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Naked Lunch
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Directed by David Cronenberg.
This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect. Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills. His wife, Joan (Judy Davis), becomes addicted to Bill's bug powder dust, and soon he joins her in a world of unorthodox hallucinogens; he visits the kindly yet sinister Dr. Benway (Roy Scheider) and walks away with his first dose of the black meat -- a narcotic made from the flesh of the giant aquatic Brazilian centipede. Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose. When a party trick involving a liquor glass and a gun goes awry, killing Joan, Bill flees to Interzone, a Mediterranean city full of talking insectoid typewriters, double agents, offbeat aesthetes, and plots within plots. As he navigates this paranoid landscape, Bill begins ingesting another drug called mugwump jism and writes fragments that Hank and Martin soon assemble into a novel under the title Naked Lunch. As beat literature aficionados know, Interzone is based on Tangiers -- the city where Burroughs wrote Naked Lunch. The incident in the film in which Hank and Martin appropriate Bill's writing and have it published closely approximates the real-life circumstances of the novel's publication, although it was Allen Ginsberg and Jack Kerouac who helped out the real-life Burroughs. The William Tell incident that kills Bill's wife is also drawn from the author's real life. "William Lee" is both Burroughs' literary stand-in and the name under which he published his first autobiographical novel Junky. Ian Holm, who plays Joan Frost's husband, Tom, would appear in Cronenberg's similarly experimental eXistenZ several years later. ~ Brian J. Dillard, All Movie Guide
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Smooth_JSmooth_J Look upon me! I'll show you the ...
by Smooth_J in Smooth_J Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"This is one of my new favorites of the Coen Brothers’ films. Which isn’t really saying much, considering I’ve loved every single one of them that I’ve seen (I have yet to see The Hudsucker Proxy, and Intolerable Cruelty/Ladykillers—not in much of a rush for those). I found this to delve just as deep into the mind of a writer as Naked Lunch, which also was greatly successful in that aspect. There are a good amount of similarities to each one—most noticeably the insanity and bizarrity brought about by the writing process, but something that I really noticed was the fact that Judy Davis was in both of them. And, even more curious, the fact that her characters’ deaths in both films bring about a new life into the writers minds, and helps them to finish their respective pieces. The film is really meant to be a satire on the process of getting a script approved in Hollywood, though the theme of a writer’s torture is just as apparent. ... " [More]
Smooth_JSmooth_J A Hallucinatory Masterpiece
by Smooth_J in Smooth_J Blog
loved it.
1 out of 1 people found this review helpful. [What do you think?]
"I somehow discovered this movie on Amazon a few weeks ago, and after reading up on it, I bought it out pure curiosity, and based on the fact that I had loved all the criterion films I had bought before this one. I’m still amazed at how much I liked this movie. I would like to start off by mentioning that William S. Burroughs is one of the most interesting people I have ever heard of, and I plan on reading his work very soon. What is most fascinating about him is trying to decipher what about is actually true, and what about him is myth or fiction. He actually reminds of a more literary Hunter S. Thompson, one of my favorite characters in writing (or even history). However, it was not only these few reasons that I found the movie so exceptional. The exposition is especially well-done, introducing you to Peter Weller’s Bill Lee character and his deadpan delivery of exterminator lines. Even when the film is anchored in reality, it has a strange, surreal feel to it ... " [More]
Dr_GorDr_Gor In Memorium...
by Dr_Gor in HORROR MOVIES 101
hasn't rated it.
"I was saddened and shocked (!) to learn of the death of one of my FAVORITE actors of ALL time! I was even MORE shocked to learn that Roy Scheider was 75 when he died (!!!) ... (Oh My God.... has it really been that long!!!) ... When JAWS was released in the summer of '75 or '76... I can't remember which, and I was either 14 or 15, I went to the 'state of the art' giant screen theater on the other end of town... (using 'public transportation'...) ... To make a long story short, I have seen 'JAWS' 14 times in a row.... over 14 consecutive weekends! In the same giant-screen theater! Trust me, folks, For ME, that is a record... having PAID to see JAWS , in the theater, 14 times.... But I am not the only one to hold this record! My stupid cousin 'Ricky' did the same thing with me (!!!) .... Obviously, 'Chief Brody' stole the show in that one! And that was no easy task working against 'super-heavyweig ... " [More]
JymkataJymkata Re:Re: Is Citizen Kane the grea ...
by Jymkata in It's a Wonderful Night for Oscar!
hasn't rated it.
"Never read Naked Lunch, but I've seen the movie - I think that would probably fit my genre. By "at the reader's expense" I don't imply conscious maliceon the part of the author, but thinking of the reader as almost an afterthought to their experimantal excesses. Keep in mind this is my own opinion and you are talking to someone that enjoys a strong traditional narrative in his movies too. I'm all for creativity, but I like it to have some logic (within the plot, characterizations or dialogue) within the writing otherwise it feels a little.....well.. for lack of a better word...masturbatory. " [More]
RisseladaRisselada Re: They Creep Up On You...
by Risselada in HORROR MOVIES 101
liked it.
"And you know all that bug stuff is stickly a fetish of Cronenberg. There's nothing about any of those bugs in the actual novel. Burroughs has said he is generally not interested or concerned with bugs in his writings, but he didn't mind Cronenberg doing what he wanted. " [More]
RisseladaRisselada Re: Videodrome
by Risselada in Gorrible
liked it.
