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Mr. Smith Goes to Washington
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Directed by Frank Capra.
Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." ~ Paul Brenner, All Movie Guide
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CinemaRianCinemaRian Mr. Smith Goes to Washington (1 ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
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"Mr. Smith Goes To Washington is probably the best film ever made about the American political system, and it's one of the few that doesn't say that we are all going to hell and a hand basket. It manages to be both cynical and idealistic, a difficult line to tow. The movie stars Jimmy Stewart in a star making performance as Jefferson Smith, as local hero in an unnamed Western state (I think it supposed to be Oregon) who is chosen by the Governor (Guy Kibbee) as a compromise appointment to fill out the term of a US Senator who has just died. The state's other senator (Claude Rains) wants to make sure that Smith doesn't get in the way of a dam that rich guy in the state (Edward Arnold) wants built for business. But he doesn't count on the fact that the naïve Smith, who has no governmental experience, will have integrity and fight for what's right, even when he knows the cause is hopeless. I am not sure anyone could have made this material work other than Frank Capra. No director ... " [More]
WraithTDKWraithTDK Never give up on your ideals.
by WraithTDK in WraithTDK Blog
loved it.
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"A classic tale of uncompromising idealism winning over all. " [More]
eagle795eagle795 #51
by eagle795 in eagle795 Blog
hasn't rated it.
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"Government corruption and environmental conservation …two themes that aren’t uncommon in 21st century popular entertainment. This movie, made nearly 70 years ago, was way ahead of its time and still stands up reasonably well. Some details may come across as hokey now, but the overall tone & theme is timeless. " [More]
RisseladaRisselada Re: Top 5 'Fight The Power' Movies
by Risselada in Filmspotting
loved it.
"Brazil. Mr. Smith Goes To Washington. The Shashank Redemption. Catch-22. One Flew Over the Cuckoo's Nest. Falling Down. Gattaca. I Stand Alone. The Fugitive.More when I think of them... maybe. " [More]
lbenschwartzlbenschwartz Re: Mr. Smith Goes To Washington
by lbenschwartz in FRESH
hasn't rated it.
"Here's why I think both Mr. Smith and It's a Wonderful Life are brilliant. If you were to stop watching them 15-20 minutes before they end, you'd two very dark tragedies. Both characters go to very dark places before the sentimental endings happen. In Wonderful Life, you have a character whose life is one long string of disappointments and is on the verge of killing himself. Mr. Smith sees the ideals he's lived his life by corrupted and perverted. And Capra doesn't shy away from the tragedy, and therefore really earns his happy endings. " [More]
walktheearthwalktheearth The sign of a great film
by walktheearth in walktheearth Blog
hasn't rated it.
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"I had an epiphany tonight while watching a movie. The mark of a truly great film is that it get the viewer invested in it and motivates them. Examples of this are Mr. Smith Goes to Washington. After watching this you can’t help but want to be a better American. It makes you believe in something. When the theme of the film is dark like Se7en, the connection you make with Brad Pitts character at the films climax can not be understated. You have to put yourself in his shoes, and it forces you to ask yourself questions you normally wouldn’t. A few other examples are: the gut wrenching feeling you get every time Bogey watches the plane take off in Casablanca (the definition of bittersweet), white knuckling the arm chair when the bolder almost flattens Indy. I still get goose bumps when I hear, “Hello. My name is Inigo Montoya. You killed my father. Prepare to die.” As a movie lover and a wanna be film maker, I have had this feeling many time watching ind ... " [More]
RisseladaRisselada Re: Top 5 Journalism Movies
by Risselada in Filmspotting
loved it.
"Some of these movies feature journalism more centrally some more incidentally.1. Fear and Loathing in Las Vegas - Gonzo Journalism at it's most iconic2. Citizen Kane - Journalism as a theme and part of the structure3. Shattered Glass - true story of fake stories4. All The President's Men5. No Man's Land - how journalism doesn't just report on wars, but often affects wars, and sometimes even starts them Runner's up - Shock Corridor, The Hudsucker Proxy, Mr. Smith Goes to Washington, Good Night, and Good Luck. " [More]
RisseladaRisselada Re: Top 5 Tear Jerking Scenes
by Risselada in Top 5
loved it.
