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A History of Violence
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Directed by David Cronenberg.
David Cronenberg directed this screen adaptation of a graphic novel by John Wagner and Vince Locke which explores how an act of heroism unexpectedly changes a man's life. Tom Stall (Viggo Mortensen) lives a quiet life in a small Indiana town, running the local diner with his wife, Edie (Maria Bello), and raising their two children. But the quiet is shattered one day when a pair of criminals on the run from the police walk into his diner just before closing time. After they attack one of the customers and seem ready to kill several of the people inside, Tom jumps to the fore, grabbing a gun from one of the criminals and killing the invaders. Tom is immediately hailed as a hero by his employees and the community at large, but Tom seems less than comfortable with his new notoriety. One day, a man with severe facial scars, Carl Fogarty (Ed Harris), sits down at the counter and begins addressing Tom as Joey, and begins asking him questions about the old days in Philadelphia. While Tom seems puzzled, Carl's actions suggest that the quiet man pouring coffee at the diner may have a dark and violent past he isn't eager to share with others -- as well as some old scores that haven't been settled. ~ Mark Deming, All Movie Guide
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tjl30tjl30 A History of Violence
by tjl30 in tjl30 Blog
is neutral about it.
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"I liked the movie, it was not what I expected but over all it was good. The sex scene on the stairs was kind of odd though, I am not completely sure how that fit into the rest of the story. The movie is about a man who had a past life that no one knew about, and the story kind of picks up when he is on the news for stopping two armed robbers. Soon a few close to him discover some shocking things about this seemingly timid man. I thought although again it was not what I expected, it had a pretty good ending. " [More]
KarinaKarina Dennis Kucinich & Viggo Mortens ...
by Karina in Karina on SpoutBlog
loved it.
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"“Should Mickey Mouse and Donald Duck be determining the president of the United States? No, because if they do, then your policies are sure to be goofy.” That’s what passes as homerun humor coming from Dennis Kucinich. In this Debate Porridge clip from New Hampshire, the Democratic presidential candidate accuses ABC and parent company Disney of usurping the function of the election’s first primary by making the decision months in advance to exclude him from last weekend’s debates. He’s joined in the clip by recent Cronenberg muse Viggo Mortensen, who has been tirelessly campaigning for Kucinich in New Hampshire for several days. Whether by coincidence or design, Mortensen has not worked for Disney since 2004’s Hidalgo. After this, will he again? Am I posting this for any substantion reason other than to siphon traffic off Google searches for “New Hampshire”? So many questions… Originally posted on:SpoutBlog » karina " [More]
SpoutBlogSpoutBlog Dennis Kucinich & Viggo Mortens ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"“Should Mickey Mouse and Donald Duck be determining the president of the United States? No, because if they do, then your policies are sure to be goofy.” That’s what passes as homerun humor coming from Dennis Kucinich. In this Debate Porridge clip from New Hampshire, the Democratic presidential candidate accuses ABC and parent company Disney of usurping the function of the election’s first primary by making the decision months in advance to exclude him from last weekend’s debates. He’s joined in the clip by recent Cronenberg muse Viggo Mortensen, who has been tirelessly campaigning for Kucinich in New Hampshire for several days. Whether by coincidence or design, Mortensen has not worked for Disney since 2004’s Hidalgo. After this, will he again? Am I posting this for any substantion reason other than to siphon traffic off Google searches for “New Hampshire”? So many questions… Originally posted on:SpoutBlog " [More]
SpoutBlogSpoutBlog Cronenberg Crash Course. Clip o ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"“No filmmaker has more daringly and relentlessly explored what it means to be human than David Cronenberg,” writes Jim Emerson at Scanners. He’s put together a 12 minute highlight reel to prove that point. Written in the Flesh: A Crash Course in David Cronenberg incorporates images from nine Cronenberg classics, including Videodrome, The Fly and A History of Violence.?? It doesn’t seem to be embeddable, but you can watch it here. Originally posted on:SpoutBlog " [More]
JakeStevensJakeStevens Cronenberg Gets Kinda Dramatic
by JakeStevens in JakeStevens Blog
liked it.
