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Color Me Kubrick
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In the mid-'90s, an Englishman by the name of Alan Conway (John Malkovich) conned many people into believing that he was the reclusive American director Stanley Kubrick, despite the fact that Conway was openly gay, bore no physical resemblance to Kubrick, and knew little about the director's work. Conway's story has been loosely adapted into the comedic feature Colour Me Kubrick. Anthony Frewin, who worked as Kubrick's personal assistance for many years, wrote the script, and Brian Cook, who served as Kubrick's assistant director on several films, including Barry Lyndon and Eyes Wide Shut, marks his directorial debut with the film. Colour Me Kubrick follows Conway on a number of adventures, wherein he cadges drinks, cash, sex, and more from unsuspecting victims, ranging from a heavy metal band to a wine bar owner (Richard E. Grant) to a British lounge singer (British television comic Jim Davidson making his feature-film debut), who are awestruck by his purported fame and fortune, and willing to overlook Conway's genuinely bizarre behavior in the hopes of impressing the great director. Conway's act reached its pinnacle when he temporarily pulled the wool over the eyes of then-New York Times theater critic Frank Rich (William Hootkins). Colour Me Kubrick features cameos by Ken Russell, Honor Blackman, Peter Sallis, and Marc Warren. The French production had its international premiere at the 2006 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Filled with deeply ironic visual, verbal, and musical references to the revered director from the opening frames, Colour Me Kubrick would seem the kind of tribute that the late Stanley Kubrick would have appreciated. Anchored by a hilariously fearless and jarringly off-kilter performance from John Malkovich, the film features a clever if episodic script from Anthony Frewin, brought to bear with a surfeit of visual wit by first-time feature director Brian Cook. The writer and director both worked with Kubrick, and their liberal use of his grand visual and aural cues for their unseemly little tale seems affectionate, but it's also scathingly funny. At one point in the film, Malkovich, playing notorious Kubrick impersonator Alan Conway, impresses a fan by telling him that he's readying a sequel to 2001 ("3001," naturally) starring none other than John Malkovich. The actor's name doesn't generate much of a response, but his deranged turn holds Colour Me Kubrick together. Trying on one ludicrous "American" accent after another, Malkovich plays Conway as a desperate sociopath. His lack of resemblance to Kubrick and ignorance of the director's work -- at one point he claims to have played Pip in David Lean's Great Expectations -- and his transparent grubbiness make the filmmakers' point that Conway's various victims were misled as much by their own eagerness to attach themselves to Kubrick's wealth and fame (and, in a few cases, his genius) as by whatever cunning Conway could muster. In these times, there's nothing particularly earth-shattering about these themes, but Conway's story is put forth with such an unapologetic sense of depraved fun that it becomes startlingly entertaining. ~ Josh Ralske, All Movie Guide
 



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