"I don't know if there is necessary a single "point" to be made. Although I think there are some definite themes or concepts that are explored. Videodrome definitely has a number of different themes it explores and weaves together and many of them seemed ot be relevent here. Max Renn is trying to find the next most schocking image on screen. The relationship between a society that continues to seek this kind of more extreme images and a section of the media that is determined to bring it to that society seems like something pretty relevent to this Gorrible group.Naked Lunch might make more sense to you if you have read the book and done a little bit of research about the life of William S. Burroughs. I still don't think it's that great of a movie though.I'm not sure about whichever one has Robert Blake. I haven't seen it. " [More]
analogzombieanalogzombie Naked Lunch
by analogzombie in analogzombie Blog
liked it.
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"One man's journey to become a writer takes him into the darkest recesses of his subconcious. Encountering nefarious conspiracies, drug secreting aliens, living typewriters, and giant, homosexual, humanoid centipedes; Bill (Peter Weller) must navigate the mysteries of Interzone to be able to annex the lives of his friends for literary purposes.Bill is an exterminator by trade, a writer by passion. His life takes a strange turn, however, once he begins experimenting with his own bug powder. After being recruited as a special agent by a giant bug with a talking asshole, Bill shoots his wife who the bug has revealed as a clandestine secret agent who may or may not be totally human. Forced to travel to the Interzone, a Moroccan-like netherland, Bill begins to unravel the conspiracy he has stumbled onto in an ever increasing series of seeming hallucinations.William Burrough's seminal classic is interpreted by David Cronenberg for the screen in a manner which retains all of the vi ... " [More]
Phantasma-gore-iaPhantasma-gore-ia Re: Videodrome
by Phantasma-gore-ia in Gorrible
lost interest.
"Honestly, it's been a fair bit since I've seen it, but I do recall a few things, one of them being that it was extremely difficult to discern any "messages" at all. I've found Cronenberg films (with the distinguished due exception of Dead RIngers) to be characteristically pointless. Existenz was frustratingly inconclusive, meandering and underdeveloped; Naked Lunch was...everything (disorganized, complicated and impossible to follow and Videodrome: incomplete, convoluted and frustrating.So, as far as its messages on violence and its role in media and popular culture including television and film, more meaningful, direct and coherent stories on this, I reference The Running Man and, perhaps more to the point, the brutally fearless Series 7: The Contenders and The Last Horror Movie. They more purposefully address the issues concerned than Videodrome, and their stories are complete, fully thought out and provocative. " [More]
RisseladaRisselada Re: Movies based (some very loo ...
by Risselada in CinLit
liked it.
"The only one I've seen of those is Shakespeare in Love. Do any of these apply? Where the Buffalo Roam (Hunter S. Thompson)Naked Lunch (William S. Burroughs)Finding Neverland (J. M. Barrie)Crumb (R. Crumb)Mishima: A Life in Four Chapters (Yukio Mishima) Isn't there a movie about Lewis Carroll?? I seem to remember reading about this. " [More]
RisseladaRisselada Re: Books that never should hav ...
by Risselada in CinLit
liked it.
"Sadly I don't read as much as I'd like, but I'll make a few comments.I remember enjoying The Time Machine when I saw it when I was fairly young. I just read it again and enjoyed it a fair amount. Actually it was pretty short and has inpsired me to hopefully get through all of Wells works. Anyways, I watched the movie again and was rather disappointed. I'd vaguely remembered that stuff that they'd thrown in the movie about nuclear war and all that, but realized how forced it seemed this time around. Everything about it was pretty goofy. I haven't seen it either, but I heard the 2002 version of this movie was pretty bad too. Can anyone comment on if it was any more true to the book?Also, I'm wondering what people think about Naked Lunch. It's an amazing book, and as has been stated there's really no feasible way to ever make this closely into a movie. It would be banned in most countries and probably cost a fortune. It's often more po ... " [More]
[More reviews]
Review by All Movie Guide
All Movie Guide
liked it.
Given that William S. Burroughs' Naked Lunch isn't so much a novel as a collection of literary fragments that riff on corporate culture, human depravity, and sexual outrage as often as they filter the author's actual life as a bisexual, expatriate drug addict, it's a wonder the book ever became a movie at all. "Unfilmable" was the adjective most often applied, especially when it was announced that maverick Canadian director David Cronenberg would give it a shot. Cronenberg was hardly faithful to either the contents or the precise spirit of the author's nightmarishly misanthropic beat masterpiece, but he did manage to transform elements of the book and the overall Burroughs mythos into a coherent entry in his own oeuvre of stylized alienation. Most any literal description of the author's prose -- or the film's plot -- will fail to drive home the one element that makes both so enjoyable: the absurdist humor of both auteurs' visions. Talking bugs, amphibian spies, and arcane narcotics sound creepy, and they are. But as with the book itself, Cronenberg's film is full of deadpan humor that wallows in the excretory excesses of his visual metaphors while also driving home their aptness and winking all the while. It helps that his cast is so game, from the ever-shrewish Judy Davis in not one, but two tightly wound roles to the reliable Roy Scheider and Ian Holm and the too-too tight-lipped Peter Weller. The viscous special effects, vivid cinematography, and distorted period costume design all conspire to conjure up a dream-logic 1950s of squares, hipsters, and secret agents awash in neon, cigarette smoke, and junkie delirium. Cutting up the raw materials of the cut-up king himself, Cronenberg fashions a film as idiosyncratically inspired as its source material. ~ Brian J. Dillard, All Movie Guide
 



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