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"For the most part, I enjoyed this film. At times, the characters are a bit "cut-and-paste" (Ashton Holmes & William Hurt, for example), but the newscasters scrambling to get an interview with their "local hero" almost ruined the film for me. It's played as a bad stereotype - the media as unscrupulous, amoral vultures, which can be true, but it didn't play well for this film. Apart from those gripes, David Cronenberg is a master director (anyone else notice the "doorways" motif?) with a good sense of pacing, some great cinematography (see the continuous opening shot), and really nasty, gory effects (Cronenberg directed Scanners and the 1986 remake of The Fly). I absolutely loved the last two minutes of the film - perfect ending to a movie with a lot of subliminal text (violence in school, violence in sex, etc). Watch it twice! " [More]
filmafic06filmafic06 An unusual crime flick
by filmafic06 in filmafic06 Blog
loved it.
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"There are plenty of movies about organized crime. Few could examine its impact on a single family with the depth like "History of Violence" does. Indeed, its focus on a small-town family which suddenly finds itself with "a history of violence" that makes this film a powerful psychological drama, rather than a heavily political or gorey action flick. (Warning: even with violence having considerably less screen time than your average B horror movie, the violence is quite intense.) Riveting direction, a compelling and refreshingly uncliched story, and superb acting make "A History of Violence" a deeply disturbing "thinker" drama coupled with jarring violence a la "A Clockwork Orange." However, I personally found this movie easier to stomach than "A Clockwork Orange." That is, while "Clockwork" was a one-time view for me, I would watch "A History of Violence" again. " [More]
SpoutBlogSpoutBlog Toronto Lineup, Oz Redux: Trade ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"indieWIRE points to the 17-page PDF detailing the 349 films that will unspool at next month’s Toronto International Film Festival. New details just announced today include a special screening of Grand Illusion presented by Peter Bogdanovich, who will in turn be presented an award for his film preservation efforts; Jason Reitman’s Juno, scripted by blogger Diablo Cody; and several Reel to Reel program additions, including a Joy Division doc by Grant Gee and a Lou Reed doc by Julian Schnabel. This is what the DVD format wars have wrought: Michael Bay came home from a dinner party and wrote a drunken blog post saying he wouldn’t do Transformers 2 unless Paramount starts releasing movies on Blu-ray. Cue massive internet scandal. Then the next day he was like, “Whoops. I really shouldn’t blog after midnight. HD DVD rocks!” The people who brought you Spawn and A History of Violence are partnering to bring “a revisionist take” on The Wizard of Oz to the screen. Don’t let that logline turn ... " [More]
SpoutBlogSpoutBlog Spoilers: The Debate Rages On
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Man, Nathan Lee is ON FIRE. My new critical hero, who previously wowed with his gaga reviews of I Now Pronounce You Chuck and Larry and Black Snake Moan (sample quote: “[Christina Ricci’s] the white-hot focal point of Brewer’s loud, brash, encompassing vision of the soul’s dark night survived, peering into the dawn. That’s right, haters, I said ‘vision.’) hit another home run this weekend, with this New York Times op-ed on spoilers. It’s so good that it’s hard to pick just one section to blockquote, so here’s an attempt to condense some of the best stuff: I wouldn’t dare unmask the secrets in the movie A History of Violence out of respect for the artistry of David Cronenberg and the integrity of his booby-trapped plot, but there isn’t a single frame of The Number 23 I wouldn’t mock in great, guiltless detail for the simple reason that I find it extremely silly. A spoiler requires something to spoil and someone to take offense at the spoiling, and I’m confident that my readership do ... " [More]
SpoutBlogSpoutBlog Spoilers: The Debate Rages On
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Man, Nathan Lee is ON FIRE. My new critical hero, who previously wowed with his gaga reviews of I Now Pronounce You Chuck and Larry and Black Snake Moan (sample quote: "[Christina Ricci's] the white-hot focal point of Brewer’s loud, brash, encompassing vision of the soul’s dark night survived, peering into the dawn. That’s right, haters, I said 'vision.') hit another home run this weekend, with this New York Times op-ed on spoilers. It's so good that it's hard to pick just one section to blockquote, so here's an attempt to condense some of the best stuff: I wouldn’t dare unmask the secrets in the movie A History of Violence out of respect for the artistry of David Cronenberg and the integrity of his booby-trapped plot, but there isn’t a single frame of The Number 23 I wouldn’t mock in great, guiltless detail for the simple reason that I find it extremely silly. A spoiler requires something to spoil and someone to take offense at the spoiling, and I’m confident that my readership d ... " [More]
analogzombieanalogzombie Cronenberg: old meets new
by analogzombie in analogzombie Blog
loved it.
