Four Eyed Monsters
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Directed by François Ozon
Diagnosed with terminal cancer and given only a short while to live, a successful fashion photographer embarks on one final journey in the second of three films in a trilogy about death and mourning from French director François Ozon (the first entry in the the trilogy was Under the Sand) . After passing out during a particularly grueling photo shoot, high profile shutterbug Romain (Melvil Poupaud) is shocked to discover that his body has been ravaged by a fully metastasized cancer that will soon kill him. Without revealing the cause for his erratic behavior, the shell shocked Romain commences to alienate his entire family and ditch his handsome young boyfriend before connecting with affable waitress Jany (Valeria Bruni-Tedeschi) at a roadside café while en route to his grandmother's house. Upon arriving at the home of the one family member he knows will be joining him shortly in death, Romain's naked vulnerability is met with a gentle ear and sound advice. Once again meeting with the kindly Jany on his way to his ultimate fate, Romain and the waitress strike up an unusual bargain. ~ Jason Buchanan, All Movie Guide
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"saw this at a sneak preview. somewhat disappointing but worth seeing if you're a Parker Posey fan since she's fabulous as usual. the beginning where she's getting dressed for a party is beautifully shot and hints at great things to come but for me it goes downhill from there. the story is clunky and the movie doesn't "flow." it's sort of a "finding yourself" story but even that isn't developed. i don't know what was up with the ending either since it was " [More]
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All Movie Guide
liked it.
François Ozon's Time to Leave (Le temps qui reste) tracks the final months in the life of self-centered fashion photographer Romain (Melvil Poupaud). He decides not to tell his family members about his terminal cancer, except his simpatico grandma (Jeanne Moreau), cruelly leaving them to deal with the shock alone. But the film makes the unsentimental case for his right to die in isolation, treasuring his last glimpse of nature and its fleeting loves. The drama moves at a patient, but not protracted, pace. Romain's psychological transformation as he faces is death is slight and subtle yet forceful, the difficult handling of his relationship with Jany (Valeria Bruni Tedeschi) believable, if unlikely. Poupaud's performance is similarly delicate; he embraces his characters flaws unapologetically, asking for the audience's respect based on simple humanity and Romain's shielded vulnerability within. Ozon frequently favors ostentatious visuals, but here the frame is crisp and ordered in an unobtrusive way so that the key images are unexpectedly gut wrenching, as when a setting sun appears to kiss Romain's dying lips. This is a wonderfully understated melodrama that manages to be moving and sympathetic while resisting the usual cancer weeper clichés. ~ Michael Buening, All Movie Guide
 

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