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Fahrenheit 9/11
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Directed by Michael Moore.
Starring Michael Moore.
Directed by Michael Moore, whose aura of controversy only grew after his Oscar acceptance speech at the 2003 Academy Awards, Fahrenheit 9/11, like Moore's Bowling For Columbine and Roger & Me, promises to expose the corporate wrongdoings and big-money scandals perpetrated by America's financial elite. This movie, however, looks beyond the inner echelons of General Motors and Lockheed Martin in hopes of outing the evildoers in the White House, particularly in regards to the 43rd President of the United States, George W. Bush. In addition to criticizing the administration's handling of the September 11, 2001, terrorist attacks on the Pentagon and World Trade Center, Moore digs deep into the surprising relationship with the Bin Laden family held by both Bush administrations, and questions whether or not potential Saudi involvement with the attacks has been ignored. As Fahrenheit 9/11's Cannes Film Festival debut approached, marking only the second time in 48 years that a documentary has been included among the festival's main competition, Miramax's parent company Disney announced it would not be distributing the film due to its partisan nature, and, according to Moore, out of trepidation that the Florida-based Goliath's multi-million-dollar tax breaks might be negatively affected by Florida Governor Jeb Bush, whose review within Fahrenheit 9/11 is less than favorable. ~ Tracie Cooper, All Movie Guide
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JJ79JJ79 Fahrenheit 9/11
by JJ79 in JJ79 Blog
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"Release Year: 2004Director: Michael Moore*****Michael Moore's 2004 Oscar winning documentary, ostensibly about the links between the Bush family and the bin Landen's, is something people on both sides of the aisle should see. The information Moore brings to the surface was barely reported on by any mainstream news outlet. (For instance, the US government was in bed with the Taliban for two decades before September 11...and the government arranged the travel needs of bin Laden family member on 9/11 to Saudi Arabia.)What holds this film from being a true work of genius is Moore's insatiable need to pick, prod and beat the president up at every opportunity. Any documentary filmmaker knows that, in order to be taken seriously, you must be impartial. Examine the issue from all sides, don't let your personal politics come through. Even and balanced. Fair. From the very instant Fahrenheit 9/11 begins with a quick history lesson on the presidential elections of 2000, it's obvious th ... " [More]
CinemaRianCinemaRian Fahrenheit 9/11 (2004, USA, Mic ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"Yes, I know that I am the last person in the known galaxy to see this movie. I put off seeing it for a bunch of reasons, one of which was that Moore's comments about how that it could turn the eleciton seemed obnoxious and pretencious. It had no apparerent effect and seen just one and half years after it was made it seems dated. Any review of a film like this is going to be biased by the veiwer's political beliefs. Let me say now that I voted for Kerry, am a loyal partison Democrat and think that Bush is the second worst President in our nation's history, right behind James Buchanan. I cannot wait for my birthday on 2009 when someone else will be President. Even if it's another Republican, I can't imagine one worse then George W. That said, onto the film. I agree with Moore's statement that the administration blew nearly every aspect of the Iraq war. They mislead the public about the danger and had no plan to reconstruct Iraq. I have no idea what the motive really was beh ... " [More]
KarinaKarina Fahrenheit 9/11 Sequel: BlogNos ...
by Karina in Karina on SpoutBlog
hasn't rated it.
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"Blogs are buzzing, but the fact that Michael Moore is making a sequel to Fahrenheit 9/11 is old news –– the film is referenced in this NY Times story from April of last year. The new news in this story from Variety’s Cannes section is that the film will be distributed internationally by Overture and Paramount Vantage––NOT The Weinstein Company, which handled the relatively disappointing release of Sicko. The same companies will rep the doc for international sale at Cannes. The Playlist has details on Miranda July’s in-the-works second feature, Things We Don’t Understand and Definitely Are Not Going To Talk About. The title of this post at Tisch Film Review is worded a bit confusingly, but it’s basically a list of ten great films that are not available on DVD. The Last Movie, The Mother and the Whore, etc. Originally posted on:SpoutBlog » Karina Longworth " [More]
SpoutBlogSpoutBlog Fahrenheit 9/11 Sequel: BlogNos ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Blogs are buzzing, but the fact that Michael Moore is making a sequel to Fahrenheit 9/11 is old news –– the film is referenced in this NY Times story from April of last year. The new news in this story from Variety’s Cannes section is that the film will be distributed internationally by Overture and Paramount Vantage––NOT The Weinstein Company, which handled the relatively disappointing release of Sicko. The same companies will rep the doc for international sale at Cannes. The Playlist has details on Miranda July’s in-the-works second feature, Things We Don’t Understand and Definitely Are Not Going To Talk About. The title of this post at Tisch Film Review is worded a bit confusingly, but it’s basically a list of ten great films that are not available on DVD. The Last Movie, The Mother and the Whore, etc. Originally posted on:SpoutBlog " [More]
thefilmpanelnotetakerthefilmpanelnotetaker A Tribute to St. Clair Bourne - ...
