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North by Northwest
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Directed by Alfred Hitchcock.
While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide
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unclefesteringunclefestering Great job Hitch
by unclefestering in unclefestering Blog
hasn't rated it.
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"For those who only think of Hitchcock as the master of thrillers, To Catch a Thief is sometimes considered a disappointment. But this movie has all those pure Hitchcock moments pulled off with his deft touch. This is a Hitchcock romance, so while there are dark touches here and there, it is light and fun. Jesse Royce Landis is a great scene stealer as she would go on to prove with only a few scenes in North by Northwest (1959). But the heat and tension between Grant and Kelly is the highlight of the film. She wants to love him but is afraid to trust him. He wants to clear his name and first see her a potential target, then a distraction and then as the main attraction. " [More]
SpoutBlogSpoutBlog If Saul Bass Designed the Star ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Star Wars may have the most famous opening title sequence in film history, but in terms of influence it’s got nothing on the work of Saul Bass. He’s the brilliant graphic designer who gave us the animated credits for Hitchcock’s Vertigo, North by Northwest and Psycho and Scorsese’s Casino, Cape Fear, The Age of Innocence and Goodfellas and most of Otto Preminger’s work, including Exodus, Anatomy of a Murder and The Man With the Golden Arm. You’ve also seen his work at the beginning of West Side Story and Alien and Big and The Seven Year Itch and Spartacus. But what if he had designed the opening credits to Star Wars? Well, it might have looked something like this video, which was created for a school project. Interesting, yes. Creative, yes. Entertaining, yes. Memorable, no. It just goes to show how significant some credit sequences can be, because this is hardly appropriate for George Lucas’ film. And I don’t just mean because the music is all wrong. If this student wanted to go w ... " [More]
SpoutBlogSpoutBlog Scorsese Shills For Wine
by SpoutBlog in SpoutBlog on spout.com
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"Martin Scorsese has never been shy about aligning himself with brands, but when the offer came in to shill Freixenet sparkling wine, he must have momentarily flashed back to Orson Welles’s Paul Mason commercials. There’s a difference between taking home a paycheck, and prostrating your legacy to a bald-faced, half-assed cash-in, remembered for all eternity via the YouTube dissemination of regrettable outtakes. It’s no wonder, then, that this elaborate Freixenet ad directed by and starring Scorsese barely announces itself as an ad until the final minute or so. The concept: Scorsese the tireless film preservationist finds three pages of an unproduced Alfred Hitchcock project called The Key to Reserva; Scorsese the filmmaker decides to film the pages “the way [Hitchcock] would be making it then, only making it now.” The ensuing short combines elements of The Man Who Knew Too Much, Vertigo, North by Northwest, The Birds, and probably countless other Hitchcock films; there are just two, ... " [More]
holsterholster North by Northwest
by holster in holster Blog
loved it.
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"Quite simply brilliant, Hitch at his best and Cary Grant is fantastic. Grips you from beginning to end - the best thriller ever? Maybe... " [More]
joem18bjoem18b Re:Re:Alfred Hitchcock
by joem18b in HORROR MOVIES 101
hasn't rated it.
"Whatever else "Disturbia" is, it's a poster child for what's wrong with the rating system. Sarah Roemer keeps her back turned to preserve the PG-13 and then the kids go discover all the tortured, dismembered female bodies... " [More]
Dr_GorDr_Gor Re:Alfred Hitchcock
by Dr_Gor in HORROR MOVIES 101
liked it.
""Rear Window" is a GREAT film! I will not go into detail and spoil it for all of our 'youngsters' here... My favorite Hitchcock movies would be ; 1. "Psycho" 2. "The Birds" 3. "Rear Window" 4. "Dial M..." 5. I can't remember the name but it is that one he did at the end of his career.... the one with Karen Black.... "Family Plot" or something like that... " [More]
eagle795eagle795 #61
by eagle795 in eagle795 Blog
hasn't rated it.
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"Quintessential Hitchcock. Great escapism. " [More]
OvationOvation Peter Bogdanovich Interviews Al ...
by Ovation in Alfred Hitchcock
hasn't rated it.
