raise the hair on my back. Also all those old mysteries, such as Charlie Chan and those of that ilk. And the serial movies, such as Boston Blackie. None of those would be helped by color. [/quote] Hmm, none of those were made after 1970 though. Although Psycho was in 1960 when color could have been feasible. " [More]
minjoeminjoe Great Performance
by minjoe in minjoe Blog
hasn't rated it.
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"When I rented P2 I wasn't expecting anything more than the usual gruesome horror that we have come to expect these days. It seems almost impossible to find a decent movie in this genre anymore. Therefore, I was particularly suprised that P2 turned out to be such a good film.As a whole, the film brings nothing necessarily new to the genre of horror films, but it does expand upon and perfect what we have come to expect from these types of movies. The feeling of being trapped, working against a superior foe, running scared for your life, and facing increasingly insurmountable odds all come into play in P2. Each and every scene is crafted to keep the audience yelling at the screen in a desperate plea to help the young damsel in distress played by Rachel Nichols.However, what makes this movie more than just an average flick is the powerful and haunting performance delivered by Wes Bently. He captured the depth and mental instability of a man who's loneliness masks a deeper ... " [More]
Dr_GorDr_Gor Re:Ask the Doctor...
by Dr_Gor in HORROR MOVIES 101
loved it.
"Rizzo, are you saying that you thought The Exorcist was TOO scary? ... I happen to agree with you. When I first saw this movie in the theaters during it's initial release, I was TERRORIZED out of my wits and mentally scarred forever. The first time I saw this in the theater I was 13 years old and I can remember curling up into a fetal position and wishing I wasn't there. But I kept my eyes open and watched the whole thing and I did not sleep at all that night... I was afraid my bed would start shaking... A couple of other movies that might be too scary for their own good are The Texas Chainsaw Massacre and Night Of The Living Dead and Psycho ... < GOR > " [More]
SpoutBlogSpoutBlog If Saul Bass Designed the Star ...
by SpoutBlog in SpoutBlog on spout.com
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"Star Wars may have the most famous opening title sequence in film history, but in terms of influence it’s got nothing on the work of Saul Bass. He’s the brilliant graphic designer who gave us the animated credits for Hitchcock’s Vertigo, North by Northwest and Psycho and Scorsese’s Casino, Cape Fear, The Age of Innocence and Goodfellas and most of Otto Preminger’s work, including Exodus, Anatomy of a Murder and The Man With the Golden Arm. You’ve also seen his work at the beginning of West Side Story and Alien and Big and The Seven Year Itch and Spartacus. But what if he had designed the opening credits to Star Wars? Well, it might have looked something like this video, which was created for a school project. Interesting, yes. Creative, yes. Entertaining, yes. Memorable, no. It just goes to show how significant some credit sequences can be, because this is hardly appropriate for George Lucas’ film. And I don’t just mean because the music is all wrong. If this student wanted to go w ... " [More]
Dr_GorDr_Gor Re:H. H. Holmes and serial killers
by Dr_Gor in HORROR MOVIES 101
loved it.
"Ok. Where to begin... Obviously, Psycho , The Texas Chainsaw Massacre and Silence of the Lambs ('Buffalo Bill') were all loosely based on the infamous Wisconson madman Ed Gein. But there have been some movies that deal more directly with this insaniac, including Deranged and Ed Gein and the recently released Ed Gein: The Butcher Of Plainfield starring Kane 'Jason' Hodder. Henry Lee Lucas has been the subject of more than a couple movies including Henry: Portrait of a Serial Killer and Diary of a Serial Killer . Obviously, Jack The Ripper has been the subject of MANY movies... I won't even begin to list them all here. The Town That Dreaded Sundown is based on the infamous 'Green River Killer' ... And perhaps my favorite, few people know that the original Dirty Harry was, in fact, based on the notorious 'Zodiac Killer' ... There have been multiple movies made about 'The Son Of Sam' , 'John Wayne Gac ... " [More]
pippin06pippin06 Revisiting Psycho for the AFI P ...
by pippin06 in Reel Thoughts
liked it.
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"Greetings! Yesterday, as I sat home alone, sick and in bed on a Friday night, I came up with a bit of a movie viewing project for myself. I also got the idea from other Spouters who have little viewing projects they blog about (thank you). For the past ten years, since the original list, I have been trying to watch the American Film Institute's top 100 films. Then, the AFI came out with a new list of top 100 films, but not before they came out with other lists to rank certain genres and modes of American films. Since I've newly discovered the joy of instant-movies on Netflix, I have decided to watch every single film on those lists, including revisiting the ones I had already seen (unless I truly hated it). I know what you're thinking: isn't that a bit limiting, a bit cliche, a bit contrite? Aren't you restricting yourself from watching other classic but non-American films? Well, I've got a Netflix queue filled with a variety of films, including clas ... " [More]
Dr_GorDr_Gor Re:How Have Horror Movies Affec ...
by Dr_Gor in HORROR MOVIES 101
loved it.
"I would just like to say a few words about Friday the 13th, Part 2 ... This is one of the most UNDER-RATED and BEST horror films ever made! Remember, this is the movie that introduced us to 'Jason' ! In part 1, 'Jason' didn't exist (except as a corpse) and it was 'Mrs. Voorhees' who was the killer! ... In part 2, it is 'Jason' who is seeking revenge... dressed identical as the killer in The Town That Dreaded Sundown (!) Which, in turn, was based on the 'true-story' of the 'Green River Killer'...(!) Anyhow, it was not until 'Part 3-In 3-D' that Jason gained his infamous hockey-mask... " [More]
divinemsjunebugdivinemsjunebug How Have Horror Movies Affected ...
by divinemsjunebug in HORROR MOVIES 101
loved it.
"I thought this would be a fun question to ask people. I know that after Psycho came out a lot of people stopped taking showers for a long time and after Jaws came out, people would not go into the Ocean. But what about you?I'm saying this because today when I got back into my car after getting my hair cut (in a very cute bob, I must say), that the inside of my window was completely fogged up. It freaked me out so bad that I screamed and jumped out of my car, scaring a sweet little old lady that was nearby. Thank God, no one was in the back seat but all that flashed in my mind was Michael Myers waiting for me as I sang the song Oh Paul, Oh Paul...of course I really didn't sing that song, and the sun was shining so it wasn't at night, but it just brought me right to that moment. " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
In a decade in which what was acceptable onscreen would change more radically than at any other time in history, Psycho was in some ways the first shot in the battle for freer filmmaking in the 1960s. Few movies of its time were more direct and unapologetic in their violence or served it up with such disorienting abruptness or tongue-in-cheek wit. With its casual depiction of sex outside marriage, fleeting nudity, bursts of shocking violence, killing off a major character less than halfway through the movie, and focus on the psychological subtext of the murderer's personality, as well as the geometric imagery of Saul Bass's credit sequence and the percussive strings of Bernard Herrmann's score, Psycho was the film with which Hitchcock left the 1950s behind and started the 1960s with relish. Time hasn't hurt the film, either; it still generates a palpable tension and the odd chemistry between Perkins and Leigh in their dinner scene is a wonder to behold. While the film is still frightening after all these years, repeated screenings reveal a cold-blooded humor; with Psycho, Hitchcock tore asunder the audience's expectations of what a suspense film should be, and he appears to have had a wonderful time doing it. ~ Mark Deming, All Movie Guide
 



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