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"A Hostory of Violence is Cronenberg's best film in his new direction of internal exploration. Often known for his "body horror" phase i.e. Videodrome, The Fly, The Brood; A History of Violence is a lot closer in tone to his more recent Spider, an underrated gem. The film works on a surface level as an identity crisis revenge film subplanted into an idyllic American milieu. Scratch the surface and you will find a dissection of the heart of American society. At times tortously violent and brutal, Tom Stall is a man trying desperately to cleanse himself of his past. I could go into a metaphor about his inner turmoil representing the American identity crisis but that seems too on the nose. A History of Violence is a story about the allure of strength and the desire for a calm life. After all, Stall's wife is at once repulsed and attracted to her husband's dark secret. In the end we must all live with the duality of human nature. We are capable of extreme brutalit ... " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
David Cronenberg has always been a name closely associated with the horror genre, and even when his films don't overtly contain the elements generally associated with the critically maligned genre, they can be just as horrifying as any out-and-out fright flick. This bold but shockingly low-key thriller is without question one of the reigning body-horror master's most mainstream cinematic outings to date (no videotape-swallowing orifices or medieval-looking medical instruments here); however, the film's depiction of the vicious cyclical nature of violence is as horrific and challenging as anything in the veteran director's notoriously gruesome filmography. The effectiveness of violence in any film is directly tied to stylistic choices utilized to portray the violence onscreen, and few directors are more aware of this fact than Cronenberg. By contrasting the horrific and often graphic acts of violence committed by the characters in A History of Violence with quiet scenes at the family dinner table or tender moments between husband and wife, Cronenberg punctuates the destructive actions of his characters in a manner that is undeniably effective for those looking for something deeper than the average revenge tale -- showing a filmmaker still very much in command of his material. As the dire situation steadily elevates and the outwardly peaceful protagonist is forced to act out in the same manner as his tormentors, Cronenberg reveals the character's true nature while showing enough faith in his audience to let the situation unfold naturally. This narrative restraint shows a filmmaker whose dramatic strengths are growing with age rather than weakening (a sad problem that seems to plague many genre filmmakers of Cronenberg's generation). Even the lesser-drawn characters in A History of Violence seem to have an added dimension of motivation that ties into the theories of violence presented in the film, with the more prominent supporting players, including Ed Harris and William Hurt, turning in particularly effective performances. Though some viewers may find it difficult to connect with the archetypal characters in A History of Violence on an emotional level, the message regarding the inherently cyclical nature of violence is both effectively clear and viscerally presented, offering a testament to Cronenberg's continuing willingness to challenge his audience while simultaneously crafting a compelling mainstream thriller. ~ Jason Buchanan, All Movie Guide
 



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sarcastig
sarcastig
loved it.
analogzombie
analogzombie
loved it.
Karina
Karina
loved it.
marincat
marincat
is not interested.
lopezdash
lopezdash
is not interested.
PammyK
PammyK
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