by thefilmpanelnotetaker in thefilmpanelnotetaker Blog
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"A Tribute to St. Clair BourneMuseum of the Moving Image – Astoria, NYFebruary 10, 2008(L to R: Armond White, Esther Iverem, Warrington Hudlin, George Alexander, Clyde Taylor and David Schwartz)(Filmmaker Melvin Van Peebles in the audience)At the Museum of the Moving Image on Sunday, critics and scholars were in person to discuss the career of and show clips from documentary filmmaker St. Clair Bourne, who died in December 2007, and made more than 40 films, mainly about African-American culture and politics. His subjects included Paul Robeson, John Henrik Clarke, Gordon Parks, Langston Hughes, and Making of Spike Lee’s Do the Right Thing. The discussion was organized and moderated by Warrington Hudlin producer of such films as House Party and Boomerang, and the founder of DV Republic.The panelists included Clyde Taylor, professor at the Gallatin School and writer for the PBS documentary, Midnight Ramble: The Life and Legacy of Oscar Micheaux; George Alexander - business entertainmen ... " [More]
SpoutBlogSpoutBlog Sundance 2008: Where in the Wor ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Where in the World is Osama Bin Laden is the latest autobiographical odyssey by Super Size Me director Morgan Spurlock. The film has a wry, snarky tone, so while Spurlock actually does tour the Middle East poking around for the world’s most wanted terrorist, the mission is understood to be secondary to the wider political comments the film attempts to make. If the mission to find Bin Laden is tongue-in-cheek, then what is the point of the very real dangers Spurlock subjects himself to? Comparisons to Michael Moore’s Fahrenheit 9/11 are well deserved. Both rely heavily on darkly comic animated history lessons about the underbelly of American foreign policy. These segments are very entertaining, but also frustratingly simple. While it could be argued that Spurlock is intentionally over-simplifying complex histories in order to spoof the mainstream media’s penchant for cartoonish dichotomies, the animated segments instead prop up widely held beliefs with more humor than information. I ... " [More]
TenenbaumsTenenbaums The Right Message, The Right Ti ...
by Tenenbaums in Tenenbaums Blog
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"Getting an audience to listen to a message that is critical of the Iraq War is not hard. Political venues, water coolers, and street corners are full of disgust for the Bush Administration and countless citizens worldwide have Inauguration Day 2009 circled on their calendars. The difficult task is presenting a balanced and informed yet still passionate cross-examination of this red-hot topic. In a volatile, confusing time, Charles Ferguson’s new documentary No End In Sight is well aware of this challenge and ambitiously attacks this decade’s defining dividing point with the necessary goods.In order to present the argument at hand, one must go back to the beginning to see where things went awry. Ferguson hinges his argument on four major points: the decision not to instill Martial Law after the fall of Baghdad; Paul Bremer’s subsequent decision to disassemble the Iraqi military; the poor planning of the amount of American troops needed to contain possible insur ... " [More]
DemndiaryDemndiary A History Book of an Unfinished ...
by Demndiary in Demndiary Blog
hasn't rated it.
