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Capote
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Directed by Bennett Miller.
The creation of one of the most memorable books of the 1960s -- and the impact the writing and research would have on its author -- is explored in this drama based on a true story. In 1959, Truman Capote (played by Philip Seymour Hoffman) was a critically acclaimed novelist who had earned a small degree of celebrity for his work when he read a short newspaper item about a multiple murder in a small Kansas town. For some reason, the story fascinated Capote, and he asked William Shawn (Bob Balaban), his editor at The New Yorker, to let him write a piece about the case. Capote had long believed that in the right hands, a true story could be molded into a tale as compelling as any fiction, and he believed this event, in which the brutal and unimaginable was visited upon a community where it was least expected, could be just the right material. Capote traveled to Kansas with his close friend Harper Lee (Catherine Keener), herself becoming a major literary figure with the success of To Kill a Mockingbird, and while Capote's effete and mannered personal style stuck out like a sore thumb in Kansas, in time he gained the trust of Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent investigating the murder of the Clutter family, and with his help Capote's magazine piece grew into a full-length book. Capote also became familiar with the petty criminals who killed the Clutter family, Dick Hickock (Mark Pellegrino) and Perry Smith (Clifton Collins Jr.), and in Smith he found a troubling kindred spirit more like himself than he wanted to admit. After attaining a sort of friendship with Smith under the assumption that the man would be executed before the book was ever published, Capote finds himself forced to directly confront the moral implications of his actions with regards to both his role in the man's death, and the way that he would be remembered. Capote also co-stars Bruce Greenwood as Capote's longtime companion Jack Dunphy, and Amy Ryan as Mary Dewey, Alvin's wife who became a confidante of Capote's. ~ Mark Deming, All Movie Guide
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SpoutBlogSpoutBlog 10 Movies That Came Out Too Late
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Earlier this year, I thought that it was way too late for a Sex and the City movie. But then it made a ton of cash, so I guess I was wrong. Still, I’m going to continue similarly thinking it’s too late for another X-Files movie. And even if I’m proven wrong and the masses get out to theaters this weekend in search of the truth, I’ll keep on believing that X-Files: I Want to Believe is way past its time. To celebrate Mulder and Scully’s tardiness, here are 10 other movies that came out too late: The Godfather Part III (Released in: 1990; Should have been released in: 1976) - Never mind the fact that had this third installment been made years earlier, Sofia Coppola wouldn’t have been cast and therefore wouldn’t have given her terribly infamous performance. The more important matter is that sequels arriving more than a decade after the previous installment are almost always doomed. The longer the wait, the higher the expectations, and the greater the disappointment. Of course, not ev ... " [More]
RisseladaRisselada Re: Unlikely Double Features
by Risselada in Double Feature
hasn't rated it.
"Ha, very nice Kevin.I think the movie Grindhouse was a double feature, because my impression was the double features generally were more suited for grindhouse type movies. Or at least movies movies that were more on the action end of the spectrum as opposed to drama.But pretty interesting to have an art movie style double feature. I think the difficult thing about that is that movies like this usually leave you thinking afterwards and if you saw two of them it might be too much for your mind to take. If the first movie was especially like that it may be hard to concentrate on the second one.I had a friend who went out and saw two movies (I think it was Good Night, and Good Luck and Capote) in the same afternoon. He said they were both amazing but he felt like he short changed himself by seeing them together because he couldn't think about each one individually because they were fighting for his brain's attention. " [More]
Ravie13Ravie13 Hey where's the gay?
by Ravie13 in Ravie13 Blog
lost interest.
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"I saw and loved INFAMOUS but reserved my final judgement until I finally watched CAPOTE. Capote was good... but it is UNFAIR UNFAIR UNFAIR. INFAMOUS is ten times the movie Capote was! I watched Infamous and it was on my mind for days... it was so touching... it had so much heart and love. Capote was an empty shell. Capote hinted at love while Infamous showed you why we should love Truman, why we should love Nell Harper Lee and why we should feel heartbroken when Perry died! To sum it up ... Capote watered down all of it's gay content. Infamous is where the love is. " [More]
dj4ourdj4our Earned his Oscar!
by dj4our in dj4our Blog
liked it.
