Telluride 2008 Festival
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One, Two, Three
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Directed by Billy Wilder.
In his last starring film (it was supposed to be his last film, but Ragtime came along in 1981), James Cagney plays Coca-Cola executive C.R. MacNamara. Assigned to manage Coke's West Berlin office, MacNamara dreams of being transferred to London, and to do this he must curry favor with his Atlanta-based boss, Hazeltine (Howard St. John). Thus, MacNamara agrees to look after Hazeltine's dizzy, impulsive daughter, Scarlett (Pamela Tiffin), during her visit to Germany. Weeks pass, and on the eve of Hazeltine's visit to West Berlin, Scarlett announces that she's gotten married. Even worse, her husband is a hygienically challenged East Berlin Communist named Otto Piffl (Horst Buchholz). The crafty MacNamara arranges for Piffl to be arrested by the East Berlin police and to have the marriage annulled, only to discover that Scarlett is pregnant. In rapid-fire "one, two, three" fashion, MacNamara must arrange for Piffl to be released by the Communists and successfully pass off the scrungy, doggedly anti-capitalist Piffl as an acceptable husband for Scarlett. MacNamara must accomplish this in less than 12 hours, all the while trying to mollify his wife (Arlene Francis), who has learned of his affair with busty secretary Ingeborg (Lilo Pulver). Seldom pausing for breath, Billy Wilder's film is a crackling, mile-a-minute farce, taking satiric scattershots at Coca-Cola, the Cold War (the film is set in the months just before the erection of the Berlin Wall), Russian red tape, Communist and capitalist hypocrisy, Southern bigotry, the German "war guilt," rock music, and even Cagney's own movie image. Not all the gags are in the best of taste, and most of the one-liners have dated rather badly, but Cagney's mesmerizing performance holds the whole affair together. Billy Wilder and I.A.L. Diamond adapted their screenplay from an obscure play by Ferenc Molnár. Watch for Red Buttons in an unbilled cameo as a military policeman, and listen for the voice of Sig Rumann, emanating from the mouth of actor Hubert Von Meyerinck (the Count von Droste-Schattenburg). ~ Hal Erickson, All Movie Guide
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jjgittesjjgittes One, Two, Three on Reel 13
by jjgittes in jjgittes Blog
is neutral about it.
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"To be honest, I hadn’t even heard of ONE, TWO, THREE before I saw the trailer on YouTube (http://www.youtube.com/watch? v=mOiDKpNqOE4&feature=user ) for its airing on Reel 13 this past Saturday. It’s easy to see, though, how the film got lost in the shuffle of time in spite of its big names (James Cagney and Billy Wilder). Its broad comedy style feels very dated and probably foreign to most modern audiences. Similarly, its political references to Cold War issues and sentiments (How many do you think got the reference when one of the Russian characters started to bang his shoe on a table?), which feature prominently in the plot, don’t have the resonance they would have had back then.The film takes place in 1961, the year of its release, and features James Cagney as the head of the Germany branch of Coca-Cola. The plot starts to unfold when his boss – the CEO of Coke – asks Cagney to look after his daughter during her trip to Berlin. The daughter (Pa ... " [More]
SpoutBlogSpoutBlog 5 Films for Yankees Fans to Hate
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Weather permitting, I should be at Yankees Stadium this afternoon for opening day. So, I figured I’d share one of my favorite jokes from Billy Wilder’s One, Two, Three (a film I also wrote about last week). James Cagney plays a Coca-Cola executive in West Berlin who’s supposed to be making sure his boss’ 17-year-old daughter, Scarlett (Pamela Tiffin), stays out of trouble. He does a bad job, though, because Scarlett sneaks into East Berlin, marries a young communist and gets pregnant with his child. When Cagney’s character asks the girl why she’s been helping to blow up balloons featuring the words, “Yankee Go Home”, she replies that where she comes from (Atlanta), everyone hates Yankees. I know it’s not meant to be baseball-related, but I sometimes like to pretend that Scarlett has foreseen the ‘96 and ‘99 World Series (the film takes place a few years after the Braves beat the Yankees in the 1957 World Series, but the team wasn’t yet in Atlanta at that time). And I wonder if most ... " [More]
SpoutBlogSpoutBlog Coca-Cola Cinema
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"This morning I was watching Billy Wilder’s One, Two, Three (see, readers, I do know movies before 1990), and it made me wonder if Coca-Cola is the most cinematic commercial product in the history of film. Not the most prominent in film, necessarily (in terms of either direct product placement or more casual indirect appearance,) but at least the most significant to film. After all, Coca-Cola did own a movie studio (Columbia Pictures) for the greater part of a decade (the 1980s). In addition to One, Two, Three, which is about a Coca-Cola executive in West Berlin, the soft drink figures specifically in and fundamentally to the plots of The Gods Must Be Crazy, Good Bye Lenin! and, obviously, The Coca-Cola Kid. But primarily, such direct incorporations of the brand are more about their connection to the U.S. and capitalism than they are to the actual product of soda. Even when Superman throws a bad guy at a giant Coca-Cola billboard in Superman II, the brand comes with a connotation of ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Adapted by Billy Wilder and I.A.L. Diamond from a Ferenc Molnar play, Wilder's rapid-fire comedy ferociously satirizes the Cold War divide between East and West. Featuring a peerless James Cagney in his last starring role and set in West Berlin, the breathless farce sends up everything from soft-drink capitalism to Communist hypocrisy, Soviet disorganization, male lechery, female giddiness, postwar Germany, and American pop culture. With a relentless stream of one-liners and numerous comic set pieces, such as a prisoner tortured with endless plays of "Itsy-Bitsy Teeny-Weeny Yellow Polka-Dot Bikini" and a mad tabletop striptease that shakes a portrait of Stalin off its perch, Wilder and Cagney never let up the pace for a moment, down to the final Pepsi Cola punch line. Earning critical accolades for its wit and its star, One, Two, Three received one Oscar nomination, for Daniel L. Fapp's crisp widescreen black-and-white photography. (Fapp won the color cinematography Oscar that same year, for West Side Story.) One, Two, Three became a popular hit in Germany after the Berlin Wall came down in 1989. ~ Lucia Bozzola, All Movie Guide
 



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