Join the Comic-Con group
Advertisement

Ju-on
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

trailerWatch trailer

Rent it, watch it, find it

Advertisement

Directed by Takashi Shimizu.
Writer/director Takashi Shimizu's Ju-on (The Grudge) originally aired on Japanese television, and eventually developed a worldwide cult following as a low-budget horror classic. Shimizu went on to make an extended version of the movie, misleadingly titled Ju-on 2, and a big-budget film based on the original video. Ju-on is a series of vignettes about a curse that passes on from one aggrieved dead person to the next. Kobayashi (Yuurei Yanagi), a young teacher with a pregnant wife, goes to visit the home of Toshio (Ryôta Koyama), a boy who's been missing from his class. He finds the house a wreck, and the boy alone and seemingly traumatized. The story then makes a temporal leap, as we find a teenager, Yuki (Hitomi Miwa), at the same house, studying with her classmate, Kanna (Asumi Miwa), who lives there with her brother, Tsuyoshi (Kazushi Andô), and their mother, Noriko (Yumi Yoshiyuki). Yuki has some kind of phobia about cats. Kanna remembers that she forgot to feed the rabbits at school, and rushes off, leaving Yuki. A cat wanders into the room and frightens Yuki into the closet. She hears a rattling noise coming from the crawlspace over the closet, and ill-advisedly takes a look up there. Mizuho (Chiaki Kuriyama), Tsuyoshi's girlfriend, goes looking for him at the school, where she runs into a ghostly Toshio, mewling like a cat, and meets a gruesome fate. Noriko returns home to an empty house. Kanna soon comes home, but she's...changed. The film then cuts back to Kobayashi, as he discovers the gruesome fate of Toshio's mother, an old schoolmate of his, and also finds out about his own surprising link to the strange boy. The story ends with Kyôko (Yûko Daike), a woman with psychic powers who is helping her brother sell the cursed house. ~ Josh Ralske, All Movie Guide
[more]

Reviews and discussions

Write a review

TheWorkingDeadTheWorkingDead A Call Worth Missing
by TheWorkingDead in TheWorkingDead Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"It may be fading now, but Asian horror films, predominantly Japanese horror films, have had a pretty good representation on American shores of late. Prior to the turn of the century, American audiences usually thought of Godzilla-style rubber monsters when thinking of Japanese horror cinema, and most never even thought of Chinese or Korean cinema at all. That all changed in 1998, when word started to get back to adventurous horror fans of what was being touted as a completely original and utterly frightening film from Japan called Ringu. In 2002 the sub-genre burst into the mainstream consciousness when Ringu got a first class Hollywood remake courtesy of director Gore Verbinski. Say what you will about remakes in general, and I don't mean any disrespect to the original, but the American remake was a perfect translation, a great way to take the horror sensibilities from Japan and inject them into American cinema. It was familiar enough to not be offputting, but different enough ... " [More]
divinemsjunebugdivinemsjunebug Re: Favorite Foreign Scary Movie
by divinemsjunebug in HORROR MOVIES 101
loved it.
"I have to say that I loved both Vanishings. Was the original Dutch? I can't remember. Anyway, that was a great psychological thriller and the ending still disturbs me when I think of it. I have to agree with IronAbacus too, I really enjoy Asian horror the best I think. I loved the Ringu movies, the American Ring was really great, but the second one was just horrible in my opionion, but I absolutely loved Ringu 2, it so spooky. I think I love Asian scary movies because it is more supernatural than blood and gore. I love ghost stories and wondering what's around the corner in the dark, or under the table. So cool. Have you seen Two Sisters? That was really good and very sad. I did like the ending though. The Ju-on movies were much scarier to me than the American versions, although I did really enjoy Grudge 2. To be honest, I think I really liked Brotherhood of the Wolf because of the excellent choreography of the fight scenes, the mystery of what the creature w ... " [More]
IronAbacusIronAbacus Shutter
by IronAbacus in Haiku Reviews of Extreme Asian Cinema
liked it.
Was this review helpful? [Be the first to tell us!]
"Another ghost girl, but what a ghost girl! The best of class since Ju-on | ●●●●○ | IMDb | AMG | Spout " [More]
IronAbacusIronAbacus Ju-on 2
by IronAbacus in Haiku Reviews of Extreme Asian Cinema
liked it.
Was this review helpful? [Be the first to tell us!]
"The curse continues (after thirty-three minutes of scenes from Ju-on) | ●●●○○ | IMDb | Spout " [More]
IronAbacusIronAbacus Ju-on
by IronAbacus in Haiku Reviews of Extreme Asian Cinema
liked it.
Was this review helpful? [Be the first to tell us!]
"Horror films made for original video should not be this good | ●●●●○ | IMDb | SpoutIt’s a very nice house.“It’s practically new,” says real-estate agent Tatsuya Suzuki. “And,” he adds, “it’s near the train station.” Also, it’s on the market for a song.The only problem is the previous occupants. They’re still there. There’s Kayako Saeki—she’s dead—and her little boy Toshio—he’s dead, too—along with Mar the housecat—dead as well. They died, implies the film, “in a powerful rage,” and their deaths unleashed a ju-on or curse, so that anyone who so much as steps foot in the house receives a phone call or a visit from one of the deceased and winds up just as dead as they are, “and a new curse is born,” or so the film explains.As it happens, at least five other curses were born, and that’s only if you count the sequels.Ju-on (2000) comes by way of ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Ju-on is a surprisingly effective low-budget horror video from Japan. While the plot never quite comes together -- it's haphazard and confusing -- the movie succeeds because of its unnervingly creepy atmosphere and consistently mournful and unsettling tone. An object lesson in bang-for-the-buck, Ju-on uses its limited means to create an overwhelming sense of dread. There are a couple of visceral shock moments, particularly a memory-searing sequence in which one unfortunate schoolgirl, Kanna (Asumi Miwa), returns home in an altered state. But for the most part, the movie works on a more subtle level, cannily using disconcerting sound effects and shadowy visuals to get under the skin. Writer/director Takashi Shimizu and cinematographer Tokusho Kikumura get the most out of digital video's natural coldness and shallow focus. From an early shot of a neighbor stopping for a quick shudder outside the aggrieved house that is the center of the movie's horrors to its use of sparse, awkward dialogue in several uncomfortable social situations, Ju-on captures an overwhelming feeling of alienation that transcends its modest ghost story trappings. ~ Josh Ralske, All Movie Guide
 



Community ratings

mavens
Spout mavens
are neutral about it.
most people
Most people
lost interest.

Other opinions

divinemsjunebug
divinemsjunebug
loved it.
azguki
azguki
loved it.
TheWorkingDead
TheWorkingDead
loved it.
halo1205
halo1205
is not interested.
macguffin54
macguffin54
is not interested.
witchyflickchick
witchyflickchick
is not interested.