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The Descent
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Directed by Neil Marshall.
A group of close female friends on a yearly adventure vacation find themselves trapped and hunted in a series of caves by an unknown force that lurks in the shadows in The Descent, the second horror feature from Dog Soldiers writer/director Neil Marshall. After suffering a devastating car crash one year before, Sarah (Shauna Macdonald) is lured to the States with her friend Beth (Alex Reid) to a special spelunking trip by the fearless Juno (Natalie Mendoza), who abruptly fled from the U.K. after Sarah's accident. Along with two old friends and a new acquaintance of Juno's, the group embark on a cave expedition that takes a turn for the worse after a rock fall leaves them stranded in an uncharted cave with no map and only a handful of supplies to last them the rest of the trip. As tensions arise in the group, they are faced with another danger -- one whose love of the dark is as strong as its lust for blood. Opening to rave reviews in the U.K. in July of 2005, the creature-feature went on to show at the Venice Film Festival and garnered the top prize for Euro feature at Sweden's Fantastic Film Festival. The Descent was picked up for future U.S. distribution by Lion's Gate, whose work was cut out for them considering the tame opening of the similarly-themed stateside production of The Cave in late-August of the same year. ~ Jeremy Wheeler, All Movie Guide
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SkyPilotSkyPilot Doomsday delivers
by SkyPilot in SkyPilot Blog
hasn't rated it.
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"One of the most enjoyable movies I've seen recently is a bizarre but cookin' action movie called Doomsday. It's Neil Marshall's (Dog Soldiers, The Descent) latest horror/sci-fi movie. Doomsday is like Escape From New York meets The Stand. It's post-apocalyptic filmmaking at its most enjoyable. And I've got to talk about how regarding violence, this movie has its cake and eats it too. This is a graphic film; for short burts it's as graphic as Passion of the Christ or the new Rambo, which both disturbed me quite a bit. What's strange is that while I found the intense violence in Passion or Rambo to be much more sickening than entertaining, the violence of Doomsday really appealed to me as entertainment. What is even stranger is that one of the themes of Doomsday is the futile and selfish nature of cruelty... so it somehow manages to be really fun-violent while trying to unmask actual fun-violence as an abomination! And it's got killer car chases and fight scenes, too. WTF? This is s ... " [More]
SkyPilotSkyPilot B+ is the new B (Modern B Movies)
by SkyPilot in B Movies
hasn't rated it.
"One of the most enjoyable movies I've seen recently is a bizarre but cookin' action movie called Doomsday. It's Neil Marshall's (Dog Soldiers, The Descent) latest horror/sci-fi movie. Doomsday is like Escape From New York meets The Stand. It's post-apocalyptic filmmaking at its most enjoyable. And I've got to talk about how regarding violence, this movie has its cake and eats it too. This is a graphic film; for short burts it's as graphic as Passion of the Christ or the new Rambo, which both disturbed me quite a bit. What's strange is that while I found the intense violence in Passion or Rambo to be much more sickening than entertaining, the violence of Doomsday really appealed to me as entertainment. What is even stranger is that one of the themes of Doomsday is the futile and selfish nature of cruelty... so it somehow manages to be really fun-violent while trying to unmask actual fun-violence as an abomination! And it's got killer car chases and fight scenes, too. WTF? This is s ... " [More]
bhbbhb Re:Horror movie endings
by bhb in HORROR MOVIES 101
hasn't rated it.
"Very interesting. I'll have to rent Undead and the Descent to check out those endings and see how I feel about them. " [More]
divinemsjunebugdivinemsjunebug Re:Horror movie endings
by divinemsjunebug in HORROR MOVIES 101
loved it.
"Now I have to admit, I always love happy endings, I want all the evil to either be resolved at the end, or at least all the characters that I love to live at the end. But even though the Ring was a little unsettling, it was so cool and exciting to see her crawl out of the TV.Of course most of my favorite zombie movies always have endings that I just put my head down and say OH NO...but I have come to expect endings like that so it doesn't bother me. If you have seen the movie UNDEAD (I won't give anything away because a lot of people have not seen this very cool Australian movie) but it has an ending that is not a happy ending but you think there is some hope anyway. I could go on and on and on and on. There are some endings that I get really ticked off at and some that I am ticked off at when I first see it but the more I think about it, I think it's a very cool ending. An example of that is the Descent. At first I was sooooooo upset, but then I thought well, at ... " [More]
glowbuggglowbugg Girl power!!!!
by glowbugg in glowbugg ramblings
loved it.
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"Wow! I wasn't expecting much from this film considering the all girl cast and the fact that I usually hate chicks in these kind of movies because thay are usually the ones who fall down or can't keep their whimperings to a minimum when the boogey is near. This movie rocked! Very uber-creepy boogeys with their mewlings and milky-eyed blindness. Very highmarks for this one. One of my favorites now. " [More]
divinemsjunebugdivinemsjunebug Re: hard to scare
by divinemsjunebug in HORROR MOVIES 101
loved it.
