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Oldboy
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Directed by Park Chan-wook.
South Korean filmmaker Park Chan-wook directed this violent and offbeat story of punishment and vengeance. Oh Dae-su (Choi Min-sik) is a husband and father whose reputation for womanizing is well known. One day, for reasons he doesn't understand, Oh Dae-su finds himself locked up in a prison cell, with no idea of what his crime was or whom his jailers may be. With a small television as his only link to the outside world and a daily ration of fried dumplings as his only sustenance, Oh Dae-su struggles to keep his mind and body intact, but when he learns through a news report that his wife has been killed, he begins a long and difficult project of digging an escape tunnel with a pair of chopsticks. Before he can finish -- and after 15 years behind bars -- Oh Dae-su is released, with as little explanation as when he was locked up, and he's soon given a wad of money and a cellular phone by a bum on the street. Emotionally stunted but physically strong after 15 years in jail, Oh Dae-su struggles to unravel the secret of who is responsible for locking him up, what happened to his wife and daughter, and how to best get revenge against his captors. Oldeuboi was screened in competition at the 2004 Cannes Film Festival and won the coveted Grand Prix. ~ Mark Deming, All Movie Guide
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Reviews and discussions

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unclefesteringunclefestering Re:Top 5 Completely Over the To ...
by unclefestering in Top 5
hasn't rated it.
"[quote user="Risselada"] Has anyone seen Riki-Oh? I've heard about it and seen a few clips, and it sounds like it might fit in here if it lives up to it's reputation. [/quote] This is the my leader for the over the top Kung Fu movies. And it takes a lot for that. In the early days of the Daily Show when Craig Kilborn hosted, they used the exploding head as their intro to their Five Questions segment. Rounding out my top five in no particular order: Over the top evolution: Idiocracy Over the top literacy: Evil Dead Over the top coincidence: Women on the Verge of a Nervous Breakdown Over the top revenge: Oldboy " [More]
leeroy711leeroy711 Re:Foreign Film Name Game
by leeroy711 in Friends of Foreign Flicks
hasn't rated it.
"Oldboy Cool, you resurrected the name game. " [More]
leeroy711leeroy711 Re:Foreign Gems
by leeroy711 in Friends of Foreign Flicks
hasn't rated it.
"[quote user="Risselada"] I have a few favorite foreign directors. It's somewhat difficult for me to evaluate how well known some of these people are since when I like them I spend a lot more time reading about them, so they don't seem too obscure to me anymore. Tsai Ming-liang Aki Kaurismäki Seijun Suzuki I've just seen one movie by Béla Tarr, but it was pretty great. [/quote] The only film I've seen by any of those guys was The Hole by Tsai Ming-lian. But along similar lines, I've been recommended Oldboy by Park Chan-Wook. " [More]
pratchettfanpratchettfan Not as good as other Korean movies
by pratchettfan in pratchettfan Blog
liked it.
Was this review helpful? [Be the first to tell us!]
"The premise is very interesting. D-War is a Korean production (director, producer and production company are all Korean) but the movie is set in the US and most of the cast are Americans.The story is based on an ancient Korean legend where two snake battle each other to find Yeouijoo to get into heaven.The action scenes are pretty good, but after seeing Oldboy and The Host I was expecting more depth to the story than D-War had to show for. All in all it was just another action movie with some interesting scenes (a huge snake climbing up a high-rise and an army of fire-breathing dragons (?) battling helicopters) and not much more. " [More]
RisseladaRisselada Re: Searching
by Risselada in Spout Feedback
liked it.
"I can't help you out by adding any features to the site, but I can tell you that Oldboy is listed as one word, not two.http://www.spout.com/films /241032/default.aspx " [More]
tinokievtinokiev Definitions of Art. Unclassific ...
by tinokiev in Asian Art Cinema
loved it.
"Personally I often find myself trying to classify or rate a film, specially asian ones and not finding a term or a category to put it on. It is like " a wong kar wai" film. Wong Kar Wai himself is a category of his own approach to aesthetics's, or you could said a "takashi mike" film and you know you are going to expect lots of blood. But still are hard to categorized. You cannot say "The postmen in the mountain" is a father-son movie only, or that "scent of the green papaya" is maturity. Etc. I think everyone is clear that there are just movies that do not fall into a genre and explore here and there into different categories that we recognize. And many of those movies ended up being referred to as "Art Film" or "Experimental". Anyway, I called this group "Asian Art Cinema" and while I was looking through some of the films I put in I found myself wondering. Is this and this film an "Asian art" film ?. And many people will probably argue and disagree with my concept or art. B ... " [More]
mnoomnoo Too high expectations
by mnoo in mnoo Blog
is neutral about it.
