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Portrait of Jennie
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Directed by William Dieterle.
In Portrait of Jennie, Joseph Cotten plays an artist, Eben Adams, who is unable to bring any true feeling to his work. While painting in Central Park one morning, Eben makes the acquaintance of a schoolgirl named Jennie (Jennifer Jones), who prattles on about things that happened years ago. Intrigued at her thorough knowledge of the past, Eben is about to converse with her further, but Jennie has vanished. Over the next few months, Eben meets Jennie again and again -- and each time she seems to have aged by several years. He paints her portrait, which turns out to be more full of expression and emotion than anything he's previously done. His curiosity peaked by Jennie's enigmatic nature, Eben uncovers evidence that he has been conversing -- and falling in love -- with the ghost of a girl who died years earlier in a hurricane. On the eve of the hurricane's anniversary, Eben rushes to meet Jennie at the site where she was supposedly killed. As a new storm rages, Jennie vanishes for good, but not before declaring that the love she and Eben have shared will live forever. Rescued from the storm, Eben convinces himself that Jennie was a mere figment of his imagination. Then he notices that he stills clutches her scarf in his hand. He looks at his portrait of Jennie (the only Technicolor shot in this otherwise black-and-white film) and understands what she meant when she said that their love would endure throughout eternity; it will do so through Cotten's art, both the portrait at hand and all future portraits. Based on the novel by Robert Nathan, Portrait of Jennie is one of the most beautifully assembled fantasies ever presented onscreen. Producer David O. Selznick's unerring eye for "rightness" enabled him to select the perfect stars, supporting cast (Lillian Gish, Ethel Barrymore, David Wayne, Cecil Kellaway, et al.), director, cinematographer (Joseph August), and composer (Dimitri Tiomkin, who based his themes on the works of Debussy), and blend everything into one ideally balanced package. ~ Hal Erickson, All Movie Guide
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kristen13kristen13 Picture Perfect
by kristen13 in kristen13 Blog
loved it.
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"This film is wonderful. It has a haunting quality. It takes you on a trip of obsession and love. Joseph Cotton is a great actor and shines in this role. I highly recommend it to anyone. " [More]
Sanoskai7Sanoskai7 A Romance with a Dream-like Atm ...
by Sanoskai7 in Sanoskai7 Blog
loved it.
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"Portrait of Jennie, surreal romance/drama from the 1940s starring the underrated Joseph Cotten and Jennifer Jones, is a fantastic romance that I absolutely adore. It's about a struggling, poor painter named Eben Adams (Cotten) who doesn't have much inspiration for his art. But one strange night in a foggy park he meets a mysterious young girl named Jennie Appleton (Jones), who is dressed in early twentieth century clothes. Eben is mesmorized by the girl and paints portraits of her. Everytime he sees her she is older, so eventually he falls in love th the enigmatic Jennie- even though they live in different time periods! That may not sound as fantastic as I make it out to be, but there's something about this dream-like film that completely charms me. I mean, you really feel that Eben and Jennie are in love, and you feel their pain when they must leave each other. Fom the dialogue to the acting to the scenary to the story, this great movie excells. I thought this movie wa ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Romantic fantasies like Portrait of Jennie are remarkably hard to pull off. A children's fantasy, like The Wizard of Oz, is easier, because it's already one step removed from reality. But pictures like Jennie are grounded in the real world, and the tone has to be kept exactly right or else the project veers perilously off into whimsy or preciousness; even a slight detour can be fatal, and it is to Jennie's -- and director William Dieterle's -- credit that this never happens here. It's not that Jennie is perfect; the opening narration is ponderous and pretentious, and one does get a little tired of hearing the title character described as having such a mysterious, airy quality about her, to cite just two examples. But these flaws don't intrude on the reality/fantasy mix, and they're easy to forgive, especially given how on the mark the screenplay generally is. And Dieterle provides near perfect direction, full of beauty and sensitivity. Best of all, Jennie has Jennifer Jones and Joseph Cotten. Jones may have won her Oscar for The Song of Bernadette, but her work in Jennie is better and is arguably the finest of her career. She perfectly conveys the many different ages of the character, and though her appearances are sporadic and cover a range of time, she finds a through line for the character so that she creates a full portrait rather than bits and pieces. Cotten is sublime, capturing the moodiness and self-pity of his character, as well as the anger and bitterness underneath, but making him at all times likeable and someone whom we care for and about. The supporting cast is also strong, with Ethel Barrymore's lovely patroness, clearly in love with Cotten but aware that it's a no-win situation, especially noteworthy. Throw in cinematography and a score that are equals in atmosphere, and the result is a glorious romance. ~ Craig Butler, All Movie Guide
 



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