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"CAPOTE ****R (for violent images and brief strong language)1 hr. 54 min.written by: Dan Futterman (screenplay) & Gerald Clarke (book) produced by: Caroline Baron, Michael Ohoven, & William Vincedirected by: Bennet MillerA coupla Fridays ago, Adrian and I went and saw this movie after work. My intention was to play catch-up with the list of all the movies that I've been wanting to see and this film happened to be one of them. Primarily those films that have received acclaimed reviews and award noms. It's hard to convince others to go see a movie that has been little seen but widely praised and is about a person not too many know about. I did my best to sell Adrian on it and after he saw the trailer online, he was up for it. The movie is a biopic based on what Capote and those around him went through as he did research for his book, "In Cold Blood." In the movie, Capote coins the foreign (at the time) term "non-fiction novel". The book and his approach wou ... " [More]
honeysucklehoneysuckle Movies based (some very loosely ...
by honeysuckle in CinLit
loved it.
"Shadowlands (C.S. Lewis)Heart Beat (Jack Kerouac et al)Sylvia (Plath)Shakespeare in LoveMrs. Parker and the Vicious Circle (Dorothy Parker)Haunted Summer (Lord Byron, Percy Bysse Shelley, Mary W. Shelley)Capote Agatha (Christie) " [More]
paulpaul Re: Capote vs Infamous
by paul in Telluride
hasn't rated it.
"I too have not seen Capote. Isn't that funny? Big Oscar winner versus little brother late to the party and we choose the little guy. Here's what I heard from someone who'd seen both.Infamous suggests a different nuance to the relationship between Capote and Perry. From what I hear, it does a better job of showing how Perry and Truman dismantle each other's facades they've constructed. Don't be alarmed, but the person I spoke with actually felt more of a connection with Toby Jones playing Capote than the Phillip Seymour Hoffman's Capote. This preference actually doesn't surprise me. It's always more engrossing to see an unknown play a great character than a well known actor because you don't have to go through the adjustment period of thinking, "Wow! It's like Dustin Hoffman is really autistic!" Also, my friend liked the out-of-character casting of Sandra Bullock as Harper Lee over Katherine Keener. Which sort of defeats the argument I just made about unknown character actors.The fi ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Capote is spellbinding and awe-striking, an almost perfect film. This accomplishment is even more remarkable when you take into account that this is director Bennett Miller's first feature, producer/writer Dan Futterman's first film, and that it's adapted from Gerald Clarke's first full-length biography. The craftsmanship apparent in Capote is clever and quick, creating scenes that are sometimes bizarre or funny, but never heavy-handed. Without plodding speeches or Oscar-bait tantrums, Capote weaves together a hauntingly realistic portrait of the charismatic and the grotesque. The movie isn't about the slaying of a family in Kansas, and it's not about Perry Smith, the convicted killer in the case -- whom Capote became so famously close to while writing his book. When it comes right down to it, Capote isn't even really about the writing of that book -- though the bizarre process of it is detailed almost completely. The story of the film is eerily captivating, but in the end, its narratives are just the pieces that eventually come together to form an almost impossibly intimate psychological portrait of Truman Capote the man. Capote sheds a gradually overwhelming light on its subject, revealing with a quiet intensity how a man of such superhuman charm and skill could in fact be so crippled by a near sociopathic narcissism. The minimal awareness portrayed in Capote's character make him all the more intriguing and compelling, even as his power over another man's life ripples distantly in his consciousness as little more than a component of his success as a writer. This heartbreakingly real performance is what makes the film such a masterpiece, and denotes perhaps the most breathtaking turn in the film -- Philip Seymour Hoffman's. While Hoffman is far from a new face and has enjoyed a highly respected career in a multitude of films, a role of this magnitude is a first for him; the kind it's instantly certain that he will be remembered for. As a profile of the character's inner life, the aforementioned production team behind Capote most certainly pursued the project with the knowledge that it would fail without such a perfect fit. As a result, even Hoffman's tremendous success can be seen as a component in the synergy that made this one of the best films in years. ~ Cammila Albertson, All Movie Guide
 



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