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Out of the Past
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Directed by Jacques Tourneur.
Out of the Past is so perfect a film noir that it is considered practically a textbook example of the genre. In his first starring role (it had previously been offered to John Garfield and Dick Powell), Robert Mitchum plays Jeff Bailey, the friendly but secretive proprietor of a mountain-village gas station. As Jeff's worshipful deaf-mute attendant (Dick Moore) looks on in curious fascination, an unsavory character named Joe (Paul Valentine) pulls up to the station, obviously looking for the owner. Jeff is all too aware of Joe's identity; he's been dreading this moment for quite some time, knowing full well that it will mean the end of his semi-idyllic existence, not to mention his engagement to local girl Ann (Virginia Huston). In a lengthy flashback, the audience is apprised of the reasons behind Jeff's discomfort. Several years earlier, he'd been a private detective, hired by gangster Whit Sterling (Kirk Douglas) to find his mistress Kathie Moffett (Jane Greer), who shot him and ran off with $40,000. Jeff traces Kathie to Mexico, but when he meets her he falls in love and willingly becomes involved in an increasingly complicated web of double-crosses, blackmail, and murder. The flashback over, Jeff agrees to meet Whit face to face in Lake Tahoe. Surprisingly, Whit apparently bears no malice, and even offers Jeff an opportunity to square himself by retrieving Whit's tax records from mob attorney Eels (Ken Niles). Even more surprisingly, Kathie has returned to Whit on her own volition. When Jeff is taken to Eels' apartment by the beautiful Meta Carson (Rhonda Fleming), he quickly figures out that he has been set up and tries to clue Eels into the plot, but Eels is later found murdered, and Jeff is accused of the crime. Worse yet, Whit has forced Kathie to sign an affadavit that also pins another murder on him. Crosses, double-crosses and triple-crosses abound for the next few reels, culminating in disaster for the oh-so-clever Whit, who has fatally underestimated the deceitful (and icewater-veined) Kathie. And in the end, it is Jeff who must resort to drastic measures to force Kathie to pay the price for her cold-hearted treachery. Out of the Past was remade in 1984 as Against All Odds, with Jane Greer cast as the mother of her original character. ~ Hal Erickson, All Movie Guide
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adamkempadamkemp Filmspotting #164: Ocean's Thir ...
by adamkemp in Filmspotting
loved it.
Was this review helpful? [Be the first to tell us!]
"June 15: Since following up his twin Oscar nominations [and Best Director win] in 2000 with the blockbuster "Ocean's Eleven," Steven Soderbergh has stayed busy but failed to reach those same early millennium artistic and box office highs. The big-budget "Ocean's Thirteen," like its predecessor "Ocean's Twelve," follows two films that seemed to satisfy Soderbergh's film-geek curiosity -- the digital art project "Bubble" and the homage to classic Hollywood cinema "The Good German", just as "Ocean's Twelve" was preceeded by the digital art project "Full Frontal" and a remake of Russian master Andrei Tarkovsky's "Solaris." Maybe making the "Ocean's" franchise is how a guy like Soderbergh relaxes. A lot of fans of "Ocean's Eleven" were let down by the lightweight sequel. Will a return to Vegas return Soderbergh and company to the audience's good graces? Adam and Sam weigh in.Also on the show, a review of "Once," winner of the World Dramatic Audience Award at the 2007 Sundance Film Fe ... " [More]
adamkempadamkemp Filmspotting #164: Ocean's Thir ...
by adamkemp in Filmspotting
loved it.
Was this review helpful? [Be the first to tell us!]
"June 15: Since following up his twin Oscar nominations [and Best Director win] in 2000 with the blockbuster "Ocean's Eleven," Steven Soderbergh has stayed busy but failed to reach those same early millennium artistic and box office highs. The big-budget "Ocean's Thirteen," like its predecessor "Ocean's Twelve," follows two films that seemed to satisfy Soderbergh's film-geek curiosity -- the digital art project "Bubble" and the homage to classic Hollywood cinema "The Good German", just as "Ocean's Twelve" was preceeded by the digital art project "Full Frontal" and a remake of Russian master Andrei Tarkovsky's "Solaris." Maybe making the "Ocean's" franchise is how a guy like Soderbergh relaxes. A lot of fans of "Ocean's Eleven" were let down by the lightweight sequel. Will a return to Vegas return Soderbergh and company to the audience's good graces? Adam and Sam weigh in.Also on the show, a review of "Once," winner of the World Dramatic Audience Award at the 2007 Sundance Film Fe ... " [More]
dibotdibot Out of the Past Superman Return ...
by dibot in dibot Blog
loved it.
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"Out of the Past is a classic film noir staring Robert Mitchum ("Pakten") as a small town gas station owner whose past comes back to haunt him. Sounds a bit like The Killers, doesn't it? There are similarities. Mitchum is a basically good guy, who did a bad thing, tried to leave it behind him, and couldn't. The first part of his story is told in flashback. And all the trouble started over a dame. Mitchum rules with his hang-dog expression as he tries to outwit the other guys in this very twisty plot. A very young Kirk Douglas ("Illusion") plays the bad guy and Jane Greer ("Perfect Mate") is the femme fatale. At first, I didn't get why she would be worth throwing everything away for, but as the film progressed, I kind of got it. Very, very good. Watching Superman Returns was hard at first because I kept thinking of Christopher Reeve. But I moved past it to accept Brandon Routh ("Denial") as The Man of Steel. And I fell into the story, even though I had to shake many, man ... " [More]
JymkataJymkata Re: Top 5 Actresses in Classic ...
by Jymkata in Top 5
loved it.
