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Polyester
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Directed by John Waters.
After making a name for himself with such underground gross-out epics as Pink Flamingos and Desperate Living, director John Waters made a bid for somewhat wider acceptance with this black comedy, which is sedate only by the standards of his previous work. Francine Fishpaw (Divine) is a housewife whose life has become a living hell. Her husband Elmer (David Samson) runs a porno theater (currently showing the classic My Burning Bush) and is having an affair with secretary Sandra (Mink Stole), a vision of sleaze in Bo Derek-style cornrow braids who informs Elmer, "Children would only get in the way of our erotic lifestyle!" Francine has two teenage children, Dexter (Ken King), who likes to sniff glue and stomp on women's feet, and Lulu (Mary Garlington), a brazen slut who hangs out with overage juvenile delinquent Bobo (Stiv Bators) and gleefully anticipates her next abortion. Francine's best friend, Cuddles (Edith Massey), is a slightly insane heiress who is somehow convinced she's a debutante. Francine's life has become so miserable that her dog commits suicide rather than witness it, but a light appears on the horizon -- Todd Tomorrow (Tab Hunter), the handsome and dashing owner of a local drive-in specializing in art films (their current bill is a Margurerite Duras triple feature), with whom Dawn enters into a torrid affair. Subversive on all fronts, Polyester was originally shown in "Odorama" (patrons were given a card with ten scratch-and-sniff patches, to be smelled at key points in the action) and featured a romantic theme song sung by that new hitmaking duo, Deborah Harry and Bill Murray. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
John Waters' first 'mainstream' film is a subtler, slicker affair than previous wild outings like Pink Flamingos but this doesn't mean that it is tame. In fact, Polyester is just as bitingly satirical as his more underground efforts but aim its sights at more everyday targets like suburbia and the nuclear family. The film benefits from one of Waters' most polished scripts, which sets up a wonderfully weird array of characters and subplots with comedic flair and then interweaves them to create something that plays like Douglas Sirk and William Castle teaming up to do a remake of Peyton Place. Waters also turns in some slick work behind the camera, working in some novel visual devices like split-screen and an opening credits sequence that makes surprisingly sophisticated use of a steadicam. He also gets strong comedic performances from his cast: Tab Hunter is perfectly cast as low-rent romeo Todd Tomorrow and Stiv Bators makes a perfect cartoon punk as Bobo. Best of all, Divine turns in a wonderful cast-against-type performance as the put-upon Francine Fishpaw, wringing every last drop of over-the-top melodrama out of the material and conjuring up memories of old Joan Crawford melodramas as she chews up the scenery. In short, Polyester is one of Waters' most accomplished films from many standpoints and well-crafted enough to appeal to viewers who wouldn't normally go for his far-out brand of screen comedy. ~ Donald Guarisco, All Movie Guide
 



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