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Good Night, and Good Luck.
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Directed by George Clooney.
George Clooney pays homage to one of the icons of American broadcast journalism, Edward R. Murrow, in this fact-based drama, which was Clooney's second feature film as a director. In 1953, Edward R. Murrow (played by David Strathairn) was one of the best-known newsmen on television as host of both the talk show Person to Person and the pioneering investigate series See It Now. Joseph McCarthy, a U.S. senator from Wisconsin, was generating no small amount of controversy in the public and private sectors with his allegations that Communists had risen to positions of power and influence in America, and an Air Force pilot, Milo Radulovich, had been drummed out of the service due to McCarthy's charges that he was a Communist agent. However, Radulovich had been dismissed without a formal hearing of the charges, and he protested that he was innocent of any wrongdoing. Murrow decided to do a story on Radulovich's case questioning the legitimacy of his dismissal, which was seen by McCarthy and his supporters as an open challenge to his campaign. McCarthy responded by accusing Murrow of being a Communist, leading to a legendary installment of See It Now in which both Murrow and McCarthy presented their sides of the story, which was seen by many as the first step toward McCarthy's downfall. Meanwhile, Murrow had to deal with CBS head William Paley (Frank Langella), who was supportive of Murrow but extremely wary of his controversial positions, while Murrow was also trying to support fellow newsman Don Hollenbeck (Ray Wise), battling charges against his own political views, and working alongside Fred Friendly (George Clooney), the daring head of CBS News. Good Night, and Good Luck also stars Jeff Daniels, Robert Downey Jr., Patricia Clarkson, and Robert John Burke; the film won Best Film honors after its world premiere at the 2005 Venice Film Festival. ~ Mark Deming, All Movie Guide
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Smooth_JSmooth_J Re:Top 5 black and white movies ...
by Smooth_J in Top 5
loved it.
"My picks...1. The Man Who Wasn't There2. Pi3. Schindler's List4. Good Night, and Good Luck.5. Sin CityPretty conventional, but I've still got a lot to see...and I would also like to add Memento to that list, but that's really only half in black and white, so it doesn't really count completely I guess. " [More]
leeroy711leeroy711 Re:Top 5 black and white movies ...
by leeroy711 in Top 5
liked it.
"1. Schindler's List It may be cliche but I still think this may be the greatest film ever made. 2. PiThe first Aronofsky film and it's better every time I watch it 3. The Man Who Wasn't ThereThe Coen brothers with cinematographer Roger Deakins proved b&w can have some of the most beutiful shots ever 4. The Elephant ManThe only Lynch film I ever fell in love with 5. Ed Wood and Good Night & Good Luck tie I could probably tie several more with 5th place but these are the ones that seem to stick out in my mind. " [More]
indieabby88indieabby88 Movies 101-Leading Men
by indieabby88 in Bloggish review blog
hasn't rated it.
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"I'll admit that I'm a real sucker for interview shows. I've been a fan of "Inside the Actor's Studio" for years, so I was really looking forward to Professor Richard Brown's series of interviews with (mostly) well-respected actors, and for the most part, this disc delivered. I got "Leading Men," which contained interviews with George Clooney, Josh Lucas (huh?), Daniel Day-Lewis and Dennis Quaid.Clooney's interview provided a lot of interesting information about his background. I thought his description of his childhood and his idealistic journalist father really explained a lot about the kind of public figure the actor is today, and why he's taken on so many of the recent projects he has, like Syriana and Good Night and Good Luck. While he still seemed pretty self-important, Clooney's view that his stardom has everything to do with luck and ability, and less to do with arrogance was a great point of view to hear. It seems as thou ... " [More]
chrismorrellchrismorrell Period piece? Present day?
by chrismorrell in chrismorrell Blog
loved it.
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"This is a superb piece of work...the acting is invariably brilliant,standing up to close scrutiny...not least literally,as the black and white and close up photography allows us to concentrate on the lights in the eyes.There is fear in the eyes of Jeff Daniels, the sceptical producer...scarily so in the case of Ray Wise, the persecuted Newscaster.David Strathairn conveys conviction and bravery,with just a glint of that fear...and while we are engrossed in this story of the cowing of the newsgatherers of the U.S. of the nineteen fifties,we find ourselves substituting "War on Terror" and "Patriot Act" for "Communism" and "Fellow Traveller"... " [More]
SpoutBlogSpoutBlog ‘Leatherheads’ Trailer Looks Go ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Leave it to George Clooney to make a football movie that actually looks good to people like me. And by people like me, I mean people with no interest in American football whatsoever (I attend Super Bowl parties exclusively for the 7-layer dip). Yahoo! is hosting the trailer for Leatherheads, Clooney’s much-anticipated directorial follow-up to Good Night, and Good Luck, and the romantic sports comedy looks like the most appealing football flick — particularly for women and also guys like me — ever produced. Part of the appeal for me, though, is those old uniforms, which bring me back (cinematicaly — I’m not that old) to the football fields of Horse Feathers, Harold Lloyd’s The Freshman and that famous still of Ronald Reagan from Knute Rockne All American. Then, of course, there’s the appeal of Clooney in old-timey clothes, ala O Brother Where Art Thou? Considering how much Clooney resembles Cary Grant in both appearance and acting style, it’s no wonder that I prefer him in stories t ... " [More]
STEPHENtheDIRECTORSTEPHENtheDIRECTOR A Serious Look at a Simple Story
by STEPHENtheDIRECTOR in STEPHENtheDIRECTOR Blog
liked it.