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"Oldboy is in so many people's Top 10 and I've heard so much praise and been pestered to see it forever. So, needless to say, the expectations were perhaps very much too high going in. I did rather enjoy the first half. The plot was certainly original to start with, and the cinematography definitely ranks quite high on the visually gorgeous side of things. My problem is that I usually have an annoying talent of spotting where the plot is going quite early on (yes, I'm one of those 'I bet he killed her' people, which annoys others who might have wanted to stay in suspense until the final showdown. :P), and with this plot it was just glaringly obvious to me where it was going. So for most of the film I was just waiting for the plot to catch up and put me out of my misery. I also think that after showing so much promise at the start, and having gone to all the trouble of trying to confuse the watcher, the actual underlining story was way too simplistic and insipid. I was desperately ho ... " [More]
lukasblulukasblu Re: Most Anticipated Upcoming K ...
by lukasblu in Korean Cinema
loved it.
"my fave korean everything(action,disturbed,aw esome script,family,suspense,etc..) film is oldboy also.you are the second one that recommended 3 Extremes to me;the other member that recommended this is from the horror group.I put it number two on my Queu behind real fiction by kim-ki duk:have you seen real fiction??i just saw a movie by the same director called the bow;The bow was a very visual movie with a good soundtrack;I have never seen a movie quite like that;The pace was much slower than oldboy or any other korean movies i have seen but yet captivating;Everything was based on the main characters facial expressions,their body movements,their environment and the other fishermen since the main characters had no spoken dialogue(except those whispers which we never knew what was said).The boats, and the bow was also a big thing;Also that ending ceremonial wedding was something;there was a lot of symbolism there that the viewer has to figure for herself or the viewer has to figure ... " [More]
jlgdrdjlgdrd Oldboy : "The dreadful has ...
by jlgdrd in Wicked Fun
loved it.
Was this review helpful? [Be the first to tell us!]
"Remember mini-mysteries? When I was a kid, we used to play mini-mysteries to pass the time during long motor tours. They were elaborate riddles that you solved by asking “yes” or “no” questions until you figured it out. One in particular I recall had a very eerie solution. A man appears at another man’s doorstep, wearing a cape and carrying a box under his arm. When the other man answers the door, something about him enrages the visitor, who kills him on the spot. When I got the answer to the story, I shuddered. Such is the case with Park Chinwook’s startling new film, Oldboy, a very unconventional, though disturbingly plausible mystery. At first you don’t know quite what to make of it. Days afterward you may find yourself huddled in a corner. And you may also be wondering if you just may have seen the future of mystery film noir. What a diseased and visionary guy is Park Chinwook. Cruel and gentle. Tender and sardonic. Deranged. Oldboy was ... " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
A harrowing, labyrinthine revenge epic that will keep viewers guessing right up to its shocking denouement, director Park Chan-wook's masterful tale of lost time and dark secrets achieves the rare feat of eliciting sympathy from the viewer before dropping in a devastating twist that is as plausible as it is affecting. As we first meet the character of Oh Dae-su (Choi Min-sik), the drunken husband and father is sitting in a police station awaiting the arrival of his best friend to bail him out. Despite Oh Dae-su's unruly behavior in the scene, the viewer senses an inherently flawed, but ultimately good-natured character, which makes his mysterious disappearance and subsequent imprisonment in the opening moments of the film so effectively disconcerting. It is key to the film's success that the viewer identify with him, and Choi -- appearing as something of a cross between Johnny Depp in Secret Window and a blank faced Takeshi Kitano -- is able to make both his character's mental deterioration and physical transformation compellingly watchable. Though Oh Dae-su does eventually make it back into the outside world, his increasing paranoia and unquenchable thirst for answers and revenge offer a frightening look at the depths to which the human soul can sink given the right (or wrong, as it may be) conditions. His transformation is made especially convincing thanks to the inclusion of several moments of well-placed humor that is as quirky as it is low-key, providing a fleeting glimpse of the formerly carefree family man. Aesthetically, comparisons to the works of such filmmakers as David Fincher and Christopher Nolan are inevitable; though Park and cinematographer Jeong Jeong-hun 's stylish lensing was no doubt influenced by the aforementioned filmmakers, the inventive South Korean duo (with a little help from co-screenwriters Lim Jun-hyeong and Hwang Jo-yun) eventually succeed in distinguishing themselves from their Western counterparts by constantly surprising the viewer with sharp storytelling skills and fresh visuals. ~ Jason Buchanan, All Movie Guide
 



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