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The New World
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Directed by Terrence Malick.
Terrence Malick, the universally acclaimed American filmmaker responsible for the key 1970s features Badlands and Days of Heaven, returns for a rare directorial outing with the sweeping period piece The New World -- an epic dramatization of Pocahontas' relationships with John Smith and John Rolfe. Malick's story opens at the dawn of the 17th century, just prior to the colonization of the United States -- when the North American population consisted of an interconnected series of native tribes. In April 1607, three maritime vessels approach the unfamiliar continent, with 103 sailors on board. As members of the Virginia Company, these adventurers carry a royal charter to mount a society on the edge of the new continent. John Smith (Colin Farrell) sits chained below one of the decks. He is a 27-year-old loose cannon, who, for his persistently rebellious acts, has been sentenced to death by hanging as soon as the ships dock. Nevertheless, Captain Christopher Newport (Christopher Plummer) acknowledges Smith's ability to aid with exploration and consents to pardon him as a result. Upon landing, Smith seeks assistance from local Native American tribes with colonization, but runs into the unexpected -- he falls desperately in love with Pocahontas, or "Playful One" (Q'orianka Kilcher), the daughter of the omnipotent Chief Powhatan (August Schellenberg). Needless to say, this does not sit well with Powhatan or the rest of the tribe. Moreover, the oft-bellicose Smith enters a head-to-head conflict with his fellow Britons when he finds his tempestuousness calmed by the tranquility of the new landscape, as the anger and violence of his shipmates concurrently build in the face of the Native Americans. Later, Smith temporarily returns to England; believing that Smith is dead, Pocahontas accepts the hand of plantation owner John Rolfe in marriage (with her father's blessing) and follows Rolfe back to the old country. When Smith returns to America, his intended is nowhere to be seen, and the entire community teeters on the brink of a British-Indian war. Malick shot the production on location in Virginia; it co-stars Jonathan Pryce, John Savage, and David Thewlis. ~ Nathan Southern, All Movie Guide
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kristenkristen The New World (2005, Terrence M ...
by kristen in kristen Blog
hasn't rated it.
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"How do you get over your first love? Maybe you will always love him, but that is all right because it is possible to love the man of your past and live in the present. Terrence Malicks fourth film The New World (2005) is an epic love story that misses the mark. Pocahontas, Q'orianka Kilcher, exuberates life. She experiences the joys of first love with Colin Farrell. They share pleasures in a fantasy world, which Farrell says is a dreamlike world, but he later acknowledges that this world was the most real thing he has known. The dream world shatters with the outside world, which demands Farrells attention. Farrell feels the call of reality and leaves his love, and instructs the she be informed that he is dead in an attempt to make her forget him. His departure almost breaks her. Another man, Christian Bale, relates to her sufferings and eventually grows to love her. They marry, but she has not forgotten her first love. Voiceovers tell the emotions. These voi ... " [More]
KarinaKarina Moving Image Institute: The Deal
by Karina in Karina on SpoutBlog
loved it.
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"Over our five days at the Institute, we kept returning to serious of binary oppositions: print versus online; doing it for the passion versus doing it for the pay; criticism as consumer reporting versus advocacy for artists. With such circular questions, it’s hard to get anywhere, making it easy to lapse into what filmmaker Kelly Reichardt jokingly referred to at one point as “glass half full of shit” thinking. But out of the morass of questions and unresolvable clashes came an emphasis on compromise and balance: nearly every guest speaker made some mention of making trade offs, of covering for noble failures with less-noble successes. This seemed most prevalent on Saturday, with Reichardt and Tom Kalin’s independent filmmaker panel; Ryan Werner of IFC and Don Krim from KINO representing indie distribution; and, particularly, the online film criticism panel, featuring Eugene Hernandez (indieWIRE), Michael Koresky (Reverse Shot), Matt Zoller Seitz (The House Next Door and The New Yo ... " [More]
SpoutBlogSpoutBlog Moving Image Institute: The Deal
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Over our five days at the Institute, we kept returning to serious of binary oppositions: print versus online; doing it for the passion versus doing it for the pay; criticism as consumer reporting versus advocacy for artists. With such circular questions, it’s hard to get anywhere, making it easy to lapse into what filmmaker Kelly Reichardt jokingly referred to at one point as “glass half full of shit” thinking. But out of the morass of questions and unresolvable clashes came an emphasis on compromise and balance: nearly every guest speaker made some mention of making trade offs, of covering for noble failures with less-noble successes. This seemed most prevalent on Saturday, with Reichardt and Tom Kalin’s independent filmmaker panel; Ryan Werner of IFC and Don Krim from KINO representing indie distribution; and, particularly, the online film criticism panel, featuring Eugene Hernandez (indieWIRE), Michael Koresky (Reverse Shot), Matt Zoller Seitz (The House Next Door and The New Yo ... " [More]
STEPHENtheDIRECTORSTEPHENtheDIRECTOR Re: Top Five deceptively intrig ...
by STEPHENtheDIRECTOR in Top 5
is neutral about it.
"Awesome TopicThe New World - Just as T-Money said, this movie seemed advertised as a war movie, instead of the contemplative piece it was.Shaun of the Dead - I thought this movie looked so incredibly stupid from the trailer. So much so I never wanted to see it, until finally I was forced to, and thought it was the best comedy I had seen in a long time.Hot Fuzz - This time i didn't let the trailer discourage me, but still...people can't seem to give these films the advertisement they deserve.Night Watch - After seeing the trailer, I was so excited to see this film. I had to...every moment without it was painful. And then I watched it, and was disappointed. The movie isn't necessarily bad, but it's not nearly as good as the trailer makes it out to be. Although, I might just be partial to the M83 song they played over it (which never actually makes it into the film).Domino - Okay so the movie was exactly like the trailer. Just extended. When I first saw the trailer, I ... " [More]
RisseladaRisselada Making 'The New World'
by Risselada in Risselada Blog
liked it.
