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Ju-on
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All reviews for Ju-on

    TheWorkingDeadTheWorkingDead A Call Worth Missing
    by TheWorkingDead in TheWorkingDead Blog
    loved it.
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    "It may be fading now, but Asian horror films, predominantly Japanese horror films, have had a pretty good representation on American shores of late. Prior to the turn of the century, American audiences usually thought of Godzilla-style rubber monsters when thinking of Japanese horror cinema, and most never even thought of Chinese or Korean cinema at all. That all changed in 1998, when word started to get back to adventurous horror fans of what was being touted as a completely original and utterly frightening film from Japan called Ringu. In 2002 the sub-genre burst into the mainstream consciousness when Ringu got a first class Hollywood remake courtesy of director Gore Verbinski. Say what you will about remakes in general, and I don't mean any disrespect to the original, but the American remake was a perfect translation, a great way to take the horror sensibilities from Japan and inject them into American cinema. It was familiar enough to not be offputting, but different enough ... " [More]
    IronAbacusIronAbacus Shutter
    by IronAbacus in Haiku Reviews of Extreme Asian Cinema
    liked it.
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    "Another ghost girl, but what a ghost girl! The best of class since Ju-on | ????? | IMDb | AMG | Spout " [More]
    IronAbacusIronAbacus Ju-on 2
    by IronAbacus in Haiku Reviews of Extreme Asian Cinema
    liked it.
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    "The curse continues (after thirty-three minutes of scenes from Ju-on) | ????? | IMDb | Spout " [More]
    IronAbacusIronAbacus Ju-on
    by IronAbacus in Haiku Reviews of Extreme Asian Cinema
    liked it.
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    "Horror films made for original video should not be this good | ????? | IMDb | SpoutIt’s a very nice house.“It’s practically new,” says real-estate agent Tatsuya Suzuki. “And,” he adds, “it’s near the train station.” Also, it’s on the market for a song.The only problem is the previous occupants. They’re still there. There’s Kayako Saeki—she’s dead—and her little boy Toshio—he’s dead, too—along with Mar the housecat—dead as well. They died, implies the film, “in a powerful rage,” and their deaths unleashed a ju-on or curse, so that anyone who so much as steps foot in the house receives a phone call or a visit from one of the deceased and winds up just as dead as they are, “and a new curse is born,” or so the film explains.As it happens, at least five other curses were born, and that’s only if you count the sequels.Ju-on (2000) comes by way of ... " [More]
 
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