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Yes
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Directed by Sally Potter.
Filmmaker Sally Potter directed this artful meditation on the dynamics of the romantic and sexual relationship. She (Joan Allen) is an intelligent and gifted genetic scientist of Irish-American heritage who feels smothered in her marriage to a British politician (Sam Neill). While dining at a friend's house, She meets He (Simon Abkarian), a handsome Lebanese exile who was a respected surgeon in his homeland but now supports himself in London as a cook. He flirts with her, and She is pleased with his advances; weeks later, she contacts him, and an affair begins. However, despite their mutual attraction, He and She find it difficult to set aside their political and national differences for very long, as love and lust wage a quiet war against the conscience and the intellect. Yes also features supporting performances from Shirley Henderson and Sheila Hancock. ~ Mark Deming, All Movie Guide
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kristenkristen Yes (2004, Sally Potter, UK) ***
by kristen in kristen Blog
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"No, I do not think that this is a bad movie. The ideas are weighty, and that is not a bad thing. There are obvious culture clashes with a reference to American bigotry that is silly when generalized. But this is the story of individuals. Yes utilizes a Shakespearian lyrical form updated marvelously, for the commonality of the story imitates Shakespeare. The language does not match (but it does reflect and pay tribute to) Shalespeare in originality, beauty, or philosophy but this content of Yes finds original expression through film. Yes tells a modern tale similar in content to Shakespeares own works. This is where the Shakespeare comparison ends. The maid introduces a running metaphor of sin, the dirt that persists, unobtainable purgation. With this context (the pre-story running theme of imperfection) emphasized in the opening scene, the content of God, peoples struggle to identify their relation to God as well as to other people, fittingly follows. Yes features the best example ... " [More]
MovieBabeMovieBabe Yes - Must Love Dogs
by MovieBabe in MovieBabe Blog
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"By Tricia Olszewski You kinda know what you’re in for when you go to see a movie about an international love affair that’s written mostly in iambic pentameter. Especially one by writer-director Sally Potter, whose previous exercises in pretentiousness include Orlando, The Tango Lesson, and The Man Who Cried. But even those not in love with Love—and its kin, Art and Beauty—may be surprised to find that Potter’s latest, Yes, is thought-provoking, gut-wrenching, and achingly poetic. For about 20 minutes. The rest, in the words of one of its young Irish characters, “is a load of shite.” And strenuously stylized shite at that. Potter blurs, slows, and staggers movement throughout this story of pseudophilosophical coupling, often as we hear the characters’ whispered inner thoughts. The scenes involving the main couple, preciously named She (Joan Allen) and He (Simon Abkarian), get the most heavy-handed treatment. We see them, both with lo ... " [More]
 



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