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Arrested Development [TV Series]
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Directed by Joe Russo, Anthony Russo.
Making its Fox network bow on November 2, 2003, the weekly, half-hour Arrested Development would seem to meet all the qualifications of a "cult favorite." It was smart, hip, and savagely funny; it developed a fiercely loyal circle of fans; it was almost universally beloved of the critical establishment; and its ratings were seldom any better than mediocre. Jason Bateman headed the cast as Michael Bluth, a thirtysomething widower with a likable 13-year-old son named George Michael (Michael Cera). The level-headed Michael was disdained as the "white sheep" of his highly dysfunctional family because he refused to luxuriate in the wealth accumulated by his business entrepreneur father, George Bluth Sr. (Jeffrey Tambor), who had built a small Newport Beach frozen-banana stand into a vast financial empire. Instead, Michael broke from tradition by actually going to work for a living, and by not giving in to the ostentatious self-indulgence practiced by the rest of the Bluth clan. But when George Sr. was thrown in jail on a charge of fraud, Michael was forced to return to Orange County, CA, to take charge of the family and the family business, both of which were bankrupt because all of his father's assets had been frozen. Now it was Michael's unenviable task to instill financial responsibility -- not to mention responsibility, period -- in the rest of the Bluth family. These included Michael's snobbish, boozy, hyperjudgmental mother, Lucille (Jessica Walter), who resided in a posh Balboa Bay penthouse and to whom credit cards were life's blood. Also living in Lucille's digs was Michael's youngest brother, Buster (Tony Hale), a perennial graduate student helplessly tied to his mother's apron strings (Buster would later become even more ineffectual, and far more of a thorn in Michael's side, when he lost his hand in an accident and was forced to use an ill-fitting hook). Moving in with Michael until conditions improved (if ever!) were his twin sister, Lindsay (Portia de Rossi), a selfish, scatterbrained liberal activist; Lindsay's husband, Tobias Fünke (David Cross), a former doctor who'd lost his license after administering CPR to a man who didn't need it, and who was half-heartedly trying to break into the acting profession (Tobias was also a deeply closeted homosexual, a fact obvious to everyone but himself); and the couple's spoiled-rotten daughter, Mae, aka "Maeby" (Alia Shawkat), for whom Michael's son, George Michael, harbored a somewhat unnatural crush. And just when you thought that the Bluth family couldn't be any more screwed up, we submit for your approval oldest son George Oscar II, aka "Gob" (Will Arnett), a spectacularly inept stage magician who suffered from a bad case of foot-in-mouth disease and who never had a job -- except when, during Michael's absence in season two, he inexplicably became the darling of Bluth Inc.'s board of directors. Arrested Development also boasted a large cast of semi-regulars, most prominently Henry Winkler as the Bluth family's lovable but dangerously incompetent lawyer, Barry Zuckerkorn; Liza Minnelli as Lucille Bluth's neighbor and chief social rival Lucille Austero, aka Lucille 2, who at one point entered into a ridi
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SpoutBlogSpoutBlog Deciphering Charlize Theron’s R ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"It’s been almost two weeks and Hancock has grossed almost $350 million, so it’s time to start the academic discussions — with spoilers, of course (anyone who wants to avoid knowing the “twists” should discontinue reading now). Maybe it’s just the film scholar in me, but I have been desiring a good analysis of the film’s allegorical meaning since viewing the less-than-perfect superhero movie last week. While others may feel that the movie is hardly worth reading into (especially over-reading, as I’ve always felt my M.O. to be) or that it’s too obvious that the first half is really about the role of the U.S. as a superpower, I’m nevertheless eager to figure it out. Basically, I’ve been wracking my brain trying to understand where the allegory goes, or was meant to go, once Charlize Theron’s character is introduced as Hancock’s super-powered wife. Does she somehow fit in with or in response to Hancock’s representation of America (the patriotic name, the eagle emblem on his uniform, et ... " [More]
usesoapusesoap 'Hancock'-blocked
by usesoap in usesoap Blog
loved it.
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"It is all too fitting that the lead in “Hancock” is an amnesiac, for the film in which he is featured can't seem to comprehend just what the hell it is. About halfway through, it suffers a cinematic concussion from which it never regains its former personality. Both portions of this picture might have made an interesting feature given the chance to develop more thoroughly. As it stands, “Hancock” plays out like the most recent dark, brooding film incarnation of “Batman,” but starring Adam West in the form-fitting spandex suit from the TV version. In a world where every summer superhero film is accompanied by Wal-Mart-ready action figure tie-ins, it's rather difficult to envision the kiddies clamoring to buy the “Hancock with Scotch-Swigging Action” in which you can push the button and hear one of eight colorful expletives! Yes, Hancock is the most reluctant of heroes, approaching his duties like a list of household chores rather than ... " [More]
BigJeffLebowskiBigJeffLebowski Cannabis, Cupcakes, and Communism
by BigJeffLebowski in BigJeffLebowski Blog
loved it.
1 out of 1 people found this review helpful. [What do you think?]
