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Undertow
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Directed by David Gordon Green.
Chris (Jamie Bell of Billy Elliot) is a volatile teen who lives with his father, John (Dermot Mulroney), and his little brother, Tim (Devon Alan). After the death of Chris' mother, his reclusive father moved the family to a shack in backwoods Georgia, where they raise hogs. Tim has an unusual eating disorder. He is constantly making himself sick by eating things like dirt and paint. One day, John's estranged brother, Deel (Josh Lucas), gets out of prison and shows up on the farm. John is less than thrilled to see him, but agrees to let him stay with the family as long as Deel helps him look after his boys. Chris is drawn to his wild-man uncle, but it soon becomes clear that Deel has more on his mind than a family reunion. Greed and years of resentment lead to violence, and Chris finds himself on the run, towing his sickly brother along, with Deel in pursuit. Undertow is writer/director David Gordon Green's third feature film, and features many of the same crew as his previous films, George Washington and All the Real Girls, including cinematographer Tim Orr. Green, who co-wrote the script with Joe Conway, has cited the influence of filmmaker Terrence Malick, who is credited as a producer. Green was also influenced by low-budget regional films of the 1970s (like Macon County Line and The Texas Chainsaw Massacre) and by Charles Laughton's classic The Night of the Hunter. Undertow was selected by the Film Society of Lincoln Center for inclusion in the 2004 New York Film Festival. ~ Josh Ralske, All Movie Guide
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SpoutBlogSpoutBlog 10 Great Movies About Brothers
by SpoutBlog in SpoutBlog on spout.com
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"If there’s one thing I relate to on the big screen, it’s the depiction of fraternal relationships. I’m the middle of three brothers (excluding the half-brother I only knew as a toddler and the former stepbrother I only knew briefly as an adult), and at different points in my life I’ve either hated them or considered them my best friends. So, yeah, I can’t wait to see Step Brothers, starring Will Ferrell and John C. Reilly as new siblings who go from being enemies to BFFs when forced to live together. Choosing a handful of favorite movies about brotherhood is really tough. After all, tales of brothers go all the way back to almost the beginning, with the story of Cain and Abel. And a number of favorites can’t exactly be discussed, because the revelation of brothers, especially twin brothers, is often the surprise twist in films. So, before you start naming a thousand other films about brothers that I’ve forgotten (such as The Brothers McMullen and Legends of the Fall), keep in mind ... " [More]
leeroy711leeroy711 Re:Top 5 Films about Brothers
by leeroy711 in Filmspotting
liked it.
"Films about brothers word assosiation = Twin Falls Idaho, Boondock Saints, American History X Adaptation, & Rain Man Honorable mention to Undertow , The Royal Tenenbaums and Mac " [More]
thefilmpanelnotetakerthefilmpanelnotetaker "Snow Angels" Director David Go ...
by thefilmpanelnotetaker in thefilmpanelnotetaker Blog
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"Here's something I will be unable to attend, but definitely wanted to let you all know about. Tonight, indieWIRE presents a discussion with filmmaker David Gordon Green (George Washington, All the Real Girls, Undertow and the upcoming Pineapple Express) whose latest feature film Snow Angels opens in limited theatrical release on Friday. Along with Green, one of the film’s young stars, Olivia Thirlby (Juno) will also participate in the Q&A moderated by indieWIRE Editor-in-chief Eugene Hernandez.Last year, I saw Snow Angels at BAM, where Green and Thirlby were also accompanied by another of the film’s principal performers, Sam Rockwell (Confessions of a Dangerous Mind).Tonight's discussion at the Apple Store begins at 7pm. This is a free event and no RSVP is required, but I suggest an early arrival as seating is limited and first come, first serve. More details here. Originally posted on:The Film Panel Notetaker - Miss a panel discussion? Don't worry! We took notes for you. " [More]
minerwerksminerwerks Great Work of 'Sound'
by minerwerks in minerwerks Blog
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"There's a lot of hope in this 'Great World of Sound.' A group of eager salesmen have been granted the title of "music producers" and turned loose on towns throughout the southern United States with the hope of finding new talent. Then there are the performers who answer the call for auditions, hoping to catch a break and record a hit song. Both groups, however, are unaware of the hope that carries the greatest weight here, hinted at by the film's first image of a regular old vinyl record being spray painted gold.The main character here is the honest yet naive Martin (Pat Healy), who comes into this story with a string of past jobs and past loves. After being hired by Great World of Sound Productions, he is genuinely excited by the prospect of finding undiscovered talent. The money could allow him to run a home office selling the homemade crafts his girlfriend (Rebecca Mader) produces in the garage. Martin buddies up with a charismatic new hire named Claren ... " [More]
thefilmpanelnotetakerthefilmpanelnotetaker Sundance Institute at BAM - &qu ...
