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Notorious
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Directed by Alfred Hitchcock.
Though Alfred Hitchcock's Notorious was produced by David Selznick's Vanguard Films, Selznick himself had little to do with the production, which undoubtedly pleased the highly independent Hitchcock. Ingrid Bergman plays Alicia Huberman, who goes to hell in a handbasket after her father, an accused WW2 traitor, commits suicide. American secret agent Devlin (Cary Grant) is ordered to enlist the libidinous Alicia's aid in trapping Alexander Sebastian (Claude Rains), the head of a Brazilian neo-Nazi group. Openly contempuous of Alicia despite her loyalty to the American cause, Devlin calmly instructs her to woo and wed Sebastian, so that that good guys will have an "inside woman" to monitor the Nazi chieftan's activities. It is only after Alicia and Sebastian are married that Devlin admits to himself that he's fallen in love with her. The "maguffin" in this case is a cache of uranium ore, hidden somewhere on Sebastian's estate. Upon discovering that his wife is a spy, Sebastian balks at eliminating her until ordered to do so by his virago of a mother (Madame Konstantin). Tension mounts to a fever pitch as Devlin, a day late and several dollars short, strives to rescue Alicia from Sebastian's homicidal designs. Of the several standout sequences, the film's highlight is an extended love scene between Alicia and Devlin, which manages to ignite the screen while still remaining scrupulously within the edicts of the Production Code. In later years, Hitchcock never tired of relating the story of how he and screenwriter Ben Hecht (who was nominated for an Oscar) fell under the scrutiny of the FBI after electing to use uranium as a plot device-this before the bombing of Hiroshima and Nagasaki. A huge moneymaker for everyone concerned, Notorious remains one of Hitchcock's best espionage melodramas. In 1992, Notorious was remade for cable television; it goes without saying that the original is vastly superior. ~ Hal Erickson, All Movie Guide
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Dr_GorDr_Gor Re:Alfred Hitchcock
by Dr_Gor in HORROR MOVIES 101
hasn't rated it.
""Rear Window" is a GREAT film! I will not go into detail and spoil it for all of our 'youngsters' here... My favorite Hitchcock movies would be ; 1. "Psycho" 2. "The Birds" 3. "Rear Window" 4. "Dial M..." 5. I can't remember the name but it is that one he did at the end of his career.... the one with Karen Black.... "Family Plot" or something like that... " [More]
OvationOvation Peter Bogdanovich Interviews Al ...
by Ovation in Alfred Hitchcock
hasn't rated it.
"Peter Bogdanovich Interviews Alfred Hitchcock The legendary interview from 1963 PB: You never watch your films with an audience. Don't you miss hearing them scream? AH: No. I can hear them when I'm making the picture. Do you feel that the American film remains the most vital cinema? Worldwide, yes. Because when we make films for the United States, we are automatically making them for all the world--because America is full of foreigners. It's a melting pot. Which brings us to another point. I don't know what they mean when they talk about "Hollywood" pictures. I say, "Where are they conceived?" Look at this room--you can't see out the windows. We might just as well be in a hotel room in London, or anywhere you like. So here is where we get it down on paper. Now where do we go? We go on location, perhaps; and then where do we work? We're ... " [More]
jlgdrdjlgdrd Damaged Goods: Prey for Rock an ...
by jlgdrd in Wicked Fun
loved it.
Was this review helpful? [Be the first to tell us!]
"There's a lot to like about Prey for Rock and Roll and a lot to set your teeth on edge. I guess I could never completely pan a film featuring out-and-proud dykes in an all-woman punk band called Clamdandy.That's one of the reasons why I feel conflicted reviewing queer-themed films. When I start to shift into critical mode, another part of me says, "Remember how it used to be? Remember when movies like this were unimaginable? When film lesbians were cartoony and used for a cheap laugh? Remember Open City and Notorious?"I'm thrilled that a movie like Prey for Rock and Roll comes along with a reasonably intelligent (though overly glib) script and positive role models. It never hints that Jacki or the other band members need men to fix or complete them, quite the reverse in fact. It doesn't shrink from exposing our heroines at less than flattering moments. Yet there seems to be some ambivalence, a discrepancy between the film's ideology and its plot. For all its enlightenment it still ... " [More]
marymcilwainmarymcilwain Miss Understood: Hitchcock’s Ba ...
by marymcilwain in Dollar Video Curator
loved it.
