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Our Hospitality
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Buster Keaton's third starring feature (discounting 1920's The Saphead, which was not conceived with Keaton in mind), Our Hospitality is a boisterous satire of family feuds and Southern codes of honor. In 1831, Keaton leaves his home in New York to take charge of his family mansion down South. En route, Keaton befriends pretty Natalie Talmadge (Keaton's real-life wife at the time), who invites him to dine at her family home. Upon meeting Talmadge's father and brothers, Keaton learns that he is the last surviving member of a family with whom Talmadge's kin have been feuding for over 20 years. The brothers are all for killing Keaton on the spot, but Talmadge's father (Joe Roberts) insists that the rules of hospitality be observed: so long as Keaton is a guest in the house, he will not be harmed. Thus, Keaton spends the next few reels alternately planning to sneak out of the mansion without being noticed, and contriving to remain within its walls as long as possible. The dilemma is resolved when Keaton rescues Talmadge from a raging waterfall (a dummy stood in for Talmadge; Keaton used no doubles, and nearly lost his life as a result). Beyond the brilliant sight gags in the closing scenes, the most memorable sequence in Our Hospitality is the bumpy train ride taken by Keaton and Talmadge in an 1831-vintage Stephenson Rocket. This 7-reel silent film represents the only joint appearance of Buster Keaton and Natalie Talmadge; Keaton hoped that by spending several weeks on location with his wife, he could patch up their shaky marriage (it didn't work). Also appearing in Our Hospitality are two other members of the Keaton family: Keaton's ex-vaudevillian father Joe (who performs an eye-popping "high kick") and his son Joseph Keaton IV, playing Buster as a baby. ~ Hal Erickson, All Movie Guide
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RisseladaRisselada Re:Favorite silent films?
by Risselada in Silent Film
loved it.
"Buster Keaton's The General for sure! Also Chaplin's Modern Times, but like City Lights it's not technically a silent movie. It has a score, but just no real diagetic sound. I also LOVE Georges Méliès. I've rented all kinds of his collections. So many of his films are still fascinating today. The Magic of Méliès is a fantastic documentary on him. The whole DVD that it comes on is great actually. A few other of my favorite silent films are:The Cabinet of Dr. CaligariOur HospitalityNanook of the NorthGirl ShySherlock Jr.The Last Laugh I think I'd probably love anything with Keaton, I just haven't seen all of his films yet. I'm on a course to see a bunch of silent movies that are coming up in my queue. This might be an active group for me soon. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Though it was not his first multi-reel movie, Buster Keaton hit his feature-length stride with this period comedy. Set in the carefully recreated 1831 South and shot on location near Lake Tahoe, the film turned the legendary feud between the Hatfields and the McCoys (re-named the Canfields and the McKays) into a send-up of Southern politeness. Two exterior sequences became vintage Keaton. Precisely duplicating one of the first-ever trains (the "Stephenson Rocket") and hiring his vaudevillian father to play the engineer, Keaton turned the crudeness of early train travel into a dreamlike and hilarious trip southward over rough yet beautiful forested terrain. And the final river rescue showcased Keaton's agility, as he snatches his beloved (played by then-wife Natalie Talmadge) from a waterfall; it also inadvertently revealed the risks of Keaton's drive for authenticity, as he almost drowned on camera. The potentially lethal work paid off, as Our Hospitality became a box office hit and confirmed Keaton's talent for integrating comedy into a larger narrative rather than simply stringing together gags. ~ Lucia Bozzola, All Movie Guide
 



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Risselada
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