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"Charles Ferguson's No End In Sight is the living history of an unfinished war. It is done in an old fashioned journalistic style which means questions are asked to illicit answers, not to provoke or prod. It is non-partisan and objective. It is a chronicle from 2003 to now. It includes live footage shot in Iraq and statements from Iraqis. It is moving beyond words. It should be the instruction manual for the next administration of what never to do again. Ferguson's interviews are focused and diversified among many authorities. Ferguson interviewed the common soldier, the Deputy Secretary of State, the military heads at the beginning, the journalists, the civilians, the UN, and on and on. What was missing was those who would not be interviewed: Cheney, Rice, Rumsfeld, Wolfowitz and Bremer. In other words, those who bear the responsibility. No End In Sight points to many factors on where the chaos originated. It could have been not planning for after the war until 2 mont ... " [More]
smoothjazzandmoresmoothjazzandmore "Fool Me Once, Shame On Yo ...
by smoothjazzandmore in smoothjazzandmore Blog
loved it.
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"I used to be a Conservative Republican. I voted for George Bush in 2000. I used to think Michael Moore was a big fat, disgustiung ogre who had a chip on his shoulder against President Bush. Watching him up there on the stage at the Oscars giving his acceptance speech in 2003 enraged me at the time. But one year after the Iraq war, things started coming unraveled that would change my faith in the GOP and give this movie an honest look. More and more, I started hearing about bad intelligence. One was the fact that Iraq had "NO" weapons of mass destruction, as alleged by the Bush Administration. Intelligence made up by the CIA had us believing Hussein was manufacturing Uranium in the African country of Niger. That intelligence was rebuked by PBS's Frontline story, "The Dark Side" and lead to the outing of CIA agent, Valerie Plame by Vice President Dick Cheney's chief of staff, L. "Scooter" Libby. Another was the fact that the Patriot Act was ... " [More]
minerwerksminerwerks Getting 'Sicko'
by minerwerks in minerwerks Blog
liked it.
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"At the risk of being a polarizing figure right off the bat, I'm going to review Michael Moore's 'Sicko,' but there might be a bit of my own personal feelings in there as well. It's not that I planned this, it's just that I happened to see the film today, and it's the first thing I've watched since signing up at Spout.Since 'Fahrenheit 9/11' came out, Michael Moore probably doesn't need an introduction. Some love him and some hate him, but does that relate to the quality of his films? I have watched Moore ever since seeing 'Roger & Me' on video and being impressed with his particular ability to highlight the absurdity of real life and his firm grasp of film language which results in very compelling and emotionally charged films. His new film, 'Sicko,' is in many ways is obviously of the same pedigree, but other subtle things (good and bad) set this one apart.'Sicko' is possibly the most straight-forward presentation Moore has ever made on film. The stories here flow pretty smoot ... " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Those seeking a 126-minute raging tirade, whether to reaffirm their own feelings regarding the 43rd President of the United States, or of Michael Moore as a preachy leftist shill, will find themselves disappointed with Fahrenheit 9/11. While unabashedly edited to suit the conclusions that Moore has already reached, it is a far cry from being a personal vendetta. Rather, the film is a harsh indictment of the long-term results of corrupt business dealings and social injustice, and at the same time a tribute to -- and a rallying cry for -- the distinctly American souls trying to keep their heads above water in the face of it. At one point, Moore comments that immoral behavior can only breed more of the same, and that sentiment, more than anything else, is F9/11's underlying theme. The Bush administration and the obvious state of disconnect between themselves and the individuals they send to war are not portrayed as a two-dimensional evil force, but as the inevitable result of decades of immorality. Bush himself is presented as an incompetent but necessary cog in a machine much older and more insidious than he is, and while Moore does not pretend to give his audience a wholly fair look at the President, it is hard to imagine a context where an antiterrorism speech hastily delivered on a golf course seconds before Bush asks onlookers to "watch this drive" is anything other than cruel and insulting to the people who have suffered at the hands of war. Yet, the Democrats don't escape entirely unscathed -- in the film's chilling opening scenes, former Vice President Al Gore is met with applause after rejecting the heartfelt pleas of several Congress members to investigate the claims of disenfranchisement among African-American voters in Florida before legitimizing the 2000 election. The overwhelming amount of information and atrocities are held together by Michigan native Lila Lipscomb, who, reeling from the news of her son's death in Iraq, manages to communicate a leaden, all-encompassing sadness that scenes of war carnage, 9/11 families, and disillusioned soldiers were unable to express by themselves. Regardless of Moore's political leanings, Fahrenheit 9/11 puts a face on the "war on terror," and begs Americans to never stop questioning their government's proposals -- even when they come gift-wrapped in flags. ~ Tracie Cooper, All Movie Guide
 



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