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"Le Femme Fatale, Hollywood noir favorite, at first irresistible, sexy and wild, and then, broken, whorish, deadly. The subjugated woman, sacrificed, used. Nobody does it better than ol’ Hitch. But here we’ve got something else to contend with: serious attitude, reputation, a sense of purpose and notoriety. Of these ladies, each has two sides, one good, one bad, not so much deadly, as just plain old misunderstood. As Queen Streisand herself has elegantly demonstrated, the mirror does indeed have two faces. A reflection, herein, deserved of examination.The Films: Notorious, North by Northwest, Psycho Viewing order importance: As above Notorious Ingrid Bergman as Alicia Huberman – “On the wagon? That’s just a phase.”Daughter of a Nazi sympathizer and known party-time girl is enlisted by US government to do some good old fashioned spying on underground Nazis in Brazil. Sauvé agent Cary Grant also has some love business to take care of, bu ... " [More]
JymkataJymkata Re: FilmCouch 18: Sympathy for ...
by Jymkata in FilmCouch
loved it.
"Just jumping in here, but I think the best movie villains are always Nazis. Something about a mixture of dedication to mechanical precision and nonsensical hatred of any perceived differences combined with an almost inhuman capacity for cruelty makes for a terrifying villain. Whether it's the elegant Nazi's in Casablanca and Notorious, or the jackbooted thugs in Raiders of the Lost Ark or Open City, or the satanic monsters in Come and See or Sophie's Choice, the Third Reich always gives me someone worthy of my anxiety and hatred. Oh yeah, and "Lost" rocks! I know some people have given up on the unending mysteries but I love that I have 3 more years of smart writing and great acting. Ben and the Others continue to intrigue me as villains. " [More]
fitzcarraldofitzcarraldo Notorious (1946): Overrated?
by fitzcarraldo in fitzcarraldo Blog
hasn't rated it.
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"OK, I don't get it. I read a Netflix synopsis saying that this was supposed to be one of the best examples of Hitchcockian cinematography... If this was supposed to be one of Hitchcock's best films why couldn't I stay awake past the first 45 minutes? The story takes awhile to develop...and I just wasn't feeling the chemistry between Bergman and Grant. I didn't make it through the whole film (which is rare) however, my fellow movie-watchers reported that basically you keep waiting for something to happen and then the ending credits roll---interpretation: no big suspense or thriller here.I think I'll save my best Hitchcock vote for the likes of Psycho, Rear Window, North by Northwest or To Catch a Thief. " [More]
Review by All Movie Guide
All Movie Guide
loved it.
One of Alfred Hitchcock's greatest films, Notorious features the director at his devilishly elegant, self-assured best. A visual masterpiece, it plays like a seamlessly assembled jigsaw puzzle, in which each piece fits together with clean precision. The film's smooth veneer largely creates its visceral impact; lurking beneath the gloss are dealings of the most grotesque sort, their execution made all the more insidious by their sophisticated guise. Aside from containing one of Hitchcock's most famous MacGuffins, the uranium ore, Notorious boasts some of his most famous camerawork, most notably the gorgeous tracking shot during Sebastian's party that takes the viewer from the top of a staircase to Alicia's hand, clenched around the key that will lead her to the uranium ore. The camera moves with the quiet intimacy of an unobserved party guest, almost serpentine in its journey. Similarly ingenious is Hitchcock's use of point-of-view shots, particularly that of Alicia's waking up with a hangover and watching Devlin walk toward her as the camera spins 180 degrees. Seeing through Alicia's eyes, the audience sympathizes with her, making the character one of Hitchcock's most full-blooded and enduring heroines. It goes without saying that the success of Alicia's characterization is in no small part due to Ingrid Bergman's performance; tragic, lovelorn, and marked by logical cynicism, her portrayal of Alicia was one of the best of Bergman's career. She was ably supported by Cary Grant and Claude Rains, the former going against his likeable, effortlessly charismatic persona to play an initially charmless man with morals as questionable as the heroine's are supposed to be. Rains, paired with Bergman again after Casablanca, makes Sebastian into one of the film's more sympathetic characters; it is a mark of Rains' ability that when Sebastian turns to climb the stairs in the film's closing scene, we feel real terror for him. That Sebastian's fate is the result of both his own manipulations of others and his heart's manipulations of himself is at the center of the film's true MacGuffin: masquerading as a Cold War thriller, Notorious is one of the screen's classic black romances. ~ Rebecca Flint Marx, All Movie Guide
 



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