"Good topic. When I first saw the subject I was thinking specifically of movies that brought physical tears to my eyes, but after making it broader with any scene that "tears at your heart" it may be more difficult for me to make a list. I think I'll still try to start with moments that actually did elicit real tears, and look around for other criteria if I run out of options.1. 12 Angry Men - the scene where the final juror, Juror #3 played by Lee J. Cobb, finally breaks down and votes "not-guilty". I put this movie in to play once when I was working at a video store. Maybe a bad idea. I was supposed to be acting professional but was almost breaking down when that part came on, even though I wasn't even really watching it. I just remembered it and could hear it enough for it to affect me. When he rips up the picture of his son, and realizes what he's doing. Oh MY! I'm actually crying right now!2. Rashomon - Near the end in the overarching scene in the rai ... " [More]
WindbreakerWindbreaker Re: Mr. Smith Goes To Washington
by Windbreaker in FRESH
hasn't rated it.
"Whoa! I realize this a Mr. Smith thread, but I'm stuck on this comment! You don't have to wait for Christmas to watch It's a Wonderful Life -- it's a perfect movie. And I say that in all seriousness.Now I have to admit that I've never seen Mr. Smith. :) " [More]
RisseladaRisselada Mr. Smith Goes To Washington
by Risselada in FRESH
loved it.
"I just saw Mr. Smith Goes To Washington a few days ago. Honestly I'd never seen a Capra movie before. I've seen parts of It's A Wonderful Life on TV, but never really got the whole story or absorbed it all. I always had imagined that Capra's movies were probably manipulative and sentimental, words I usually use with pejorative connotations when talking about film. And I did find Mr. Smith manipulative and sentimental, but in the best way. The montage sequences seemed to get pretty out of hand, but Capra seems to have the most effective knack for what seems like a truthful but otherwise overly simplified use of sentimentality. 99% of filmmakers can't be sentimental without being trite or forceful. I find it phoney and pretentious. Capra seems to have been able to accomplish the most difficult feat. If Mr. Smith is any indication of the rest of his work, from what I've seen it seems like so many Hollywood filmmakers since have tried to emulate something that was beyond them. ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Frank Capra's Mr. Smith Goes to Washington was the director's final film for Columbia Pictures, the studio where he'd made his name in the 1930s with an enviable array of comedies and topical dramas. It also marked a turning point in Capra's vision of the world, from nervous optimism to a darker, more pessimistic tone. Beginning with American Madness in 1932, such Capra films as Lady for a Day, It Happened One Night, Mr. Deeds Goes to Town, and You Can't Take It With You had trumpeted their belief in the decency of the common man. In Mr. Smith Goes to Washington, however, the decent common man is surrounded by the most venal, petty, and thuggish group of yahoos ever to pass as decent society in a Capra movie. Everyone in the film -- except for Jefferson Smith and his tiny cadre of believers -- is either in the pay of the political machine run by Edward Arnold's James Taylor or complicit in Taylor's corruption through their silence, and they all sit by as innocent people, including children, are brutalized and intimidated, rights are violated, and the government is brought to a halt. The film's story of innocence and righteousness triumphant over corruption frames a chilling picture of an ineffectual and venal government fronting for gangsters. Coming at a time when the American public was growing weary (and wary) of the New Deal, then in its seventh year, it may have caught the public's mood just right. The world was indeed becoming a darker place -- as the movie acknowledges by the presence of representatives of various European dictatorships in the Senate gallery as Smith's struggle on the Senate floor continues. The movie was so potent in its time that it cemented the image of James Stewart, then a good working dramatic actor who'd portrayed a range of roles, into the quintessential good-natured hero, the archetypal common man. That image made him a star, but also straightjacketed him to some degree. Stewart did some of his most interesting work in later years when he escaped from that image, as in Winchester '73, The Far Country, Rope, and Vertigo. ~ Bruce Eder, All Movie Guide
 



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