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The Puffy Chair (2004)
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Funny Ha Ha - A Review
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joem18b
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joem18b Blog
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"First paragraph of a review that I posted last year:"If I'm in the mood for a Western, I want horses. If I'm in the mood for explosions, I go to a Jerry Bruckheimer or Michael Bay movie. In either case, I don't want, say, Max Von Sydow playing chess with Death in some black-and-white hovel on the rocky shores of Sturnnveggloven. In the same way, if I'm in the mood to watch echo-boomer twenty-somethings filming their friends hanging out with each other in small apartments and on the urban stoop and in the homes and basements of their parents and grandparents, none of whom will ever appear onscreen, then for those of you who haven't seen one such film before, this would be mumblecore."My assigned movie, "Funny Ha Ha," would be perhaps the first film in the mumblecore genre. Did I read something somewhere about how frequently, for some mysterious reason, the first in a genre is also the best? Homer, Milton, and Cervantes were mentioned. Could this be true of FHH? Is it the purest, a ... "
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Sundance 2008: Jay Duplass of B ...
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"Mark and Jay Duplass made their Sundance debut in 2005 with their critically acclaimed feature The Puffy Chair. This year they return with Baghead, a tale about desperate young filmmakers trying to make a movie. In this interview Jay talks about drawing inspiration from months spent on the festival circuit, and the art of making movies without waiting for the Hollywood machine to catch up. Also on SpoutBlog: Sundance 2008: Greta Gerwig -An interview with Baghead star Greta Gerwig. Jay Duplass Interview Originally posted on:
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Sundance 2008: Greta Gerwig of ...
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"Greta Gerwig is a well-connected actor in a growing network DIY independent filmmakers (here’s a flowchart). She starred as Hannah in Joe Swanberg’s Hannah Takes the Stairs alongside Mark Duplass. Now Mark and his brother Jay are following up their 2005 Sundance hit The Puffy Chair with Baghead, starring Gerwig. In this interview we talk about living in the woods in Texas, improvised dialog, and the dream of a low-budget indie Victorian period piece. Also on SpoutBlog: Sundance Video: Promotion -Joe and Ronnie follow Greta into a Sundance “gifting” session where accepting a free blow drier has unexpected consequences. FilmCouch #35 -Karina puts the smack-down on Gawker’s “review” of Hannah Takes the Stairs at the New "
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FilmCouch #24
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paul
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"Mumblecore, is it a bona fide movement in filmmaking? Some people believe it is. One thing is certain, for being so far outside the mainstream, filmmakers like Joe Swanberg (Hannah Takes the Stairs), the Duplass brothers (The Puffy Chair) and Susan & Arin (Four Eyed Monsters) have gotten a lot of people talking. Download FilmCouch #24 or subscribe in the iTunes store (search for “filmcouch” or click here to launch iTunes) and a new free episode will download every Friday. Join the FilmCouch group Originally posted on:SpoutBlog » Paul "
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The New Naturalists
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"Yet another gem from the Silent Movie’s stellar fall schedule that I somehow forgot to mention: The New Naturalists, with Saturdays in December devoted to a handful of works from “America’s new-fly-on-the-wall auteurs.” The Puffy Chair, Mutual Appreciation, Frownland and Old Joy and will be joined by Jennifer Shainin and Randy Walker’s Apart From That. All that, and not an M-word in sight. Originally posted on:SpoutBlog "
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Dentler Takes the Stairs: Mark ...
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"If you read a lot of film blogs, you might have noticed a virus going around called Dentler Takes the Stairs. It’s all the brainchild of Matt Dentler, who is like the P.T. Barnum of the SXSW Film Festival, and who, by being the first person to program movies like Kissing on the Mouth and Dance Party, USA, has played a huge role in legitimizing this wave of no-budget American indie filmmaking over the past few years. Dentler conducted interviews with the major players in Hannah Takes the Stairs (the Joe Swanberg drama starring Greta Gerwig and filmmakers Mark Duplass, Andrew Bujalski, Kent Osbourne, Ry Russo-Young and Todd Rohal), and asked a number of us film bloggers to each broadcast one of these interviews on our blogs. Matt asked me to carry the interview with Mark Duplass, and "
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The Puffy Chair
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MovieBabe
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"By Tricia Olszewski If you like your relationships just the way they are, for God’s sake, avoid the meandering group road trip. Josh knows this. Therefore, when the 20-something goes online to buy The Puffy Chair’s titular piece of furniture, a comfy purple replica of the chair his father favored back in the day, he plans to pick up the chair solo. The movie, director Jay Duplass’ feature debut, begins with Josh (Mark Duplass, the film’s writer and the director’s brother) and his longtime girlfriend, Emily (Kathryn Aselton), on the eve of the trip, having a giggly, baby-talk-laden dinner—until Josh takes a phone call and goes beyond talking about the business at hand to yakking about setting up some friends. At which point Emily knocks her dish off the table and storms out. Of course, Josh then feels obligated to take her with him. And when they stop to visit Josh’s New Age–y brother Rhett (Rhett Wilkins), it’s decided the part ... "
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FilmCouch #24
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"Mumblecore, is it a bona fide movement in filmmaking? Some people believe it is. One thing is certain, for being so far outside the mainstream, filmmakers like Joe Swanberg (Hannah Takes the Stairs), the Duplass brothers (The Puffy Chair) and Susan & Arin (Four Eyed Monsters) have gotten a lot of people talking.
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Mumblecore
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"When is it time to demarcate a filmmaking "movement"? What if the filmmakers in this movement don't want to be grouped into any kind of movement at all? And what if the films in this movement revolve around the crisis of self-definition? Could it get any worse for one of its members than to have to talk about feeling self-conscious about being in a movement? An article in the Spring 2007 issue of Filmmaker Magazine begins by asking these very smart questions, which immediately intrigued me. The article, "What I Meant to Say," looks quite thoroughly at the independent film movement known by many as "mumblecore." There are several posts waiting to emerge from this article, so I hope Paul and some of the other guys will share their thoughts in the coming days. For now, just check out the article and take note of the collaboration aspect of this movement. The article generalizes these mumblecore films as "severely naturalistic portraits of the life and loves of artistic twentysomet ... "
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Confused
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urtown2
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urtown2 Blog
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"Upon veiwing the film, I had no backround about its creators or its star. The asumption I had made was that the two were professionals. One actor, the other videographer. I wrongly assumed that the relationship between the two was closer to the husband and wife duo of "Look Both Ways" instead of the reality that they were just brothers who wanted to make a movie. The movie was interesting: what it chose to say- how it chose to say it. I didn't feel that I wanted to turn it off. I was genuinly attached to the different characters, my heart went out to them. Thier plights were beleivable. The scene where Josh breaks down was intense.The subject matter encorporating the mid twenties worry of getting married was genuinly shown through Emily's idealistic views through the drunken marrage and her actual relationship with Josh. The elemetry camera work didn't bother me until after I investigated the film makers and thier previous works. What I felt was a stylized cam ... "
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