"If Smiley Face were directed by Spike Jonze, it would have been a masterpiece. Its script, by Dylan Haggerty, is consistently entertaining, frequently hysterical, and occasionally quite inventive in how it depicts a day in the life of its stoner protagonist. Perhaps even more importantly, it understands the episodic, tangential logic of the pothead. The specious associations, the noncommittal detours of thought and action, the staunch belief in the nobility of your quest, the disparity between what you mean to say and what actually comes out of your mouth; all are rendered with a knowing clarity that will be commended by the herbal enthusiast and will, hopefully, prove enlightening to those members of the square community who wouldn't know from personal experience. But just as brilliance borne of bong hits tends to collapse upon itself in sober language, so too does Haggerty's script in the hands of director Gregg Araki. The tones of the script and the direction are str ... " [More]
SpoutBlogSpoutBlog Theatrical Spin-Offs Versus Mov ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Another bit of exciting news from Jason Bateman [again via MTV Movies Blog] regarding the Arrested Development movie: “the ball has started rolling down the hill again.” Okay, so it’s not too exciting, nor is it revelatory in the least, but at least he says all the creatives are on board. Meanwhile, the actor also commented on his role in the American movie adaptation of the British TV mini-series State of Play, which, combined with MTV’s other post about the American TV series remake/adaptation of the British TV series Spaced, has me putting a little thought into the subject of theatrical spin-offs versus movie adaptations. Certainly those of us who are fans of a series would rather see it continued with all original talent on board (even if we are cynically fearing the result) than see it adapted into a movie version many years down the line, whether the approach be faithful or parody or an attempt at both. Try to imagine another cast playing the Arrested Development and Sex and ... " [More]
usesoapusesoap This film needs a fluffer
by usesoap in usesoap Blog
loved it.
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"It's not that 'The Amateurs' was bad -- how could it be? Just look at that list of names above: Bridges, Danson, Fichtner, Nelson, include Joey 'Pants' Pantoliano and personal crush Judy Greer ('Arrested Development's Kitty). But, man. With two years on the shelf (it was completed in 2005), you would think someone might have been able to, pardon the expression, bring this to a much more satisfying climax.There are bright moments in this tale of a sleepy, no-name town that decides to bond together over making a porno (yes, apparently Yard Sales are so yesterday). It all sounds much crazier than anything on screen, which really feels like a neutered attempt at one of those bawdy-but-sweet British film like The Full Monty or Calendar Girls.It's shy when it should have flirted. It's toothless when it should have a shit-eating grin from ear to ear. And, perhaps most deadly, when it should, ahem, rise to the occasion...it's rather flaccid. " [More]
BigJeffLebowskiBigJeffLebowski "I hang out with all the pariahs."
by BigJeffLebowski in BigJeffLebowski Blog
loved it.
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"There are so many wonderful things I would like to say about Juno. That its cast is impeccable, that its soundtrack conveys the perfect emotions, that its details ring both true and hilarious. But most of all, I want to say how good -- no, how GREAT -- watching it made me feel.Ellen Page plays the eponymous sixteen year old heroine with a startingly endearing blend of precociousness, arrogance, cynicism, feigned independence, and aloof self-determination that is so right in so many ways, I cannot help but declare -- after having seen her only in this, Hard Candy, and X-Men: The Last Stand (in my reviews for all of which I've swooned for this girl) -- that Page is going to be among the greatest actresses of her generation. It would have been so easy for a film like this to degrade into silliness or ugliness, and yet somehow, Diablo Cody, Jason Reitman, and Page have colluded to create one of the greatest cinematic outcasts and one of the most unique, interesting, beguilling, ... " [More]
RisseladaRisselada Re: Am I off?
by Risselada in Totally Over-rated
hasn't rated it.
"Jason, I identify with you, although maybe with not as much good reason, as I've only seen one film by each of those two directors. But in the case of Godard it was enough to keep me from looking into any more of his films since then. I thnk I saw Breathless about five years ago, and was highly disappointed. I've been actually trying to figure out which movie of his I'll see next when I finally do, but I'm really not sure still. Alphaville seems to be maybe the best candidate from what I've seen. Obviously you aren't the one to ask though.As for Tati, I have seen Mr. Hulot's Holiday, and while I thought it was good, I definitely was confused like you how he could compared with Keaten or Chaplin. Well, I think if you are looking to compare then you will be disappointed. But when I looked at the movie as more of a chance to just relax and go for a short little vacation of you own, it seemed to settle better. There's nothing fast paced or even w ... " [More]
JymkataJymkata Re: Am I off?
by Jymkata in Totally Over-rated
loved it.
"I thought I'd add to this thread because it fits even though it doesn't continue the Christmas Story discussion.I officially give up on two french phenomenons loved by the critics : Godard and Tati. Godard must a matter of preference because I have seen plenty of his work and I remain underwhelmed. I bring Tati up because I just watched Traffic, which has been fawned over by the likes of Ebert and Vincent Canby, and I found it neither funny nor clever. This is the third Tati feature I've seen ( Mon Oncle & Mr. Hulot's Holiday) and I just don't get it. Now, I've come to realize that comedy is a matter of personal taste ( I no longer get upset when people say that Arrested Development or the BBC's The Office is not funny because of this realization), but Canby's claim that this film is hilarious and Tati has taken his place with Keaton and Chaplin is wildly off base to me. Keaton and Chaplin did much more than dress up in a trench coat and smoke a ... " [More]
 



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