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"This is a great period piece about a time in our nation's history where people where driven by fear, and how others took advantage of that and some defended what it really means to be free. The acting is so subtle it feels incredibly real and the direction of the film is careful and thoughtful. The story itself never picks up pace, so the compelling story sometimes trudges along, when it never should. And the glossy black and white turns out to be an act in style rather than making it feel authentic. But with all the risky decisions, this film is a power house that's worth it. " [More]
RisseladaRisselada Re: Unlikely Double Features
by Risselada in Double Feature
loved it.
"Ha, very nice Kevin.I think the movie Grindhouse was a double feature, because my impression was the double features generally were more suited for grindhouse type movies. Or at least movies movies that were more on the action end of the spectrum as opposed to drama.But pretty interesting to have an art movie style double feature. I think the difficult thing about that is that movies like this usually leave you thinking afterwards and if you saw two of them it might be too much for your mind to take. If the first movie was especially like that it may be hard to concentrate on the second one.I had a friend who went out and saw two movies (I think it was Good Night, and Good Luck and Capote) in the same afternoon. He said they were both amazing but he felt like he short changed himself by seeing them together because he couldn't think about each one individually because they were fighting for his brain's attention. " [More]
RisseladaRisselada Re: Top 5 Journalism Movies
by Risselada in Filmspotting
loved it.
"Some of these movies feature journalism more centrally some more incidentally.1. Fear and Loathing in Las Vegas - Gonzo Journalism at it's most iconic2. Citizen Kane - Journalism as a theme and part of the structure3. Shattered Glass - true story of fake stories4. All The President's Men5. No Man's Land - how journalism doesn't just report on wars, but often affects wars, and sometimes even starts them Runner's up - Shock Corridor, The Hudsucker Proxy, Mr. Smith Goes to Washington, Good Night, and Good Luck. " [More]
JimBellJimBell Re: What's your favorite noir?
by JimBell in Noir
liked it.
"Thanks very much, Sar, for your comments. I never realized until you said it that the characters in The Good German appeared flatter than they need have because they were so concerned about style that they "weren't playing off each other." Excellent observation. I don't have an answer, but it is tantilizing to ask why modern directors have such a tough time capturing classic film noir. That's a topic for another time, perhaps, but it reminds me of the ah-ha! moment I had a few years ago when I heard the Barney Kessel jazz quartet from 1957 and I realized that no one--and I mean no one--can duplicate that feel today. There was something about being a white, male, American, with a certian musical heritage in the mid-50s that resulted in something that we cannot duplicated today. BUT I hear very close approximations occasionally. Just watch the movie Good Night, and Good Luck and listen to Dianne Reeves and her group in the background. They've got the feel. But it is ... " [More]
HalfAngelAngelineHalfAngelAngeline A delight.
by HalfAngelAngeline in HalfAngelAngeline Blog
loved it.
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"This made me long for the time of respectable journalists really getting the heart of issues that made a difference in our lives. Instead of the little Jerry Springer wannabes we have now. " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
With his second film as a director, George Clooney details how two powerful forces in American life -- politics and show business -- can affect each other. Clooney's understanding of television and its power has informed both of his films, although Good Night, and Good Luck is the first to make a direct link between the force of the medium and the world of politics. The straightforward docudrama approach betrays Clooney's rather modest goals for this film; he wants nothing more than to lay out how Edward R. Murrow brought down Joseph McCarthy by doing nothing more than showing the American people McCarthy's tactics. With the help of the great cinematographer Robert Elswit, Clooney employs a black-and-white look that recalls both the time period and underscores the seriousness of his intentions. The straightforward material is also elevated by the first-rate performances, particularly David Strathairn as Murrow. His stillness and seriousness ground the film, but there are subtle motions -- a raised eyebrow, a twitching foot, a subtle double take -- that reveal the stress and emotion inside the man. Strathairn is able to embody the gravity and importance that the screenplay and the direction place upon Murrow, but he humanizes the man as well. Good Night, and Good Luck solidifies Clooney's status as a talented, intelligent director with a good eye and a great ability with actors. ~ Perry Seibert, All Movie Guide
 



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