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Night on Earth
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Directed by Jim Jarmusch.
Jim Jarmusch's deadpan comedy-of-the-night is a collection of five vignettes taking place in the enclosed space of a cab ride, each occurring simultaneously in five different cities and five different time zones -- Los Angeles, New York City, Paris, Rome, and Helsinki. The Los Angeles episode takes place at dusk, as high-powered casting agent Victoria (Gena Rowlands) gets a ride from L.A. International Airport with tomboy driver Corky (Winona Ryder), who would rather go on driving her cab than take up Victoria's offer to make her a superstar. In New York City, novice East German cabbie Helmut Grokenberger (Armin Mueller-Stahl) has difficulty working the foot pedals to his hack, and his passenger, YoYo (Giancarlo Esposito), ends up driving himself to Brooklyn, picking up the shrill-voiced Angela (Rosie Perez) along the way. In Paris, an African cab driver (Isaach de Bankolé) ejects a collection of drunken African diplomats from his cab and picks up a beautiful but surly blind girl (Béatrice Dalle). In Rome, cab driver Gino (Roberto Benigni) engages in a heartfelt monologue confessing his past sexual exploits to his passenger, a priest who is dying of a heart attack in the back seat. The film winds down in the last melancholy vignette, taking place in Helsinki, as taxi driver Mika (Matti Pellonpää) picks up three inebriated workmen who regale him with hard-luck stories. But Mika has a much harsher story of his own to tell. ~ Paul Brenner, All Movie Guide
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RisseladaRisselada Re: My favorite directors (by a ...
by Risselada in Directors
loved it.
"Yeah Hal Hartley is amazing! I think it's special kind of person who really gets what he's doing, but those who do really connect with it! Wow, Hartley doing Star Wars. That could be a blast.Dead Man seems to divide a lot of people. But I would recommend Night on Earth which is soon to come out on the Criterion Collection if it hasn't already.I haven't even seen Erik the Viking! I'd really like to though. I think Terry Jones got such a high score because he's listed as a director on all the Monty Python movies which was a large percentage of what he's done. And they are all great! " [More]
josephkuzmajosephkuzma Re: Films that deserve the Crit ...
by josephkuzma in Criterion Collection
liked it.
"I found out not too recently that they ARE doing Night on Earth. YIPPIE![/quote]I have a friend who works for a distribution and delivery company that occasionally gets Criterion stuff and he says that Dead Man is also on their upcoming release schedule (I'm trying to get him to get me a hardcopy of this magical list). " [More]
RisseladaRisselada Re: Films that deserve the Crit ...
by Risselada in Criterion Collection
loved it.
"I found out not too recently that they ARE doing Night on Earth. YIPPIE! " [More]
RisseladaRisselada Re: Favorite Film Scores?
by Risselada in Best Movie Soundtracks
loved it.
"Wow lots of good mentions on here.Night On Earth, yay for anything Tom Waits has a hand inDead Man, yeah pefect. I think I read a review somewhere, Ebert maybe, who said it sounded like Neil Young was just dropping the guitar over and over. Whatever, it worked. Actually Jarmusch gets a lot of good music in his flicks. I'm not sure who made that music that Jeffrey Write gives out in Broken Flowers, but that's great as well.It's interesting that two of the bigger composers of quirkyish big films today are Mark Mothersbaugh and Danny Elfman. Both frontmen for herky jerky new wave bands with similar levels of cult following and subversive sort of blunt approach to humor and critique of modern society. And they are both two of my favorites.My favorite film score is probably still the one for my favorite movie. The Good, the Bad, and the Ugly. What can I say? Listen to it idiot. It’s astounding. John Williams' Star Wars, yes still sweeps me away too. No on ... " [More]
RisseladaRisselada Re: Films that deserve the Crit ...
by Risselada in Criterion Collection
loved it.
"They should do Jarmusch's Night on Earth. It's pretty much his only main movie that's no available on DVD. And it's possibly my favorite, in contention with Down by Law, which is currently the only Jarmusch film in the Criteron Collection I believe. And they did an EXCELLENT job with Down by Law. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Possibly the most mainstream film to date by the laconic, impressionistic filmmaker Jim Jarmusch, this agreeable (if overlong) project works in fits and starts, which is to be expected in a film that is so episodic in nature. However, Jarmusch's acute eye for detail and his offbeat casting choices (including a pre-fame Roberto Benigni) pay off. The tone of the film is more lighthearted and playful than Jarmusch's previous efforts, but still retains his trademark minimalist style. One of the main contributors to the film's unerring sense of time and place is ace cinematographer Frederick Elmes, whose previous work with David Lynch and John Cassavetes proves notable here, where even the inside of a cab has an strange and inviting veneer. ~ Jason Clark, All Movie Guide
 



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