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"Making 'The New World' There's no Spout link for this movie. It's a documentary that is included on the DVD for The New World. It's a reminder of the incredible amount of work that is put into some movies that you can hardly even imagine, especially when you have a director and team who are really dedicated to such a huge and somewhat unusual project.While you do learn many interesting things about the film and some things of historical interest, there's nothing that really makes this making-of documentary stand out. Actually I was hoping (although I had no reason to) that I would finally get to see or hear a bit of Malick talking or at least more than a glimpse of him in action. No such luck. The guy is obviously still as shy and reclusive from appearing personally to the public.Something else kind of strange, this was directed by Austin Jack Lynch, the son of David Lynch.Rating: 7/10 " [More]
RisseladaRisselada movie year countdown - round #2 ...
by Risselada in Risselada Blog
liked it.
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"This blog entry is part of my “movie year countdown round #2”. Read more about that here.The New WorldWell it's strange but I seem to like each of Malick's subsequent movies less and less. Badlands is one of my absolute favoirtes of all time. In the cold, decisive world of movie ratings I gave it at 10. Days of Heaven I gave a 9, The Thin Red Line an 8, and The New World a 7.I feel like the movies are losing the inherent ironic humor of his characters and narration for something that's trying to be more poetic and profound in it's sincerity. It's not connecting with me as much.I don't think I ever really connect with Malick's characters. I guess at first I didn't think we were supposed to. But now he uses the same distancing techniques on conjunction with techniques that seem to be striving for the opposite. I won't deny the cinematography is gorgeous. The worlds and history come alive to an extent that is rare on screen. Bu ... " [More]
paulpaul FilmCouch #22
by paul in paul on spout.com
loved it.
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"Remakes: The Weinsteins are remaking Seven Samurai. Is it sacrilege? What if Pulp Fiction and The Matrix were remakes? We speculate the originals: Pulp Fiction (1975), The Dot-Matrix (1971). Movies remaking (and reshaping) history: Once Upon a Time in America, The New World, The Patriot and more. Download FilmCouch #22 or subscribe in the iTunes store (search for “filmcouch” or click here to launch iTunes) and a new free episode will download every Friday. Originally posted on:SpoutBlog » Paul " [More]
RisseladaRisselada Movie year countdown viewing pr ...
by Risselada in Risselada Blog
liked it.
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"This is a list for Round 2 of my movie year countdown viewing project as first described here. If by any strange chance whoever is reading this is actually following along you may notice that I'm still less than two thirds of the way through my original one. Well I'm starting this new one because as much as I love old movies it can get a little tedious watching just older movies. So I'm going to be blending my watching of the two lists together. Still focusing on the original one, but every once in a while sliding in the next entry from this new list.Again these new movies are limited to full length movies that are available on Netflix. And for this new round instead of picking a movie from every year, I will be picking a movie from every two years. For example the first movie must have come out during 2006 or 2007. The second movie must have come out in 2004 or 2005. The next in 2002 or 2003. You see.The list is not finished yet, but here is what I have decide ... " [More]
RisseladaRisselada Re: My favorite directors (by a ...
by Risselada in Directors
liked it.
"Yeah don't worry about it. I just want people to talk about what they are excited about. I'm all the more excited to see The New World! " [More]
tmoneytmoney Re: My favorite directors (by a ...
by tmoney in Directors
loved it.
"I wasn't too impressed by "The New World." I think this might have been a case of overselling. I'd heard so many good things about the movie, so I figured I'd really like it. Then I watched it, and I was sort of bored. I know I expected more of something, but sadly I don't remember what because it's been more than a year since I watched it.[/quote]It breaks my heart every time someone is dissapointed with The New World.  It is one of my absolute favorites, and I have seen it probably six or seven times (days of heaven and thin red line being at close second, surprisingly Badlands is my least favorite, even though I love it.) I think one needs to watch it understanding what a Malick film is.  The one complaint I have heard by dozens is that they thought The New World was boring.  And yes, it is a slow film as are all of Malick's films, but I think that really adds to the beauty.  Some words that come to mind: contemplative, nature, poetic, emotion.  Malick do ... " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Terrence Malick aims for a kind of psychological realism through poetics in this stupendous reexamination of the Pocahontas myth. From the opening, when a group of frolicking Powhatan natives spy the approaching ships of Captain Newport (Christopher Plummer) from the future Virginia's verdant shores, it's clear that Malick is less interested in historical accuracy than in a ground-level positing of how colonization was emotionally experienced when Jacobean England discovered a "new world." As in most tellings of the story, Pocahontas (Q'orianka Kilcher) and Captain John Smith (Colin Farrell), through their romance, function as agents promoting change and peaceful integration of their respective cultures. But their good intentions are easily complicated; the probing voice-overs reveal them struggling to understand and never coming to terms with their desires. (A real-life romance most likely did not occur.) Emmanuel Lubezki's cinematography employs the usual painterly imagery and break-away nature shots of Malick's other films, but in this film these techniques are perhaps best integrated into thematic structure, referencing the idea of "virgin land" and the role physical environment plays in cultural identity. The actors are universally strong, particularly Christian Bale's final-act appearance as the pious John Rolfe. Kilcher, 14 at the time of shooting, gives a mind-bogglingly complex revelatory performance that nearly overwhelms at the unexpected rush of the closing moments. In Malick's notoriously miniscule oeuvre, The New World easily stands as one of his best films. ~ Michael Buening, All Movie Guide
 



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