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The Gates
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From "wrapping" the Berlin Reichstag, to transforming South Seas islands into massive pink water lilies, to hanging drapes between the Colorado mountains, Christo qualifies as one of the most dynamic, innovative and ambitious conceptual artists in modern history. Documentarians Albert and David Maysles have a long-running professional association with Christo (having co-directed such pictures as Christo's Valley Curtain and Christo's Islands); now, with their film The Gates, Albert Maysles and co-director Antonio Ferrara cover Christo and wife Jeanne-Claude's 26-year project to create a "golden river" of 7,500 fabric-paneled "gates" running through Central Park in February 2005. The endeavor began in 1979, but didn't overcome the necessary bureaucratic hurtles for 26 years, and only received a final go-ahead with a green light from New York City mayor Michael Bloomberg. The film reveals how Christo and Jean-Claude's $21 million project transforms the environment from one of winter bleakness to one of brisk, vibrant and springlike colors. Though David Maysles (brother of Albert) did die in 1987, he received posthumous credit on this film for a sequence that the siblings co-directed in 1979. ~ Nathan Southern, All Movie Guide
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TheReelerTheReeler Meadows' England Worth Visit
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"Thomas Turgoose as the young anti-hero of Shane Meadows' This is England (Photo: IFC First Take) Roughly 60 percent of the way through, Tribeca is offering roughly a 1 in 3 chance that what you're seeing will actually be good. The trouble for the average viewer is that there's not too many hyped movies coming in from other festivals guaranteed to be noteworthy, and it's virtually impossible to sift through the smaller films and get a good feel for any of them. Anything, it seems, can get a positive review from Variety. It's a pleasure, then, to find that two of the festival's sure things -- This Is England and The Gates -- actually deliver on their promise. This Is England is arguably the higher-profile of the two: Shane Meadows' drama about skinhead life in the Thatcher era was controversial before it even premiered, and ratings battles are still going on. The opening credits are the best of the fest so far, a montage of '80s images that actually feels fresh. Maybe there's a Bri ... " [More]
 



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