by thefilmpanelnotetaker in thefilmpanelnotetaker Blog
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"Sundance Institute at BAM - "Snow Angels" Saturday, June 2, 2007At the Sundance Institute at BAM, David Gordon Green, director of George Washington, All the Real Girls and Undertow, screened his latest feature, Snow Angels, that premiered at the Sundance Film Festival earlier this year. Green adapted Snow Angels from the novel by Stewart O'Nan. Together with cast members Sam Rockwell (Confessions of a Dangerous Mind) and Olivia Thirlby (United 93), Green addressed the audience during a Q&A after the screening. My knowledge of Snow Angels stems from my days attending SUNY Brockport about 10 years ago, where I took a class called The Writers Craft. If my memory serves me correct, it was actually O' Nan's The Speed Queen that I had to read for the class, and O'Nan came to do a reading at The Writers Forum . However, I read Snow Angels anyway on my own.After watching the movie Snow Angels at BAM, I recall at least one major difference, that being that there seemed t ... " [More]
paulpaul Re: NEW Group, Top 5 current di ...
by paul in Top 5
liked it.
"Along the lines of David Gordon Green's Undertow, I saw Werner Herzog's newest film, Rescue Dawn, at the Denver Film Festival. It too was strangely accessible.I'm not sure what to make of either of these films. I liked them both. They both cover very distinct territory you'd expect from David Gordon Green or Werner Herzog. But when I'm watching a film by a director like David Gordon Green or Werner Herzog, I expect to have to work a bit. In a strange way, I was disappointed because the films asked so little of me. It's kind of the way you'd feel if you went to see a Michael Bay movie and it turned out to be an art film.Incidentally, I have a new director in my Top 5. Allan King blew me away in Denver. He's a Candian documentary filmmaker and if you can get your hands on any of his docs at a library (they're only for sale through allankingfilms.com), watch them. They will change what you thought film was capable of. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
David Gordon Green's Undertow opens with a bang -- a rollicking, psychedelic action credit sequence, complete with split screens, negative images, zooms, and freeze-frames, that could have come out of a 1970s action B-movie like Dirty Mary, Crazy Larry. It's a head rush, a kinesthetic marvel completely unlike anything in the director's previous work, though the snatch of dialogue it follows, with a teen girl sweetly asking her boyfriend, "Can I carve my name in your face?" could probably only have come from Green. Not only does that chase sequence suggest the heretofore hidden depths of Green's talent (and that of his superb DP, Tim Orr, and editors, Zene Baker and Steven Gonzales), but it has thematic resonance. Unlike a typical chase sequence, in this one, it's never quite clear who's chasing Chris (Jamie Bell), but it's clear that his running is hopeless. He's essentially trying to outrun himself, which pretty much sums up the theme of Undertow, as Chris must know, deep down, that he'll eventually have to face his belligerent uncle, Deel (Josh Lucas), along with his own demons. After the opening credits, the film settles down into a more menacing version of Green's typical swampy Southern romantic lyricism. Rooted in boys' adventure stories, with clear allusions to classics from Huck Finn to The Night of the Hunter, Green's take on the thriller is uniquely his, and it's occasionally an unwieldy mix of bluntly efficient storytelling with poetic dialogue and imagery. The film certainly has its odd, awkward scenes, and it doesn't come together quite with the seamless loveliness of George Washington or All the Real Girls, but it's still memorable, and offers more evidence of the filmmaker's prodigious talent. As one character points out, "Sometimes it's the strange moments that stick with you." ~ Josh Ralske, All Movie Guide
 



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