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Pennies from Heaven
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Directed by Herbert Ross.
Adapted from Dennis Potter's landmark British TV miniseries and relocated to the United States during the Depression, Pennies from Heaven dramatizes how popular songs both shaped and reflected the thoughts of people living through economic (and emotional) hardship. Arthur Parker (Steve Martin) is a sheet music salesman who believes that he can spot a hit a mile away and wants to open his own store. But he can't get a bank loan and his wife Joan (Jessica Harper), who has savings left to her by her father, refuses to give him the money. Also, while Arthur has a fierce sexual appetite, Joan generally refuses his advances. While on the road, Arthur meets Eileen (Bernadette Peters), a shy schoolteacher as desperate for affection as Arthur is hungry for sex. They begin an affair, which leads to tragedy for both. Punctuating the drama of Pennies from Heaven are elaborate musical numbers in which the characters lip-synch to popular songs of the day, which at once lift their hopes and reflect their fears. Arthur's buoyant tap number to "My Baby Said Yes" and Eileen's saucy rendition of "Love is Good for Anything That Ails You" are reflections of their needs for money and love, and their pas de deux on "Let's Face the Music and Dance" is at once an escape and an acknowledgement of their hopelessness. ~ Mark Deming, All Movie Guide
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jlgdrdjlgdrd Dream of LIfe: Yossi & Jagger
by jlgdrd in Wicked Fun
loved it.
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"Roughly three quarters into Eytan Fox’s Yossi & Jagger, Jagger finally puts his foot down. When the impending ambush is over, he tells him, they will travel East, they will rent a hotel room, they will ask for a single bed. “I’m tired of pretending,” he tells Yossi, and from that moment on you don’t have to be a psychic (or an avid movie queen) to know Jagger won’t be returning from the ambush. Yossi responds with the traditional “You knew what you were getting into...” speech that he will undoubtedly recant as Jagger is brought to the brink of death. This is not to say Avner Bernheimer’s script is weak, in a sense he turns conventional melodrama on its head. And considering he telegraphs the climax it is surprisingly effective and yes, wrenching. Based on a true story, Yossi and Jagger is a cinematic coupe de grace achieved by tactical strategy. Using documentary film technique (hand-held cameras, natural lighting, flat col ... " [More]
jlgdrdjlgdrd Irwin's Wee Winkler: De-Lovely
by jlgdrd in Wicked Fun
loved it.
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"What can I tell you about De-Lovely, Irwin Winkler's musical biopic on the life of Cole Porter? It's disappointing, but not overwhelmingly so. It's engaging and more than pleasurable enough to warrant your time and the cost of a ticket. When it clicks, it's amazing. When it falters, the result isn't fatal. It takes a lot of risks, which more often than not succeed to great effect. There are times when the set pieces, acting, dialogue, lighting almost melt as the film combines it with Porter's wistful, ruminating music and you can feel the flood of emotion surpassing contextual detail. Borrowing from other films, such as Pennies from Heaven, A Chorus Line, and especially All That Jazz, De-Lovely's music spills over into reality. Performance as artifice is deconstructed. Kevin Kline (as Porter) and Ashley Judd (Porter's wife Linda) are inspired casting choices. Kline can seem self-absorbed without being dull. His desire to be liked makes us forget his compulsive need for attention. H ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
A dazzling downer of a musical and one of the more interesting works to emerge from the last gasps of '70s-era critical Hollywood, the film version of Dennis Potter's remarkable BBC series Pennies From Heaven (1981) provocatively dissects the power of movie-made fantasy. Contrasting bleak, Edward Hopper-esque Depression era reality with sumptuous Art Deco illusions, Potter and director Herbert Ross illuminate the divide between sheet-music salesman Arthur Parker's sordid life and the musical dreams that give him hope. Stars Steve Martin and Bernadette Peters masterfully dance and lip-synch their way through elaborately imagined 1930s numbers (including outrageous Busby Berkeley spectacles and a potent reworking of Fred Astaire and Ginger Rogers' "Let's Face the Music and Dance"), but the showstopper is Christopher Walken's saucy "Let's Misbehave" tap solo. Still, bucking the usual musical uplift, Martin's Arthur remains a doomed sex addict and Peters' Eileen an unrepentant fallen "good girl." Along with an Oscar nomination for Potter's screenplay, Bob Mackie's costumes earned Academy approval, while Gordon Willis' rich cinematography garnered several critics' prizes. Despite favorable reviews and Martin's star status, however, audiences did not appreciate either his serious performance or the film's modernist conception, and Pennies From Heaven failed. ~ Lucia Bozzola, All Movie Guide
 



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