"Wow, great topic, since the women really make film noir sexy and mysterious 1. I loooove Gloria Grahame in everything so I guess I have to cheat and say that I would put three of her noir performances in a tie- tough and sexy Debby Marsh in The Big Heat, scheming Irene Neves in Sudden Fear, and complicated Laurel Grey in In a Lonely Place2. I think Joan Crawford gets a bad rap because of her personal life, but I think she makes every movie she's in better. I'm going to cheat again and list two favorites, as Myra Hudson in Sudden Fear and as the indomitable Mildred Pierce3. I agree with you Jim that Jane Greer's entrance in Out of the Past is one of the most memorable, maybe only rivaled by Lana Turner's in The Postman Always Rings Twice. Jane's performance makes that movie all the more mysterious and menacing. 4. Gene Tierney is a great noir actress as well. She is the haunting prescence in one of my all-time favs., Laura and she's great in the noirs Whirlp ... " [More]
JimBellJimBell Out of the Past
by JimBell in JimBell Blog
loved it.
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"Out of the Past (1947) is my favourite film noir. A guy with a shady past (Robert Mitchem) is trying to start a new life in a small Californian town when his past catches up with him, as he explains to his new girlfriend and to us. Robert Mitchem is on record as saying that he had only three acting moves—look right, look left, and look straight ahead—but he is perfect for this part, giving away emotion with subtle facial expressions and small changes in his laconic delivery: “If I have to die, I’ll die last.” Jane Greer is the good-looking woman who gets him into trouble. When she makes her entrance into a Mexican cantina, her hips and substantial appearance remind us that beautiful in 1947 was different than beauty in movies today. (Incidentally, Greer, aged 22, was the girlfriend of Howard Hughes, the owner of RKO Radio pictures which made the movie.) Kirk Douglas, in his second movie role, sparkles with dangerous energy as the ruthless businessman. ... " [More]
RisseladaRisselada Re: Top Neo-Noir
by Risselada in Top 5
loved it.
"Wow! Out of the Past is probably my favorite too!!! What are your second and third favorite? " [More]
JymkataJymkata Re: Top Classic Noir
by Jymkata in Top 5
loved it.
"[quote user="Risselada"] As much as I have LOVED pretty much every classic film noir I've seen, I'm surprised that I've seen so few. But here's my top 5. It's pretty much more than half of all of them I've seen. 1. Out of the Past, 1947. 2. Pickup on South Street, 1953. 3. The Killing, 1956. 4. The Big Sleep, 1946. 5. Strangers on a Train, 1951. If you'd have let it go to 1958, I would have put Touch of Evil up there for sure! Here's a couple I'm hoping to see. Anyone want to recommend any of them?D.O.A., 1949.The Big Clock, 1948.The Postman Always Rings Twice, 1946.In a Lonely Place, 1950.The Lost Weekend, 1945.This Gun for Hire, 1942. [/quote] Rizzo- In my opinion This Gun for Hire is a masterpiece - midget-sized Alan Ladd makes a very tough noir anti-hero. I would also highly recommend The Big Clock (decently remade as No Way Out in the 80's) and D.O.A. (horribly remade in the 80's), but I would caution that I only have one problem with D.O.A. (early in the film there ... " [More]
RisseladaRisselada Re: Top Classic Noir
by Risselada in Top 5
loved it.
"As much as I have LOVED pretty much every classic film noir I've seen, I'm surprised that I've seen so few. But here's my top 5. It's pretty much more than half of all of them I've seen. 1. Out of the Past, 1947. 2. Pickup on South Street, 1953. 3. The Killing, 1956. 4. The Big Sleep, 1946. 5. Strangers on a Train, 1951. If you'd have let it go to 1958, I would have put Touch of Evil up there for sure! Here's a couple I'm hoping to see. Anyone want to recommend any of them?D.O.A., 1949.The Big Clock, 1948.The Postman Always Rings Twice, 1946.In a Lonely Place, 1950.The Lost Weekend, 1945.This Gun for Hire, 1942. " [More]
Review by All Movie Guide
All Movie Guide
loved it.
With its doomed anti-hero, conniving villain, sardonic script, moody black-and-white photography, and icy femme fatale, Jacques Tourneur's Out of the Past (1947) is essential film noir. Opening in an idyllic small town, the movie literalizes down-and-out detective Jeff Bailey's confrontation with his past through an extended flashback depicting his moral downfall. Jeff's past exists in cities and exotic hideouts swathed in expressionistic shadows; Kathie (Jane Greer) may first appear as a beautiful vision in white, but, as she steps through a darkened doorway, momentarily blacking out her face, Jeff knows she's bad news. The past becomes the present as Jeff is inexorably drawn into a violent series of double-crossings that exemplify the noir universe's tangled amorality. The bad may be punished, but Out of the Past's downbeat ending draws the ultra-pessimistic conclusion that past mistakes are impossible to overcome, and redemption is not available even to those who want it. Robert Mitchum and Kirk Douglas were praised for their early starring turns as Jeff and Whit, as was Jane Greer for her lethal femme fatale. The film was remade in 1984 as Against All Odds. ~ Lucia Bozzola, All Movie Guide
 



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