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The Sea Inside
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Directed by Alejandro Amenábar.
Two of the most talented figures in contemporary Spanish cinema -- actor Javier Bardem and director Alejandro Amenábar -- collaborate for this powerful drama, based on a true story. Ramón Sampedro (Javier Bardem) was a fisherman and part-time poet who, at the age of 26, suffered an accident while diving that left him a bedridden quadriplegic. Now 54, Ramón must depend on his family to survive -- his macho brother José (Celso Bugallo), José's wife, Manuela (Mabel Rivera), and their son, Javi (Tamar Novas). While grateful to his family and friends for their help, Ramón was always an active person, and as the years wore on, he has come to see his life as frustrating and pointless and wishes to die with what remains of his dignity. José, however, is bitterly opposed to the notion of assisted suicide, and Spanish laws would implicate anyone who helped Ramón end his own life, which is something Ramón does not want to do. Through Gené (Carla Segura), a friend who works with a "Right to Die" organization, Ramón is introduced to Julia (Belen Rueda), a lawyer he hopes will help him persuade the courts to let him end his own life. Julia is dealing with her own mortality issues since being diagnosed with a degenerative disease, and Ramón hopes her condition will make her arguments more persuasive. As Ramón and Julia work together on his case and help to prepare a book of his poems for publication, Ramón finds himself falling in love with his attorney, who happens to be married, but while his infatuation gives Julia second thoughts about the case, Ramón remains convinced that the greatest gift to him would be an end to his life. Javier Bardem's performance in The Sea Inside (aka Mar Adentro) earned him the Best Actor award at the 2004 Venice Film Festival. ~ Mark Deming, All Movie Guide
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CinemaRianCinemaRian The Sea Inside (2004, Spain, Al ...
by CinemaRian in CinemaRian Blog
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"The Sea Inside won the Oscar for Best Foriegn Film (beating such first-rate contenders as Downfall) in the same year that Million Dollar Baby one Best Picture. I say this not to give yet another piece of trivia but to point out an ironic coincidence- both movies are about quadriplegics trying to commit suicide. If Goddard is right and the best way to critique one film is to make another, Amenabar's film is an excellent response to Clint Eastwood's medicocrity, as the Spainard debates the implications of euthenasia from all sides, instead of just picking the one most calculated to make the audince cry.The Sea Inside is based on the true story of Ramon Sampedro (Javier Bardem), a fisherman from the remote island of Galicia who was paralized from the neck down at the age of 26 after he mistakenly dove into shallow water. Ramon was cared for by his parents and then his brother and sister-in-law for 27 years, at which point he began a legal campaign to end his life (assisted suicide i ... " [More]
indieabby88indieabby88 Re:Why I got into foreign films
by indieabby88 in Friends of Foreign Flicks
hasn't rated it.
"I totally agree! One of the biggest perks of foreign films for me is when I'm learning about a different culture while simultaneously being entertained. I always cite "To Live" and "Raise the Red Lantern," two movies I saw in my History of East Asia class, as prime examples. I wouldn't say that's specifically why I got into watching foreign movies, but it's one reason why I enjoy them. I watch foreign films for the same reason I watch any other movie: simply because it looks interesting. For me, a movie is a movie, no matter where it comes from, and I feel like what makes a movie appealing should go beyond whether or not you have to read subtitles. I can't stand it when someone refuses to watch a foreign film because they "don't like reading." For a while in high school and my first year in college, I got really into Spanish, Mexican and South American films. We watched a lot of spanish-language movies in my high school spanish class, like "The Sea Inside," "El Norte" and "The Offi ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Leagues beyond a disease-of-the-week movie, and a total departure for its director, The Sea Inside is a potent emotional journey anchored by powerhouse performances. It turns out that Alejandro Amenábar, known for gothic horror (The Others) and existentialism (Abre los Ojos), can do lyrical intimacy with equal finesse. Amenábar's technique is partly responsible for bringing Ramon Sampedro to life; his camera explores the rolling landscape of Sampedro's mind, as well as the photographs of his bedroom, which show the rich exuberance of Ramon's youth. But The Sea Inside wouldn't be half the experience without the work of Javier Bardem. He's such a charismatic figure, so quick to flirt or joke, that he can seduce even from his state of permanent recline, and at times, the 2004 Oscar winner for Best Foreign Film is equally satisfying as a wistful romance. Ramon's very quickness of wit provides the film with a central conundrum: how can a person who seems so harmonious with his world want to end his life? The Spanish countryside provides an idyllic backdrop for such weighty philosophical debate, deceptively appropriate in the way it accentuates the fragile beauty of life -- especially as captured through Javier Aguirresarobe's cinematography. Amenábar's script is also keenly attuned to life's absurdities. A memorable argument transpires between Ramon, stubbornly confined to his bed, and a paralyzed priest, down two floors because his wheelchair couldn't be carried any higher into the house. A messenger runs between the two, exchanging barbs, but their polarized views lie a much greater distance apart. Ramon's sardonic outlook on religious salvation cannot be shaken, and Bardem's performance convinces the audience there's no reason it should be. The range of perspectives of those who care about him lends the film additional poignancy, never crossing over into maudlin sentiment. ~ Derek Armstrong, All Movie Guide
 



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