"Peter Bogdanovich Interviews Alfred Hitchcock The legendary interview from 1963 PB: You never watch your films with an audience. Don't you miss hearing them scream? AH: No. I can hear them when I'm making the picture. Do you feel that the American film remains the most vital cinema? Worldwide, yes. Because when we make films for the United States, we are automatically making them for all the world--because America is full of foreigners. It's a melting pot. Which brings us to another point. I don't know what they mean when they talk about "Hollywood" pictures. I say, "Where are they conceived?" Look at this room--you can't see out the windows. We might just as well be in a hotel room in London, or anywhere you like. So here is where we get it down on paper. Now where do we go? We go on location, perhaps; and then where do we work? We're ... " [More]
erico_77375erico_77375 The Great Movies: North By Nort ...
by erico_77375 in erico_77375 Blog
loved it.
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"A man wrongfully accused of being a spy. A beautiful blonde on a train. A mysterious conspiracy threatening to destroy freedom as we know it. If these aren't the main ingredients of the perfect thriller, tell me what is. That thriller would obviously be North By Northwest, arguably Alfred Hitchcock's best film. I don't know who else would agree with me on this, but I think I make a rather solid argument on this. If you allow me to elaborate.North By Northwest (also known as The Man in Lincoln's Nose) has a perfect set-up. Playboy Roger Thornhill (Cary Grant) was one that could care less about the world around him when the wrong people see him called by the wrong name at the wrong time. They believe him to be called George Kaplan. He is kidnapped, brought to a mansion and interrogated. From that point, he is put in a maze of spy and counterspy, with so many ins and outs that it's almost impossible to know which way is up. That's perfect Hitchcock territory. H ... " [More]
marymcilwainmarymcilwain Miss Understood: Hitchcock’s Ba ...
by marymcilwain in Dollar Video Curator
loved it.
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"Le Femme Fatale, Hollywood noir favorite, at first irresistible, sexy and wild, and then, broken, whorish, deadly. The subjugated woman, sacrificed, used. Nobody does it better than ol’ Hitch. But here we’ve got something else to contend with: serious attitude, reputation, a sense of purpose and notoriety. Of these ladies, each has two sides, one good, one bad, not so much deadly, as just plain old misunderstood. As Queen Streisand herself has elegantly demonstrated, the mirror does indeed have two faces. A reflection, herein, deserved of examination.The Films: Notorious, North by Northwest, Psycho Viewing order importance: As above Notorious Ingrid Bergman as Alicia Huberman – “On the wagon? That’s just a phase.”Daughter of a Nazi sympathizer and known party-time girl is enlisted by US government to do some good old fashioned spying on underground Nazis in Brazil. Sauvé agent Cary Grant also has some love business to take care of, bu ... " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
Equal parts sly identity crisis, suspenseful cross-continental chase, and cool romance, North by Northwest is one of Alfred Hitchcock's most enjoyable films. Done with the irreverent brand of humor that the director made his trademark, the film balances somewhere between suspense thriller and urbane comedy, its considerable wit both complementing and fueling its intrigue. As memorable for the sexy, sophisticated banter between Cary Grant and Eva Marie Saint as for the famous crop-dusting sequence or the climactic chase atop Mount Rushmore, North by Northwest is one of those films that inspires any number of readings. Chock-full of phallic references, conspiracy paranoia, Freudian subtext (made particularly apparent in Thornhill's relationship with his mother, who in reality was played by an actress born the same year as Grant), and featuring a token sinister homosexual, watching the movie is like watching an ode to the forces at work against the single, successful white man in Cold War America. As played by the superb Grant, he's a glib, increasingly befuddled man who perfectly represents the film's breezy yet cautionary tone, a playboy and a mama's boy in one charming yet vaguely troubled package. His true identity, Hitchcock seems to be saying, is as open to question as the one he is forced to assume. For her part, Saint put her stamp on the Icy Sex Goddess role as Eve, allowing just the right measure of vulnerability to melt through the character's freeze-dried exterior. She provided an able foil for Grant, easily matching his personal brand of suave charm with her own. Their pairing was one of the most delightful in Hitchcock's films, elegant yet with a delicate tinge of frenzy. Elegant frenzy could describe the film as a whole: stylish and taut, North by Northwest is Hitchcock at his gleeful best. ~ Rebecca Flint Marx, All Movie Guide
 



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