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Now, Voyager
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Directed by Irving Rapper.
Olive Higgins Prouty's popular novel was transformed into nearly two hours of high-grade soap opera by several masters of the trade: Warner Bros., Bette Davis, Paul Henreid, director Irving Rapper, and screenwriter Casey Robinson. Davis plays repressed Charlotte Vale, dying on the vine thanks to her domineering mother (Gladys Cooper). All-knowing psychiatrist Dr. Jaquith (Claude Rains) urges Charlotte to make several radical changes in her life, quoting Walt Whitman's "Now, voyager, sail forth to seek and find." Slowly, Charlotte emerges from her cocoon of tight hairdos and severe clothing to blossom into a gorgeous fashion plate. While on a long ocean voyage, she falls in love with Jerry Durrence (Henreid), who is trapped in a loveless marriage. After kicking over the last of her traces at home, Charlotte selflessly becomes a surrogate mother to Jerry's emotionally disturbed daughter (a curiously uncredited Janis Wilson), who is on the verge of becoming the hysterical wallflower that Charlotte once was. An interim romance with another man (John Loder) fails to drive Jerry from Charlotte's mind. The film ends ambiguously; Jerry is still married, without much chance of being divorced from his troublesome wife, but the newly self-confident Charlotte is willing to wait forever if need be. "Don't ask for the moon," murmurs Charlotte as Max Steiner's romantic music reaches a crescendo; "we have the stars." In addition to this famous line, Now, Voyager also features the legendary "two cigarettes" bit, in which Henreid places two symbolic cigarettes between his lips, lights them both, and hands one to Charlotte. The routine would be endlessly lampooned in subsequent films, once by Henreid himself in the satirical sword-and-sandal epic Siren of Baghdad (1953). ~ Hal Erickson, All Movie Guide
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JJ79JJ79 Now, Voyager (1942)
by JJ79 in JJ79 Blog
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"Release Year: 1942Director: Irving Rapper*****What a glorious transformation Bette Davis makes about a half hour into Now, Voyager, a film that desperately tries to pack too much information into a two hour running time. The actress morphs from a frumpy spinster aunt to a gorgeous, self assured woman under the tutelage of a psychiatrist. In the ensuing years, she learns about standing up for herself while continuing to put other people first. Aside from Davis' dazzling transformation, only one thing holds the production back from being a great film: it moves entirely too fast. As a viewer, we are treated to very small snippets of what psychiatrist Dr. Jaquitch (Claude Rains) does to build Charlotte into a woman. What are the "magic words"? What does he channel and bring to the surface? Surely, leaving her mother's house is a major part of the cure (Mother is an old world, vindictive, mean spirited woman), but there has to be something more, since dropping all the problems at ... " [More]
mercurialmercurial Re:Recasting RAIDERS OF THE LOS ...
by mercurial in Filmgaming
loved it.
"Laurence Harvey - Indiana Jones Katherine Hepburn - Marion Ravenwood Basil Rathbone - Dr. Rene Belloq Peter Lorre - Major Arnold Toht Orson Welles - Sallah Buster Keaton - Dr. Marcus Brody Frank Puglia - Satipo Rudolph Valentino - Colonel Dietrich Ernest Borgnine - Major Eaton Circa 1950, this could actually have been made with everyone at an appropriate age to fill their roles except for Rudolph Valentino (The Sheik) who would be spot on as Colonel Dietrich except for the fact that he had already died. Laurence Harvey (The Manchurian Candidate) and Katherine Hepburn (Christopher Strong) would have that undeniably flirtatious tension between them. And what would be more fun than having Peter Lorre's (M) face being melted? Orson Welles (Citizen Kane), Basil Rathbone (The Adventure of Sherlock Holmes) and Buster Keaton (The General) were masters of the craft and could play any role. Frank Puglia (Now, Voyager) would play the bumbling local native perfectly. Lastly, ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Adapted by Casey Robinson from the Olive Higgins Prouty best-seller, complete with large chunks of the novel's dialogue, Now, Voyager (1942) became one of Bette Davis' most adored women's pictures. With skilled Warner Bros. talent Irving Rapper directing, and Davis surrounded by an excellent cast, including Gladys Cooper as the stony matriarch, Claude Rains as the sensitive psychiatrist, and double-cigarette-lighting Paul Henreid as the romantic lead, Now, Voyager's potentially soapy story became a superior melodrama about one woman's self-actualization from put-upon spinster to stylish philanthropist. With Warner Bros. designer Orry-Kelly's costumes and Max Steiner's Oscar-winning score playing key supporting roles, Charlotte's transformation from a dowdy, neurotic wallflower into a beautiful, elegant woman is matched by her discovery of inner strength through love. With Davis' masterful performance showcasing her signature forcefulness as well as her capacity for romantic gentleness, Now, Voyager became a considerable hit. Henreid's neatly suggestive means for lighting cigarettes became one of the high points of Hollywood romance, and Now, Voyager's final moment of resignation and self-sacrifice has entered the pantheon of great closing lines. ~ Lucia Bozzola, All Movie Guide
 



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