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Proof
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Directed by John Madden.
A woman struggles to come to terms with the potentially dangerous legacy of her late father in this drama based on the award-winning stage play by David Auburn. Catherine (Gwyneth Paltrow) is a woman in her late twenties who is strongly devoted to her father, Robert (Anthony Hopkins), a brilliant and well-known mathematician. While Robert's skill in the world of numbers still appears to be strong, his grip on reality begins to slip away, and as Robert descends into madness, Catherine begins to wonder if she may have inherited her father's mental illness along with his mathematical genius. After Robert's passing, Catherine is confronted by Hal (Jake Gyllenhaal), a gifted but zealous student of Robert's who wants to look through the late man's notes in hopes of finding his last great work. While Catherine is hesitant to look too deeply into her father's work for fear of what it might suggest about her own future, she allows Hal to do so, and when one notebook reveals a mathematical proof of potentially historic proportions, it sets off shock waves in more ways than one. Proof also stars Hope Davis as Catherine's well-meaning but shallow sister, who doubts Catherine's ability to take care of herself. Paltrow had previously played Catherine to stellar reviews during the original play's run in London's West End. ~ Mark Deming, All Movie Guide
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MovieBabeMovieBabe Proof - Everything Is Illuminated
by MovieBabe in MovieBabe Blog
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"By Tricia Olszewski At 27, Catherine is already worried about turning into her parents. “I think I’m like my dad,” she says. “I’m afraid I’m like my dad.” She’s not talking about a tendency to be critical or scavenge the refrigerator late at night, though: Her father, a brilliant mathematician at the University of Chicago, is also mentally ill. In Proof’s opening scene, Dad—aka Robert (Anthony Hopkins)—reassures Catherine (Gwyneth Paltrow) that she’s just fine. “Crazy people don’t sit around asking if they’re nuts,” he says. Catherine buys this for a minute—it’s her birthday, after all, and her father and his bottle of cheap champagne constitute her midnight celebration. But then she points out that it’s not a sound argument, because Robert is sitting around discussing the topic despite the fact that’s he’s clearly certifiable himself. He concedes to her l ... " [More]
JimBellJimBell Proof
by JimBell in JimBell Blog
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"I saw Proof (2000), the Pulitzer Prize-winning play, about three years ago, and I enjoyed it. So I wasn’t too interested in seeing the movie until I realized that John Madden, who did such a superb job of Shakespeare in Love, directed Proof (2006). The movie is replete with wonderful acting but falls flat. In other words, when the movie is finished, I admired the talent and the effort but felt let down by the product. Gwyneth Paltrow plays Catherine, the famous mathematician’s daughter, with an appropriately narrow emotional range, and within that depression and angst, she shows great subtlety and variation. Anthony Hopkins plays a poor soul who was one of the world’s great mathematicians but has been crazy for years. Although competent, he plays crazy with less variety and intensity than the movie needs. Jake Gyllenhaal is fine as the doctoral student going through the great man’s copious notes and sort of falling in love with the daughter. As good as Gwyn ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
John Madden's adaptation of David Auburn's award-wining Proof retains much of the work's outstanding dialogue. There is a lack of emotional immediacy to the film, but that has more to do with the characters being from a highly academic world. These are people who are always attempting to be exact and clear, and much of the drama of Gwyneth Paltrow's character -- a part she played on stage in London -- comes simply from the fact that she does not want to face in clear and exact terms what she is feeling. The trick to the presenting this material is maintaining the balance between the characters. The audience has to constantly wonder which of these characters they can believe. Madden does a fine job of keeping this element of the play in tact, even if Jake Gyllenhaal's Hal tips the scale by being played a bit too nice. Madden also does not "open up" the play so much as go deeper into it. He does a fine job editing the film in order to reveal information in ways one is unable to on the stage. This is a fine film with solid performances. ~ Perry Seibert, All Movie Guide
 



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