"Hmmm, that could be a new movie, "The many personalities of Gor" - Well, Greg, maybe you should put a disclaimer at the end of your posts that say - Any offense taken is a result of you not knowing who I am and know that I just love a good heated discussion, please do not take it personally and know that I really care in my own special way - hee hee. Okay, I will throw in my two cents, I have only known the very sweet, funny side of Gor (especially when talking about a cute little Froggy girl) - I guess since I am a pretty good judge of people (even on the internet) I know that when he is a little...hmm how should we say? Short with people you know, telling people to get their heads out of their ass, taunting people, disagreeing completely with people and making them think they have really bad tastes in everything...ha ha - he is just speaking the way he feels, no sugar coating - take me as I am attitude. I view all of that with a lot of fun and amusement and like to see what h ... " [More]
GradysGhostGradysGhost Re: Directors who have yet to m ...
by GradysGhost in Directors
hasn't rated it.
"Oh, yeah. For the record books:The Coen Brothers: Fargo was great, but it's a flavor-of-the-week film. I'm going with The Man Who Wasn't There. I'm such a sucker for Scarlett Johansen.Sofia Coppola: Lost in Translation. Hands down. If she ever tops this, I'd be surprised.Spike Lee: Do the Right Thing. I'm an unnatural fan of Summer of Sam, but it doesn't come close to the poignancy of Do the Right Thing.Quentin Tarantino: Pulp Fiction, but he's got the potential to do better. He keeps getting stuck in these genre films and he's losing his credibility as as "original" director.Alfred Hitchcock: Rear Window. Suspenseful, inspired a recent remake (or "modernization").Michel Gondry: Eternal Sunshine of the Spotless Mind. A beautiful film that realizes the beauty of tragic love and also the beauty of raw, un-CGI'd cinema.Stanley Kubrick: A Clockwork Orange. Actually, call it a toss-up between that and Dr. Strangelove, or How I Learned ... " [More]
divinemsjunebugdivinemsjunebug Re: whats the best (current rel ...
by divinemsjunebug in suspense-thriller-mystery-horror
loved it.
"I have to say The Descent has been one of the best "newer" films I have seen lately. Although, I have been watching a lot of Older films from the 70s and 80s on my Netflix Queue. Dead Silence wasn't too bad, it was a little on the cheesey side but had some very good goosebump moments that I liked. The Messengers wasn't too bad, I wouldn't RAVE about it but it was pretty okay (I'd make a great saleman wouldn't I...hee hee), hmmmm, what else have I seen....Night of the Living Dorks - it was funny and a little scary at the same time as well as Dead and Breakfast (but it looks like this one was released in 2004..I think just about everything I have seen, I keep reporting to everyone, so no surprises lately. " [More]
Dr_GorDr_Gor Re: Scary Movie Quotes
by Dr_Gor in HORROR MOVIES 101
hasn't rated it.
"OK... I have not seen it yet, but judging from your clue, I will guess "The Descent" ... Yes? " [More]
dj4ourdj4our Original look at Subterranean M ...
by dj4our in dj4our Blog
loved it.
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"THE DESCENT (2005)***1 hr. 39 min.R for strong violence/gore and language. written by: Neil Marshallproduced by: Christian Colsondirected by: Neil MarshallI made sure I watched this movie in the middle of an afternoon instead of late at night. I knew going in that it could be the type of movie that would send me to bed with the heebie jeebies. The latest trend in suspense and horror movies has not excited me in the least. All I see are countless ripoffs, remakes, and regurgitations of classic and mediocre movies that have already been done. If anything, I've been quite disappointed and disinterested in the popularity and apparent demand for various films depicting graphic decapitations, dismemberment, and mutilations. Thing is, I do like a good scare. I'm more of a "less-is-more" kinda guy. I don't need to see it all to be freaked out but I'll occasionally handle me some gore as long as the plot seems decent enough. Then I remembered this movie that origi ... " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
A bloody great achievement in pure terror, Neil Marshall's British pulse-pounder The Descent is a terrifying journey into madness that will leave even the most hardened horror veterans shaken to their cores and loving every minute of it. Boldly sporting an all-female cast, the fright flick sidesteps genre stereotypes and throws this particularly gifted ensemble group through the darkest reaches of hell, where there's zero light and little chance for hope. The frights themselves range from nail-biting thrills to extreme blood-curdling shocks that escalate in pure ferocity as the viewer is trapped in an unrelenting exercise in fear. While his peers tend to concern themselves with continually ripping off David Fincher's flash and grime (à la Seven), here Marshall turns his inspiration toward Alien and The Shining, with a bit of Deliverance added in for good measure. While he's admitted this fact in public arenas, these particular similarities are unmistakable and their influence on the film is evidenced in every second of this unique monster flick. Thanks to its heightened sense of claustrophobia and desperate human drama that ratchets up the first half of the picture, the director proves that he's learned what it takes to thoroughly engross an audience and then scare the living hell out of them. With fine casting and pristine makeup work complimenting the ingenious production design and stark cinematography, the film is a home run on all sides of production and sets the bar for small-budgeted indie shockers (the budget ended up only being around six million dollars). Modern horror films don't even begin to match what The Descent has in store for its viewers -- which is a good thing, because one wouldn't want it to get any better than this. ~ Jeremy Wheeler, All Movie Guide
 



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