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The Oh in Ohio
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A woman gets a belated introduction to the joy of sex in this comedy. Priscilla (Parker Posey) is a thirtysomething public-relations agent with the unenviable job of trying to lure new businesses to Cleveland, OH. Priscilla is married to Jack (Paul Rudd), a high-school teacher who is reaching the end of his patience with his career. Things aren't going especially well at home for Priscilla and Jack -- she seems unable to have an orgasm, and while Priscilla insists she's perfectly happy with their sex life, Jack is driven to distraction by his inability to arouse his wife. When Kristen (Mischa Barton), one of Jack's students, begins displaying an extra-curricular interest in him, he throws caution to the wind and begins an affair with her, and has soon moved out of the house. Left on her own, Priscilla finally begins feeling sexual frustration, and turns to Alyssa (Liza Minnelli), an outspoken sex therapist who advises her to learn how to pleasure herself. Alyssa's advice proved to be right on the money, and soon Priscilla is a changed women who is looking for a new man in her life. She soon finds one in Wayne (Danny DeVito), a swimming-pool salesman whose sloppy appearance belies his talent in the bedroom. The Oh in Ohio was the first feature film from director Billy Kent, who previously established himself making television commercials. ~ Mark Deming, All Movie Guide
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MovieBabeMovieBabe The OH in Ohio
by MovieBabe in MovieBabe Blog
hasn't rated it.
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"By Tricia Olszewski It’s nearly impossible to avoid metaphoric criticism of a movie about orgasms, so let’s get it out of the way: Billy Kent’s directorial debut, The OH in Ohio, gets thisclose but doesn’t completely satisfy. Quirk queen Parker Posey is Priscilla, a Cleveland ad exec who is married to Jack (Paul Rudd), a high-school science teacher. Jack is haggard, moody, and not-so-slyly drinking on the job, all because although the couple has had sex 1,482 times (Priscilla tends to count things), his wife has never had an orgasm, even by herself. Jack loses it and leaves her (i.e., moves out to the garage), which finally makes Priscilla determined to fix things. One masturbation class (with the teacher, played by Liza Minnelli, saying things like “liberate your labia!”) and vibrator later, Priscilla is enlightened and addicted—naturally, it changes her life. Meanwhile, Jack is rescued by Kristen (Mischa Barton), one of his stoner– ... " [More]
minerwerksminerwerks 'Oh' What a Surprise
by minerwerks in minerwerks Blog
liked it.
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"At the beginning of 'The Oh in Ohio,' we are introduced to Priscilla (Parker Posey), a woman reluctant to admit she has a sexual dysfunction - she cannot have an orgasm. We then meet her husband, Jack (Paul Rudd), a man reluctant to admit he has a life dysfunction - depression. My first impression was that Priscilla's problem is just a result of Jack's problem. But we are quickly relieved of this suggestion by a relationship thereapy scene where both characters are surprisingly frank and honest. In fact, Jack's depression is a direct result of Priscilla's problem. This was the first minor tweak on the typical formula that gave me reason to like this overlooked film.The plot continues in a similar fashion, approaching the staples of a relationship comedy - the couple splits up, the jilted lovers search for satisfaction elsewhere, etc. - with an eye toward reality and a sense of originality. In a lesser film, Priscilla's search for the elusive orgasm mig ... " [More]
SpoutBlogSpoutBlog Parker Posey, Sitcom Star
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Could you, like Spout member Azguki, "probably watch Parker Posey do anything for 2 hours and not get bored?" How about 22 minutes, plus commercials? The 90s indie It girl is starring alongside Six Feet Under's Lauren Ambrose in a Fox sitcom this fall called The Return of Jezebel James. According to the Fox website, Jezebel (which is the brainchild of Gilmore Girls creator Amy Sherman-Palladino) asks the burning question, "Can two estranged sisters, polar opposites, live together when one agrees to carry the other’s baby?" I learned of these developments via the blog of indieWIRE's James Israel. Based on the clip embedded above, Israel gives Jezebel the benefit of the doubt, noting that Posey and Ambrose "seem to have great chemistry." I am, uh, less enthused. Maybe this clip is not representative of the show as a whole--as an intermittent Gilmore fan, I'm confident that Sherman-Palladino can write the hell out of a show about mismatched sisters--but I thought it was brutally un ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
If it weren't for the bizarre romantic pairing of Cuba Gooding Jr. and Dame Helen Mirren in Shadowboxer, Danny DeVito and Parker Posey would certainly qualify as the weirdest screen couple of 2006. Yes, revealing their relationship technically qualifies as a spoiler, since it develops late in the second act of The Oh in Ohio. But this assumes the film actually deserves the common courtesy of having its secrets kept, which is highly debatable. Right down to indie staple Posey, The Oh in Ohio has all the ingredients for a quirky, light-hearted indie relationship movie, centered on one uptight woman's search for her elusive sexual release. But Billy Kent's film is faking it just as much as his heroine is. A chirpy soundtrack notwithstanding, it's a surprisingly mean-spirited movie, in which two men engage in wish fulfillment affairs with women 20 years younger, including a high school teacher with one of his own students. Yet, because Mischa Barton's ambitious teen is portrayed with an almost predatory sense of self-possession, her dalliance with Paul Rudd's unhinged educator gets glossed over as normal, even acceptable. The romance between Posey and DeVito proceeds along more tender and typically Hollywood lines, but it's so visually incongruous that the screenwriter -- or at least the casting director -- seems downright naive. It's not that people who make decisions like these don't exist in the real world, but that Kent doesn't present them honestly. They don't carry a shade of nuance, and his bluntly expository dialogue doesn't help matters. Perhaps most tragic, in terms of squandering an interesting idea, is that Posey's sexual frustration gets resolved without much humor or narrative catharsis -- without a climax, if you will. The Oh in Ohio gets credit for a clever title, and little else. ~ Derek Armstrong, All Movie Guide
 



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