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Runaway
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Directed by Tim McCann
Michael (Aaron Stanford) arrives in a rural town, rents a motel room, and gets a job at the local gas station working for Mo (Peter Gerety), alongside the rambunctious Carly (Robin Tunney). Both Mo and Carly take an interest in Michael's life, and Carly is romantically attracted to him, but Michael's privacy is very important to him, because he has a dark secret. He's run to this small town from an unhappy, traumatic family life, and is forced to earn a living while secretly caring for his little brother, Dylan (Zack Savage). Despite Dylan's constant complaining, Michael rarely lets him leave the motel, because Michael knows that if the authorities find them, they'll be sent back home, or worse. In flashbacks, we see Michael talk to a therapist, Dr. Maxim (Terry Kinney), about his tormented relationship with his parents, Lisa (Melissa Leo) and Jesse (Michael Gaston). Michael blames his father's abuse for his inability to function, and when he saw signs that his father planned to abuse Dylan in the same way, he felt that he had no choice but to take drastic action. As Michael begins to confide in Carly, who has also suffered in an abusive relationship, we gradually learn just how bad things got back home before he ran. Runaway was directed by Tim McCann (Revolution #9) from an original script by Bill True. The film had its world premiere at the 2005 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Runaway is another one of those twisty little modestly budgeted psychological thrillers that it's difficult to write about without revealing too much. Plot aside, it's a gritty, downbeat, and well-made film that gets a lot of mileage from its dingy locations and convincing performances. Director Tim McCann is, after Desolation Angels, Revolution #9, and Nowhere Man, perfectly adept at creating the dark, brooding tone of the film. The claustrophobic interiors, askew camera angles, and Aaron Stanford's sharp, anguished performance prepare us for the temporal and logical turns in Bill True's script. But those turns could hardly be called unexpected. For all of the film's welcome specificity with regard to location and character (aided by uniformly strong turns by Stanford, Robin Tunney, and Peter Gerety) and its blessed economy (as indicated by the terse 80-minute running time), it still fits a bit too neatly into its genre. It's not the fault of the director or the screenwriter, but perhaps we've become a bit too acclimated to depictions of this sort of interior reality of a mentally unstable character. We see the bad news coming a mile off. Runaway is, nevertheless, compelling viewing. ~ Josh Ralske, All Movie Guide
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