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Barfly
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Directed by Barbet Schroeder.
Charles Bukowski, the talented crown prince of self-abuse, wrote the short stories upon which the surprisingly entertaining Barfly was based. The film concentrates on alcoholic writer Mickey Rourke (the Bukowski alter ego) who carries on a hate-hate relationship with bartender Frank Stallone. Rourke makes the acquaintance of another of society's castaways, Faye Dunaway, who in addition to being a souse is said to be crazy. They move in together, even though Dunaway all but promises to be unfaithful for the price of a drink. Rourke has a chance to clean up his act when offered a large commission for his writings by publisher Alice Krige. They too end up in bed, each trying to change the other. The clarion call of the cheap wine bottle overrides Rourke's half-hearted efforts to enter the mainstream. Watch for author Charles Bukowski, as well as Fritz "Pop!" Feld and Vance Colvig (who's made a career out of playing street people) in Barfly bit parts. ~ Hal Erickson, All Movie Guide
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wenweimarwenweimar Dillon vs. Rourke: The Better B ...
by wenweimar in Wendy's Blog
loved it.
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"First there was Barfly, starring Mickey Rourke as Charles Bukowski's alter ego Henry Chinaski. Then there was Factotum, with the surprising choice of Matt Dillon to play Hank. As a great fan of Bukowski's work, I was anxious to see each of these films, but only enjoyed one. Bukowski created powerful images in his stories that can never truly be translated onto film; he was one of the greatest writers of the 20th century and knew how to make you feel each punch, each drink, and each hopeless laugh. In order to come close to putting on a screen what Bukowski put in one's head, a filmmaker must be bold and brave in his/her decisions. Although he was much criticized for his portrayal (even by Bukowski himself), Mickey Rourke took the chances neccesary to make the viewer understand Bukowski's delicious depravity in Barfly. Rourke's Chinaski was a parody of himself, a joke, and a tragic genius. This interpretation of the role was expressive and conceptual and I enjoye ... " [More]
AndyLaBrynAndyLaBryn Drunk Asshole With A Wierd Voice
by AndyLaBryn in AndyLaBryn Blog
hasn't rated it.
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"Thats how many would perceive Charles Bukowski. Reduce his genius to drunk ramblings. This movie clearly shows how Charles lived and thought. Brilliantly put together with little interuptions of his poetry set to beautiful camera play. A no holds barred narrative by people who were close to him, telling how he touched their lives good and bad. If you don't know who Henry Charles Bukowski is, this is a pretty great introduction to the man. If you have a basic idea of him through the movies made about his writings, (eg. Barfly, Factotum) Check this out to see how far off Roarke and Dillon were. (which in my opinion, Dillon wins the contest of best Bukowski, although Roarke wasn't far away) If you hate Bukowski and think his stuff is garbage, I suggest you watch this anyway, maybe it will shed a different light towards your opinion. This coming from a bias fan. What can I say. " [More]
azgukiazguki Bukowski's Screenplay
by azguki in azguki Blog
loved it.
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"I just finished writing my thoughts about Ask the Dust, John Fante's master novel adapted by Robert Towne, and it really was impossible for me to stop without sharing a few thoughts about Charles Bukowski. The performances in this one are fantastic. However, Mickey Rourke's take on the Bukowski alter-ego, Henry Chinaski, is more of an exaggerated charicature. For a more subtle, and far more accurate, portrayal of the notorious poet look to Matt Dillion in Factotum. I would expect the biggest complaint about this picture to be the screenplay itself. For example, Michael Costello's observation at the bottom of this page reads: "What little story there is...." I'm not sure if Costello was aware of Bukowski's correspondence with John Fante, but when Bukowski was asked to write the introduction to a new printing of Fante's Ask the Dust, he solicited the man himself for advice. Fante was himself a successful Hollywood screen writer. In his reply ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Barbet Schroeder's romanticized portrait of self-mythologizing writer and drunk Charles Bukowski skillfully draws one into the world of these damaged characters. What little story there is concerns the writer's (Mickey Rourke) daily ritual of massive alcohol intake, fighting, and writing. With the appearance of Faye Dunaway a fellow lush, the possibility of romance glimmers on the horizon. A labor of love for Schroeder, who cajoled Bukowski for years to finish the script, it captures the writer's matted hair, filthy clothes, bloodied features, and perennial alcoholic stupor with loving care. He's as happy as a king in his castle. In Dunaway, he finds his ideal mate, one who likes to drink and talk all day, and head home with him at night. The self- awareness of these two sharp characters gives their scenes a tragic-comic edge, and their relationship is the best part of the film. When you hear the word "sordid", the name Mickey Rourke spring to mind, and he perfectly nails the character's grandiose self-abasement. Dunaway is superb as well, with the bizarre catfight scene conjuring memories of Mommie Dearest (1981). The photography of the gifted Robby Muller transforms the dive these characters inhabit into a place of ugly beauty. ~ Michael Costello, All Movie Guide
 



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