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Match Point
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Directed by Woody Allen.
A clandestine love affair sends one man's charmed life into a tailspin in this dark, disturbing drama written and directed by Woody Allen, his first film set and shot in Great Britain and one his few films sans any humor. Chris Wilton (Jonathan Rhys-Meyers) is an Irish tennis player with an impoverished background. Just accomplished enough to make his way onto the professional circuit, but not skilled enough to be a consistent winner, he now works as an instructor at a London tennis club. The wealthy Tom Hewett (Matthew Goode), who is as impressed by Chris's charm and good looks as he is by his game, takes a tennis lesson from the young man. Chris's intelligence and wit also make a strong impression on Tom's pretty sister, Chloe (Emily Mortimer), who soon falls for him. It isn't long before Chris and Chloe are engaged to be married, a match that pleases both Tom and his father, Alec (Brian Cox), a successful businessman who believes Chris has a bright future in his firm. However, Chris also feels an overwhelming attraction to Nola Rice (Scarlett Johansson), a sexy blonde from the United States who is dating Tom. Though Nola initially puts up some resistance, Chris gently nudges her in the direction of an affair. Passion soon ignites between the two, and they have a one-time sexual encounter, even as Chris and Chloe plan their wedding. Nola resists, however, when Chris makes additional attempts to wheedle her into bed. Nola drops out of Chris's life shortly before his wedding, but a chance meeting a few months later resurrects the relationship as Chris and Chloe try to start a family. Match Point received its world premiere in an enthusiastically received presentation at the 2005 Cannes Film Festival. ~ Mark Deming, All Movie Guide
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unclefesteringunclefestering Re:Take the red pill: Recast TH ...
by unclefestering in Filmgaming
hasn't rated it.
"I went with people who I think could carry the roles well and have played lots of varied characters so that their performance would be different from the Matrix we know. Neo -- Orlando Bloom * His acting range is just as limited as Keanu Reeves, well he might be slightly stiffer. Morpheus -- Gabriel Byrne Nobody can project rightous anger and and a sense of forboding menace like Byrne. Trinity -- Franka Potente She does rugged and yet feminine. she can handle both the emotional needs and would be believable in the action sequences. Agent Smith -- Denzel Washington King Kong ain't got nuthin' on him. Oracle -- Eva Marie Saint Is there anybody else who can handle and deliver bad news like she can? Cypher -- Maggie Gyllenhaal Smart and sexy, Maggie can play seductive and greedy like few can. Tank - Tadanobu Asano He was great in the Zatoichi and can be tough when the situation calls for it. Apoc -- Jena Malone Let's give this role some depth. Jena can add that something special with j ... " [More]
MovieBabeMovieBabe Match Point
by MovieBabe in MovieBabe Blog
hasn't rated it.
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"By Tricia Olszewski Miss the opening credits of Match Point and you may not be able to identify its director—even if he is one of cinema’s great recidivists. For one thing, the movie is set in London. For another, most of the actors are British. And they play characters who are at ease with their lots in life, who twitter about the frivolities of the day and balk whenever the talk gets too serious or philosophical. Most surprising of all, neither the director nor a hand-wringing stand-in is anywhere to be seen—not in the lead, not even as a minor character. But then the patriarch of Match Point’s central family sizes up a potential son-in-law. “He’s not trivial,” he says. “We had a very interesting conversation the other day about Dostoevski.” Ah. This is a Woody Allen movie, after all—and the first good one since the neurotic New Yorker realized that a significant shake-up was in order if he were to once again be regard ... " [More]
HalfAngelAngelineHalfAngelAngeline ...
by HalfAngelAngeline in HalfAngelAngeline Blog
disliked it.
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"Some plays should not be made into movies.Some plays should get the playwright shot. I think we all know where I'm going with this. " [More]
enareteaenaretea The (Not So Sweet) Lowdown on W ...
by enaretea in enaretea Blog
liked it.
