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The Pride of the Yankees
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Directed by Sam Wood.
"It's box office poison," producer Samuel Goldwyn is said to have exclaimed when he heard the idea of filming the life story of fabled first baseman Lou Gehrig. "If people want baseball, they go to the ballpark!" The story begins before World War I, when young Lou Gehrig (played as a boy by Douglas Croft) begins dreaming of becoming a professional ballplayer. Lou's immigrant parents (Elsa Jansen and Ludwig Stossel) insist that the boy attend Columbia University to become an engineer. While in college, Lou (played as a man by Gary Cooper) becomes a star athlete, and, with the help of sports journalist Sam Blake (Walter Brennan), he is signed by the New York Yankees and joins their big-league lineup in 1925; real-life Yanks Babe Ruth, Bill Dickey, Bob Meusel and Mark Koenig play themselves. He also meets and falls in love with Eleanor Twitchell (Teresa Wright) (an event that actually happened in 1933) and earns the nickname "The Iron Man of Baseball" because he never misses a game. In 1939, Lou discovers that he has a fatal neurological disease called amytrophic lateral sclerosis (now known, of course, as "Lou Gehrig's Disease"). On July 4, 1939, an emotional Lou Gehrig, a scant two years away from death, bids farewell to 62,000 of his fans and friends at Yankee Stadium. Allowing that he might have been given a bad break, he concludes his speech with "Today, I consider myself the luckiest man on the face of the earth." Deftly weaving basic facts with yards and yards of fancy, screenwriters Jo Swerling and Herman J. Mankiewicz serve up one of the most entertaining and inspiring baseball biopics. A more accurate but less dramatic adaptation of the same story, A Love Affair: The Eleanor & Lou Gehrig Story, was produced for television in 1977. ~ Hal Erickson, All Movie Guide
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eagle795eagle795 #71
by eagle795 in eagle795 Blog
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"One of the best sports films of all time. Gary Cooper’s portrayal of the doomed Lou Gehrig is extremely well done. Some of the scenes involving Lou’s parents’ are kinda corny, but that’s okay by me. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Historically, only a few baseball movies have done well at the box office, mostly because audiences are lukewarm to portrayals of heroes of the diamond. Sam Wood's The Pride of the Yankees, however, is an exception, and an improbable one: neither producer Samuel Goldwyn nor star Gary Cooper knew anything about baseball, and it seemed unlikely that anyone was going to pay money to see a story in which everyone knew the outcome. Goldwyn may not have understood the sport (he thought players got promoted up through the bases, from first base to third, and couldn't understand why Gehrig was such a great player if he was "only" a first baseman), but he understood the public better than almost any other producer. The poignancy of Gehrig's story -- he became a sports hero out of a modest upbringing only to see fate strike him down, and then accepted that fate with heroic stoicism -- might've played well at any time, but the fact that America was heading into a war in which people with would be sacrificing themselves made the material even more topical. Though Cooper threw with the wrong hand -- requiring the film to be flipped, so that players had to run from home to third and wear uniforms with reversed numbers -- he portrayed Gehrig with perhaps even more dignity than the real man possessed, and his romantic scenes with Teresa Wright as Gehrig's wife were warm and honest. Director Wood's understated, unpretentious telling of the tale captured the subject of baseball but also provided a snapshot of Americans in general, and how we wanted to think of ourselves on the eve of World War II. ~ Bruce Eder, All Movie Guide
 

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