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"I watched Scoop with my wife and her best friend at home the other weekend. I wasn't expecting much and got less than that. While Hugh Jackman was kind of charming and Miss Scarlett was gorgeous, the whole thing was souless and empty. Woody Allen has missed the mark before, but this was just the work of a man killing time in London, looking for an excuse to spend more time with his current favourite actress. Match Point was a return to form for Woody Allen. It was well-acted and had thought behind it. Scoop has neither of those things. There is also no sense of place in this movie. Perhaps Woody Allen should stop trying to entertain himself so much and try entertaining his loyal audience. " [More]
JimBellJimBell Match Point
by JimBell in JimBell Blog
lost interest.
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"Match Point (2006) may be Woody Allen’s best movie in years, but it is insufferable. A poor tennis player marries into a rich family in London and then risks everything lusting after a would-be actress. The mistress pressures him. Then she pressures him some more. Then some more. Then continues pressuring him. This is an original screenplay? I had heard, rightly, that the film has a surprise ending, so I watched all the way through. The surprise ending supposedly develops the movies theme, but it doesn’t. It continues the running motif of luck vs talent, but it makes no statement on the topic. Avoid. Jim Bell " [More]
HalfAngelAngelineHalfAngelAngeline Matchpoint
by HalfAngelAngeline in Lets stop with the pandering simplistic bullshit
disliked it.
"Match PointSo I've read everyone's reviews on it and I can't help but wonder if maybe I've been locked in some evil alternate dimension. I mean, I know I saw a film named Match Point. I know it starred the always dreadful John Rys and the alluring Scarlett (everyone calls young women actors "alluring" and "classy" when they aren't seen in public with the likes of Tara Reid)... and it was directed by the Woody Allen (Ah, yes, the entertainment industry. The only industry that encourages repeat sex offenders) but obviously it must be the wrong movie. Everyone on here loves it. What about it? The droaning on? The quirkiness that only came off as indecisive story-telling? No, really. I have to know. " [More]
chrischankitchrischankit Not much Surprise
by chrischankit in chrischankit Blog
hasn't rated it.
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"Story is very straight foward! " [More]
ktincuktincu Whatever you think, don't think ...
by ktincu in ktincu Blog
liked it.
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"I had been told. I had even read it. "It's not a typical Woody Allen film." But I still wasn't prepared for how un-Woody-Allen-like Match Point is. As your self-appointed Expectation Adjustor, I feel it's my duty to warn you. More importantly, though, I'm here to encourage you to check out this film, even if you think a Woody Allen film is the last thing you feel like watching (perhaps that moment is precisely when you should pick it up). First, let me say I think it's a good thing that Match Point is so not Allen. I'm a fan of his films, but mostly the older ones, and I'm very glad to see he's becoming less predictable in his old age. The biggest surprise—even though MP has been described as a "comedy drama"—was that I detected exactly no humor in this film. Not even a smidgen of wry, dry, vintage Allen humor. Maybe I just missed it because I was too busy trying to calm the dread in my stomach as the story progressed. It's a classic, impending train wreck, in a Russian literat ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Match Point is the most consistent Woody Allen picture in about 15 years. Not since Husbands and Wives has he shown such detail to the simple craft of storytelling, and this is what should give hope to longtime Allen fans who might have begun to question how many good films the great director may have left in him. The film does not break new ground thematically, but simply by setting the film in London it feels fresh. Jonathan Rhys-Meyers is cast well as Chris Wilton, a tennis pro always looking to climb up the social ladder. His inherently cold features help make the character more menacing than might have been intended. It lends the character a steely confidence when a different actor might have played the character more passively. Matthew Goode turns in a fine supporting performance alongside Emily Mortimer and the always reliable Brian Cox as the rich family Chris befriends. Nola Rice, the femme fatale, appears at first to be a familiar character in Allen's work -- the emotionally erratic, sexually voracious woman. However, Allen smartly alters this stereotype in intriguing ways. Although the first scene overplays the character's hand, Scarlett Johansson brings an intelligence and a presence to the part the grounds it. She is beautiful, but she is not unstable. She is a three-dimensional person, not simply the personification of the lead male's erotic desires. The screenplay has a fatalism that will be familiar to anyone who knows Allen's non-comedies, a fact that bleeds some of the drama out of the third act of the film as many people will see how it is going to end. But good storytelling is as much about how events unfold as it is about how the story ends. Match Point offers the encouraging experience of a great director and writer rediscovering his muse thanks to a new city and new actors. ~ Perry Seibert, All Movie Guide
 



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